POSTPONED: CLIMA: An annual exhibit addressing Global Climate Change and Sea Level Rise

POSTPONED DUE TO HURRICANE IRMA


CLIMA Home | Main 2017Main 2016 | Main 2015

 

You are cordially invited to the opening of

CLIMA

an exhibit addressing Global Climate Change and Sea Level Rise
on Thursday, October 12th, 2017  from 6 pm to 9 pm.

at

The Hibiscus Gallery
Pinecrest Gardens
11000 S. Red Road
Pinecrest, FL 33156

 

CLIMA features the work of artists

John Bailly

Xavier Cortada

Michael Gray 

and

Gretchen Scharnagl

plus interactive works developed by

FIU School of Communication + Journalism and Code for Miami

 

 

Gretchen Scharnagl, “Ate Grapefruit,” 2015

 

 

EVENTS BELOW POSTPONED DUE TO HURRICANE IRMA


CLIMA 2017 Schedule:

The exhibit runs from October 12th to November 19th, 2017:

Exhibit opening on Thursday, October 12th, 2017  from 6 pm to 9 pm.

Urbanism Panel discussion on Wednesday, October 18th from 10 am to noon.

Artists’ Talk on Thursday, October 19th from 7 pm to 9 pm.

Science Panel discussion on Friday, October 20th from 10 am to noon.

Performance on Friday, October 20th from 7 pm to 9 pm.

Sea Level Solutions Day on Saturday, October 21st at 9 am.

 

 

Join us on Thursday, October 12th, 2017 at 6pm at the Hibiscus Gallery in Pinecrest Gardens for the opening of CLIMA, an exhibit addressing Global Climate Change and Sea Level Rise. This third-annual show features the work of artists John Bailly, Xavier Cortada, Michael Gray, and Gretchen Scharnagl. The exhibit will also feature interactive works developed by the FIU School of Communication + Journalism and Code for Miami to address sea level rise- including “Will it Flood?,” a new flood prediction app: type in your address! See when the high tides will affect your neighborhood!

The CLIMA exhibit is presented in partnership with Florida International University College of Arts & Sciences School of Environment, Society and the Arts (SEAS), the FIU College of Communication, Architecture + The Arts (CARTA), the FIU Honors College (Honors) and the FIU Sea Level Solutions Center (SLSC).



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CLIMA 2016 featured Cortada’s “DO NOT OPEN”

Xavier Cortada, “DO NOT OPEN,” 2016.


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CLIMA 2015 featured Cortada’s “Five Actions to Stop Rising Seas”

Xavier Cortada, "Five Actions to Stop Rising Seas: FREEZE IT!," video sreen shot, 2015. In acknowledgement of the support of the Rauschenberg Residency/Robert Rauschenberg Foundation.

Xavier Cortada, “Five Actions to Stop Rising Seas: FREEZE IT!,” video screen shot, 2015. In acknowledgment of the support of the Rauschenberg Residency/Robert Rauschenberg Foundation.

 

San José : DO NOT OPEN until 2117

San José : DO NOT OPEN until 2117

MACLA Instagram screen capture: Xavier Cortada, “DO NOT OPEN/San Jose,” 2017

 

In “DO NOT OPEN,” I ask residents of San José to write letters to the future. I do so because, today, many of their neighbors aren’t willing to listen. Today, too many are in denial about the human impact on global climate change. For many, denial comes easier than visualizing the future impact of rising seas on their community. Our words fall on deaf ears.

So, instead, we must write it all down, keep it in a safe place, and share it later, when others are willing to listen.

Although the letters are intended for people not yet born, the true audience is those breathing in the present.

Sure, the future will be curious.
The future will read our letters and want to know why we couldn’t show restraint when facing insurmountable evidence of our role in creating this global crisis.

The future will be incredulous.
In 2117, our great-grandchildren will read the words we wrote them and want to understand why we didn’t do more when so much—everything– was at stake.

The future will be furious.
A century from now, San José will read what we penned and want to know how, on our watch, ecosystems collapsed, biodiversity plummeted and so much of humanity suffered.

