Cortada’s “Endangered World: BNP & 80.15W” exhibition celebrates 50th anniversary of our “Underwater” Park!

 

Endangered World: Biscayne National Park

and

80.15 W

a solo exhibition by

Xavier Cortada

at

Hibiscus Gallery
Pinecrest Gardens
11000 S. Red Road
Pinecrest, FL 33156

 

Join us in welcoming special guest Gary Bremen, Biscayne National Park Ranger during our opening reception on Sunday, August 12, 2018 from noon to 2pm.

Exhibition runs through August 8, 2018 through September 3, 2018

 

 

 

Xavier Cortada (with the participation of 359 collaborators), “Endangered World: Biscayne National Park,” 360 individually painted flags flying along a mile-long, site-specific participatory art installation across the national park, 2010. (http://endangeredworld.org/biscayne-national-park/)

Exhibition celebrates the celebrates the 50th anniversary of Biscayne National Park

Endangered World: Biscayne National Park: Conceptualized by Cortada, the outdoor installation features 360 brightly colored flags lining Convoy Point’s roads and trails for over a mile. Each flag represents one degree of the planet’s longitude, and 360 individuals and organizations from throughout South Florida decorated the flags with an image of an endangered or threatened animal that lives at that longitude. Participants also committed to an “eco-action” that directly or indirectly mitigates the plight of that animal. (Learn more at http://endangeredworld.org/biscayne-national-park)

80.15 W: In contrast to the exuberance of the outdoor installation is 80.15 W inside the Dante Fascell Visitor Center Gallery. Here, Cortada has created 17 somber works on paper that feature the 17 threatened and endangered species that call Biscayne National Park home. The exhibit is titled for the longitude where the Visitor Center sits to tie it in to the larger installation outside. The pieces were created using reused carbon paper, a metaphor for the impact (or “carbon footprint”) that humans have had on that animal. (Learn more at https://cortada.com/2010/80.15W)

Biscayne National Park:

In 1968, plans for southern Biscayne Bay included a major petrochemical plant necessitating digging a 40-foot deep channel across the bay for 7 miles in an area that naturally averages 6-8 feet deep. That channel was to conyinue beyond the northern Keys, through the shallow coral reefs, out to deep water. At the same time, plan were afoot to establish the City of Islandia, consisting of the northernmost islands of the Florida Keys (those north of Key Largo). The city was to include single-family and high rise living, bridges, streets, an amusement park and more. A small, but vocal and incredibly persistent, group of citizens fought these plans, and proposed the creation of a national park unlike any other…one covered mostly by water. Fifty years later, Biscayne National Park celebrates its Golden Anniversary as the largest marine park in the National Park System, protecting mangrove forests, shallow bay waters, the undeveloped Florida Keys, coral reefs and evidence of 10,000 years of human history, all within sight of downtown Miami.

The park preserves Biscayne Bay and its offshore barrier reefs. Ninety-five percent of the park is water, and the shore of the bay is the location of an extensive mangrove forest. The park covers 172,971 acres (69,999 ha) and includes Elliott Key, the park’s largest island and first of the true Florida Keys, formed from fossilized coral reef.  The park is home to an incredible diversity of animals and plants including over 600 native fish, neo-tropical water birds and migratory habitat, and threatened and endangered species including sea turtles, manatees, the Schaus’ swallowtail butterfly and Florida semaphore cactus. Some animals and plants are in the northern limits of their ranges.Biscayne National Park is a very diverse place. Four distinct ecosystems melt into one another creating rich edge communities or “ecotones.” These edges support an incredible array of wildlife, including hundreds of species of colorful fish, plants found nowhere else in the United States, and visitor favorites like pelicans, manatees and sea turtles. Winds, currents, storms and the park’s close proximity to one of the nation’s largest urban areas means that the entire park is in a constant state of flux — ever-changing in the face of new challenges posed by the constant cycle of building and destruction. (Learn more about Biscayne National Park at https://www.nps.gov/bisc/index.htm)

 

 

Xavier Cortada “(80.15 W:) Hawksbill Sea Turtle” Archival ink on paper (generated from drawings created on 11” x 8.5” carbon paper) Signed, numbered, limited edition (edition of 5), 16” x 12” 2010

 

Titled for Biscayne Bay’s longitude, “80.15 W” features the 17 threatened and endangered species that call Biscayne National Park (in Miami, FL) home. In 2010, Cortada created the drawings on carbon paper, a metaphor for the impact (or “carbon footprint”) that humans have had on that animal, even across the boundaries of protected nature preserve. The carbon paper originals were premiered at the national park’s gallery and are in the permanent collection of NSU Art Museum Fort Lauderdale, Ft. Lauderdale, FL.

Creative Pinellas presents “As the Arctic Melts …,” an artist’s talk by Xavier Cortada

90N:     Main | Event | Gallery | Press
Galleries:     Arctic Ice Paintings | Native Flags | Endangered World | Longitudinal Installation | North Pole Dinner Party

 

 

 

Creative Pinellas 
presents

As the Arctic Melts …

an artist’s talk by
Xavier Cortada

on
Thursday, July 19th, 2018
7:00 – 8:30 pm

at
Pinewood Cultural Center Auditorium
12211 Walsingham Road
Largo, FL 33778

 

 

 

The lecture is presented in conjunction with the presentation of the artist’s 
90N: North Pole Installations exhibition across the way at

Gallery Creative Pinellas
12211 Walsingham Road
Largo, FL 33778

 

Exhibition runs June 29, 2018 through September 2, 2018 

 

 

Ten years ago, Cortada’s ice breaker easily pushed through the then-thinning polar ice, surprising the crew at its early arrival in the North Pole. Arctic warming has since continued melting sea ice at frightening speed:   “Within two decades” stated the artist, “I will be able to repeat the journey on a sailboat, because scientists tell us the Arctic Ocean will be ice-free during summer. Global Climate Change will not just melt the Arctic, it will irrevocably change the world below.”