The future will benefit from insights, but “DO NOT OPEN” isn’t for them. It’s not about them. It’s about us.

I’m less interested in them being able to hear us. And more interested in us being able to see them. By writing to them, we name them. By writing to them, we can’t deny their existence. By writing to them, we create a connection to them.

Being able to connect with our progeny raises the stakes for us now in 2017. It lengthens the “care horizon” beyond our lifetime. It provides a path to hope, purpose. It encourages us to do all we can now to protect our planet, its future generations and the animals we coevolved with.

— Xavier Cortada

 

http://cortada.com/event/2017/macla

MACLA Instagram screen capture: Xavier Cortada, “DO NOT OPEN/San Jose,” 2017.

 

During the opening Temperature Check exhibition, MACLA invites attendees to participate in Cortada’s “DO NOT OPEN” performance.

Participant Instructions:

Walk up to the “DO NOT OPEN” wall in the MACLA Temperature Check
Close your eyes: Imagine San José 100 years in the future. Imagine the people living here then. Imagine how rising seas will impact the city and those who will live here then.
Think about what you would like them to know. Think about what someone living in San José in 2117 would want to hear from someone living here in 2017.
Unclip a piece of blank paper and envelope from the “DO NOT OPEN” wall and use a pencil to write it all down:

Tell them who you are.
Tell them why you are writing to them.
Tell them what you thought, what you saw.
Tell them what you felt, what you feared.
Tell them what you did, what you hoped for.
Tell them what you want them to do.

Fold your handwritten letter in two, kiss it, place it inside the envelope and seal it. Sign and date the back of your envelope and write the words:
“DO NOT OPEN until 2117”
Clip the sealed envelope to the “DO NOT OPEN” wall with the handwritten words facing out.
Stare at your envelope for 100 seconds. Visualize the changes rising seas will bring over each of the next 100 years. Think of how your words will be received in San José in 2117.
Walk away.

See: http://cortada.com/event/2017/macla

His presence will be felt for many days to come…

We learned about Father Lerena’s passing a month ago. Here is what I wrote…


Fr. Francisco Pérez-Lerena, S.J.
December 27, 1924 – July 25, 2017

 

Fr. Francisco Pérez-Lerena, S.J. lived on planet Earth for 33,813 days. I only got to spend a fraction of that time with him. But it was enough to learn about his greatness.

It was the late 80s and early 90s as he was doing everything he could to address the drug epidemic consuming his city. Prior to that, Fr. Lerena had been the leader of Jesuit priests in the Antilles (1974-79) and the rector of Belen Jesuit (1980-83), back when the prep school was based in Little Havana.

In 1984, as a parish priest in Downtown Miami, he was moved by the plight of Kelvin Minnick who came to confession. The priest struggled to find a drug treatment for the young man, but before he could, Kelvin committed suicide.

The Jesuit priest realized he had to do something to help Miami’s drug-addicted youth. Finding few resources, he decided to build his own center.  From the rectory of Gesu Catholic Church he began organizing; he called on volunteers to help him—my Mom was among them.

Together, they began to build Regis House, a drug prevention and treatment center.  Slowly, they raised money, awareness and more volunteers to grow the organization. They built community, life. They gathered for weekly masses and potlucks. They organized working sessions to plan radio marathons, raffles and gala luncheons.

He knitted together friends, parishioners, the Belen community, concerned citizens, politicians, parents, students –any one who would listen — to work together to help care for our community’s children.

People listened. People responded. Together, he led them in building Regis House.

I last saw Fr. Lerena on April 1st, 2017, 116 days before he died. He was surrounded by a room-full of supporters who came to thank him for a life dedicated to love, to service. At 92, he was stepping down as the leader of the non-profit organization he had founded, fully aware of the impact they had made. The organization had changed the lives of countless children and families, including the very people he called upon to help him build Regis House.

Fr. Lerena was an incredibly generous man. He was a man of purpose and vision. He was a leader. Leading by example, he taught us how to be better, do better.

We are all better because he lived.

His presence will be felt for many days to come.

 

Xavier Cortada

Regis House Executive Director, 1990-1992
Board member 1988-1997

April 1, 2017: Fr. Lerena and Xavier Cortada at Belen Jesuit Prep School in Miami.

Sweetwater Elementary to perform “Longitudinal Installation” during Power of Arts Museum at Sweetwater

Sweetwater Elementary to perform “Longitudinal Installation”

 

 

Xavier Cortada, The Longitudinal Installation (at the South Pole), 2007

Longitudinal Installation,” created by Cortada a decade ago as part of his NSF Antarctic Artists and Writers Program residency in Antarctica, will be performed by Sweetwater Elementary School students on May 24th at 7 pm.  The performance and activity is co-presented by the Reclamation Projects with the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners.

Participate by following these steps:

1. Find a group of 24 people to perform the Longitudinal Installation ritual with and engage in the performance.
Click here to download instructions.

2. Document the performance with photos and video.

3. Upload photo on www.facebook.com/longitudinalinstallation

4.  Add the “25th quote.”

Xavier Cortada, The Longitudinal Installation (at the South Pole), 2007 (Listen: http://c.ymcdn.com/sites/www.xaviercortada.com/resource/resmgr/longitudinal_installation_no.mp3)

24 Global Voices

longitude11x17_graphicThese quotes taken from newspapers across 24 time zones that talking about the impact of climate change on that individual’s life. After Xavier Cortada completed the Longitudinal Installation at the South Pole, he walked to the 0 degree longitude, the prime meridian, and walked clockwise around the pole. He stopped at each shoe to recite each of the following quotes:

 

0°, Spain:
“There may be a move of wineries into the Pyrenees in the future.”
— Xavier Sort, technical director of Miguel Torres Wineries.

15° E, Switzerland:
“Losses to insurers from environmental events have risen exponentially over the past 30 years, and are expected to rise even more rapidly still.”
— Pamela Heck, Insurance Industry Expert.

30° E, Zimbabwe:
“We used to be able to grow everything we want but that has all changed.”
— Matsapi Nyathi, Grandmother.

45° E, Turkey:
“We are helpless. We’re trying to rescue trapped people while also trying to evacuate flood waters that have inundated hundreds of houses.”
— Muharrem Ergul, Mayor, Beykoz district of Istanbul.

60° E, Iran:
“More than 90 percent of our wetlands have completely dried up.”
— Alamdar Alamdari, environmental researcher, Fars Province.

75° E, Maldives:
“In the worst case scenario, we’ll have to move.”
— Foreign Ministry spokesman Ahmed Shaheed.

90° E, Tibet, China:
“The Sherpas of Khumbu may not know everything, but they are suffering the consequences of the people’s greed. We mountain people should be careful and take precautions. If we don’t save Khumbu today our fresh water will dry up and the problem will be impossible to solve in the future.”
— Ngawang Tenzing Jangpo, the Abbot of Tengboche monastery.

105° E, Borneo, Indonesia:
“There’s been no rain, it’s horrible. The governor’s office has instructed schools and offices to close until further notice.”
— Hidayat, government official.

120° E, Philippines:
“The disaster covered almost every corner of this province – rampaging floods, falling trees, damaged houses. It happened very rapidly and many people did not expect this because they haven’t experienced mud flows in those areas before.”
— Fernando Gonzalez, governor of Albay province.

135° E, Japan:
“It’s no exaggeration to say that Japan faces a critical situation when describing the rapid decline of marine supply in its domestic waters that is linked to seaweed loss. Tengusa (seaweed) provides food for marine species.”
— Tomohiro Takase, head of the fisheries department at the Hachijojima municipality.

150° E, Great Barrier Reef, Australia:
“In 20 years’ time, bleaching is highly likely to be annual and that will cause shallow-water corals to be in decline. We need to start working out how we can help people who rely on it for their income. It’s really quite a stunning fact.”
— Ove Hoegh-Guldberg, director of the Centre for Marine Studies at the University of Queensland.

165° E, Micronesia:
“We have nowhere to go.”
— Ben Namakin, Environmental Educator.

180°, Tuvalu: “Tuvalu is the first victim of global warming.”
— Koloa Talake, former prime minister.

165° W , Niue: “Yesterday morning we woke up to a scene of so much devastation, it was just unbelievable. Cyclone Heta was just so fast, furious and ruthless.”
— Cecelia Talagi, Government Secretary.

150° W, Alaska, USA:
“We are at a crossroads. . . Is it practical to stand and fight our Mother Ocean? Or do we surrender and move?”
— Shishmaref Mayor Edith Vorderstrasse.

135° W, Yukon, Canada:
“The weather is really unpredictable and the ice freezes much later and breaks up earlier. There are more incidents of hunters falling through the ice.”
— Kik Shappa, Hunter, Griese Fiord, Canada.

120° W Nunavut, Canada:
“Our cultural heritage is at stake here. We are an adaptable people. We have over the millennium been able to adapt to incredible circumstances. But I think adaptability has its limits. If the ice is not forming, how else does one adapt to seasons that are not as they used to be when the whole environment is changing underneath our feet, literally?”
— Sheila Watt-Cloutier, president of the circumpolar conference.

105° W, Colorado, USA:
“In Colorado, climate change means less snow, less water, more wildfires, less biodiversity and less economic opportunity, as there is less water available for development.”
— Stephen Saunders, president, Rocky Mountain Climate Organization.

90° W, Nicaragua:
“I closed my eyes and prayed to God.”
— Mariana González, Hurricane Mitch survivor.

75° W, Peru:
“I tell my wife the day that mountain loses its snow, we will have to move out of the valley.”
— Jose Ignacio Lambarri, farmer, Urubamba Valley.

60° W, Argentina:
“The flooding has forced us to redesign routes. We thought it would be for a short period of time, but it has been almost six years.”
— Carlos Avellaneda, manager of a trucking company.

45° W, Brazil:
“I am very frightened. One thing goes wrong, and the entire system follows.”
— Jair Souto, Mayor of Manaquiri.

30° W, Greenland:
“They tell us that we must not eat mattak [whale blubber], but this is all we know. Eating Inughuit food makes us who we are, and anyway we have nothing else to eat!”
— Tekummeq, Town of Qaanaaq.

15° W, Maurtitania:
“We are only eating one meal a day. When there is not enough food, it is the young and the old that get fed first.”
— Fatimitu Mint Eletou, Bouchamo.


Sweetwater Elementary to grow FLOR500 wildflowers in every student’s home

 

FLOR500 | Sweetwater
Miami artist Xavier Cortada will lead Sweetwater Elementary School students in creating a participatory eco-art project in support of the pollinators.  Inspired by his FLOR500 project (www.flor500.com), kids at the school will plant wildflower seeds to grow in their classroom.  Each student will have a cup with their name on it.  Each student will also create a hand-painted flag celebrating Earth Day.  Once sprouted, the student will take the wildflower plants home and plant them alongside their flags.  Planting the flag, they will become reverse conquistadores, returning a patch of land back to nature.

The first garden (see photo above) featured Coreopsis lanceolata, the official state wildflower. It was planted in front of the Museum of Florida History in Tallahassee, FL on March 22, 2012 and dedicated to Florida’s indigenous people.

 

“Each of us has a role in helping shape Florida’s natural history,” said Cortada.  “We can help reclaim nature, one yard at a time, by planting wildflower gardens to support our pollinators.”  Cortada hopes his art piece will help educate individuals about the importance of Florida’s ecosystems and encourage better environmental stewardship.  This FLOR500 | Sweetwater participatory eco-art project at Sweetwater Elementary School is presented by FIU Frost Art Museum, FIU School of Environment, Arts and Society | College of Arts, Sciences & Education, the FIU College of Communication, Architecture + The Arts, and by the Participatory Art Projects, Inc. with the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners.

 FLOR500 is a participatory art, nature, and history project created by Miami artist Xavier Cortada to commemorate Florida’s quincentennial in 2013. The project marks the importance of the moment when the history of our state changed forever and gives us a glimpse of what its landscape was like 500 years ago.
500 flowers
A team of scientists selected the 500 native flowers-  the same ones that grew in our state when Juan Ponce de Leon landed in 1513 and named it “La Florida”–from “flor,” the Spanish word for flower.
500 artists
Five hundred Floridians were then invited to depict 500 native wildflowers. The artwork, along with information about each flower, will be posted on the project website (www.FLOR500.com).500 gardens
A team of historians selected individuals who helped shape Florida history.  Florida schools and libraries (across the 67 counties and 8 regions) are encouraged to plant 500 wildflower gardens, dedicating them to one of 500 important Floridians selected by a team of historians.  These 500 new native habitats will help support Florida’s biodiversity.

Wildflowers, with help of their pollinators, help make Earth verdant:  Plant life sustains all animals (including humans) and balance atmospheric gases (that accelerate global climate change). Wildflowers would naturally continue to blanket our planet were it not for the displacement caused by the concrete we’ve poured ‐‐ and the parcels we’ve platted ‐‐ to build our homes and grow our society. Help reverse the trend:  Show us your wild side. Plant wildflowers in your yard.”
— Xavier Cortada

About the Artist: 

Xavier Cortada serves as Artist-in-Residence at FIU School of Environment, Arts and Society | College of Arts, Sciences & Education  and the College of Communication, Architecture + The Arts.

Cortada often engages scientists in his art-making: At CERN, Cortada and a particle physicist created a permanent digital-art piece to celebrate the Higgs boson discovery. He has collaborated with a population geneticist to explore our ancestral journeys out of Africa 60,000-years ago, with a molecular biologist to synthesize a DNA strand from a sequence 400 museum visitors randomly generated, and with botanists to develop multi-year participatory eco-art efforts to reforest mangrovesnative trees and wildflowers across Florida.

The Miami artist has created environmental installations (North Pole and South Pole) and eco-art (TaiwanHawaii and Hollandprojects, and painted community murals addressing peace (Cyprus and Northern Ireland), child welfare  (Bolivia and Panama), AIDS (Switzerland and South Africa) and juvenile justice (Miami and Philadelphia) concerns.

Fore more info visit http://www.cortada.com

DEERING SPRING CONTEMPORARY “PLATFORM 450” exhibit

 

FIU SEAS and CARTA artist-in-residence Xavier Cortada
will be exhibiting his Native Flags project (www.nativeflags.org)
and his 2015 work, 5 Actions to Stop Rising Seas.
at

DEERING SPRING CONTEMPORARY “PLATFORM 450”

An international symposium and curated exhibit focused on the intersection of science and art.
Exhibit & Special Event on Saturday, April 22, 2017
3:30 pm -10:00 pm; Free and open to the public
Exhibit on display from April 9 – June 26, 2017

 

HIT IT: Xavier Cortada, “Five Actions to Stop Rising Seas: Hit it!,” video screen shot, 2015.
In acknowledgement of the support from the Rauschenberg Residency/Robert Rauschenberg Foundation

 

5 Actions to Stop Rising Seas: Hit it! | Burn it! | Eat it! | Freeze itBury it! video documentation of performance, 2015
Xavier Cortada

5 Actions to Stop Rising Seas was created by Xavier Cortada during April-May 2015 during an artist residency at the Rising Seas Confab 2015, Rauschenberg Studio, Captiva, Florida. In this performance, Cortada comments with irony on the weak to non-existent actions being taken to address both the causes and the imminent realities of climate disruption in a State clearly at the epicenter of potential disaster—one which has been caused by inadequate action globally on soaring levels of greenhouse gases related to human activity.

Cortada has long been involved in art that intervenes in, and/or comments upon environmental problems. He has created environmental installations (North Pole and South Poleand direct-impact ecological art projects, in Florida, around the US, and internationally, (Taiwan, Hawaii and Holland).

Xavier Cortada is Florida-educated and has lived in Miami since he was three. He is currently Artist-in-Residence at FIU School of Environment, Arts and Society | College of Arts, Science & Education and the College of Communication, Architecture + the Arts. (http://www.cortada.com)

 

ABOUT DEERING ESTATE:

The Deering Estate offers complimentary exhibit evenings, highlighting a variety of contemporary, historic, and visiting exhibitions inside the historic homes. Exhibit Evenings are free of charge and offer the public a chance to interact with artists and curators and to experience a variety of exhibit tours and talks. Exhibit Evenings are held from 7:00 pm to 9:00 pm, unless otherwise noted. Exhibit on view daily, 10:00 am – 4:00 pm; Free with Estate Admission.

The Ripple Effect

Xavier Cortada, “Splash,” hand-carved, hand-painted ceramic, (detail), 2012.

 

The Ripple Effect:

Throw a stone in water and the ripples have an impact beyond your reach.

Similarly, what you do or fail to do can have a lasting impact on others.

What can you do to have a positive effect in your community and the environment?

Share your thoughts and ideas through this creative process.

Join us!

“Florida is… Wildflowers” at Miami Children’s Museum

tiled7-drawing

Miami artist Xavier Cortada will lead children in creating a participatory eco-art project in support of the pollinators.  Inspired by his FLOR500 project (www.flor500.com), kids at the Miami Children Museum will work collaboratively to create a large art piece of a native wildflower.  They will then take wildflower seeds and place them in envelopes.  Visitors will be invited to take a piece of the flower drawing home if they promise to plant the wildflower seeds in their garden.   “Each of us has a role in helping shape Florida’s natural history,” said Cortada.  “We can help reclaim nature, one yard at a time, by planting wildflower gardens to support our pollinators.”  Cortada hopes his art piece will help educate individuals about the importance of Florida’s ecosystems and encourage better environmental stewardship.

Wildflowers, with help of their pollinators, help make Earth verdant:  Plant life sustains all animals (including humans) and balance atmospheric gases (that accelerate global climate change). Wildflowers would naturally continue to blanket our planet were it not for the displacement caused by the concrete we’ve poured ‐‐ and the parcels we’ve platted ‐‐ to build our homes and grow our society. Help reverse the trend:  Show us your wild side. Plant wildflowers in your yard.”
— Xavier Cortada

About the Artist: 

Xavier Cortada serves as Artist-in-Residence at FIU School of Environment, Arts and Society | College of Arts, Science & Education and the College of Communication, Architecture + The Arts.

Cortada often engages scientists in his art-making: At CERN, Cortada and a particle physicist created a permanent digital-art piece to celebrate the Higgs boson discovery. He has collaborated with a population geneticist to explore our ancestral journeys out of Africa 60,000-years ago, with a molecular biologist to synthesize a DNA strand from a sequence 400 museum visitors randomly generated, and with botanists to develop multi-year participatory eco-art efforts to reforest mangrovesnative trees and wildflowers across Florida.

The Miami artist has created environmental installations (North Pole and South Pole) and eco-art (TaiwanHawaii and Hollandprojects, and painted community murals addressing peace (Cyprus and Northern Ireland), child welfare  (Bolivia and Panama), AIDS (Switzerland and South Africa) and juvenile justice (Miami and Philadelphia) concerns.

Fore more info visit http://www.cortada.com

Celebrating Gay Pride Month

Selected early works from the Xavier Cortada’s “Male Torso” series will be displayed outside the artist’s studio in the Bakehouse Art Complex during June 2016.  Cortada painted the series in 1996-97.  The exhibit celebrates Gay Pride Month 2016, honoring the advances made by the LGBTQ Community in the two decades since the works were completed.  There’s still work to be done as society continues pushing forward to bring full equality to all.

 

Xavier Cortada, "Torso 7", 72" x 40," acrylic on canvas, 1996.

Xavier Cortada, “Torso 7″, 72″ x 40,” acrylic on canvas, 1996.