“I bring this exhibition to the people of Florida to draw the alarming connection between the Arctic and our peninsula,” said Cortada. “Melting ice will have catastrophic effects across our state and weaken the Gulf Stream. Arctic warming will lead to sea level rise, more coastal flooding, prolonged heatwaves, relentless rain, stalled tropical storms, extreme weather and more intense fire seasons.”

 

About the Artist

Xavier Cortada created art installations at the North Pole and South Pole to address environmental concerns at every point in between. He’s been commissioned to create art for CERN, the White House, the World Bank, Miami City Hall, Miami-Dade County Hall, Florida Botanical Gardens, Port Everglades, Florida’s Turnpike, the Museum of Florida History, the Frost Science Museum and Miami-Dade Children’s Courthouse. Locally, his work is in the permanent collection of the Frost Art Museum, PAMM and the NSU Art Museum of Ft. Lauderdale. Cortada has also developed numerous collaborative art projects globally, including peace murals in Cyprus and Northern Ireland, child welfare murals in Bolivia and Panama, AIDS murals in Geneva and South Africa, and eco-art projects in Taiwan and Holland. His studio is located in Pinecrest Gardens. For more information please visit www.cortada.com

 

About Creative Pinellas

At Creative Pinellas our mission is to facilitate a vibrant, integrated, collaborative and sustainable Pinellas County Arts Community and cultural destination. We strive to be the premier Local Arts Agency, recognized locally and globally for our contribution to arts and culture. We are focused on creating vibrant communities; supporting artists, arts organizations and the creative community; supporting economic development; showcasing Pinellas County as a cultural destination, and making arts and creative expression and experience available to all. As the County’s Local Arts Agency, Creative Pinellas and the programs we deliver are funded by the Pinellas County Board of County Commissioners, Visit St Petersburg / Clearwater, the State of Florida, Department of State, Division of Cultural Affairs and by sales of the State of the Arts specialty license plate in Pinellas County.

 

Creative Pinellas and Arctic Cycle present “90N,” a solo exhibition of works created by Xavier Cortada at the North Pole in June 2008

90N:     Main | Event | Gallery | Press
Galleries:     Arctic Ice Paintings | Native Flags | Endangered World | Longitudinal Installation | North Pole Dinner Party

 


Creative Pinellas
and Arctic Cycle present

90N:

North Pole Installations

by

Xavier Cortada

at

Gallery at Creative Pinellas
12211 Walsingham Road
Largo, FL 33778

Exhibit runs  June 29, 2018 through September 2, 2018

 

 

Ten years ago, Cortada’s ice breaker easily pushed through the then-thinning polar ice, surprising the crew at its early arrival in the North Pole. Arctic warming has since continued melting sea ice at frightening speed:   “Within two decades” stated the artist, “I will be able to repeat the journey on a sailboat, because scientists tell us the Arctic Ocean will be ice-free during summer. Global Climate Change will not just melt the Arctic, it will irrevocably change the world below.”

“I bring this exhibition to the people of Florida to draw the alarming connection between the Arctic and our peninsula,” said Cortada. “Melting ice will have catastrophic effects across our state and weaken the Gulf Stream. Arctic warming will lead to sea level rise, more coastal flooding, prolonged heatwaves, relentless rain, stalled tropical storms, extreme weather and more intense fire seasons.”

 

 

 

 

 


 

About the Artist

Xavier Cortada created art installations at the North Pole and South Pole to address environmental concerns at every point in between. He’s been commissioned to create art for CERN, the White House, the World Bank, Miami City Hall, Miami-Dade County Hall, Florida Botanical Gardens, Port Everglades, Florida’s Turnpike, the Museum of Florida History, the Frost Science Museum and Miami-Dade Children’s Courthouse. Locally, his work is in the permanent collection of the Frost Art Museum, PAMM and the NSU Art Museum of Ft. Lauderdale. Cortada has also developed numerous collaborative art projects globally, including peace murals in Cyprus and Northern Ireland, child welfare murals in Bolivia and Panama, AIDS murals in Geneva and South Africa, and eco-art projects in Taiwan and Holland. His studio is located in Pinecrest Gardens. Learn more at www.cortada.com

 

About Creative Pinellas

At Creative Pinellas our mission is to facilitate a vibrant, integrated, collaborative and sustainable Pinellas County Arts Community and cultural destination. We strive to be the premier Local Arts Agency, recognized locally and globally for our contribution to arts and culture. We are focused on creating vibrant communities; supporting artists, arts organizations and the creative community; supporting economic development; showcasing Pinellas County as a cultural destination, and making arts and creative expression and experience available to all. As the County’s Local Arts Agency, Creative Pinellas and the programs we deliver are funded by the Pinellas County Board of County Commissioners, Visit St Petersburg / Clearwater, the State of Florida, Department of State, Division of Cultural Affairs and by sales of the State of the Arts specialty license plate in Pinellas County.  Learn more at www.CreativePinellas.org.

About The Arctic Cycle

The Arctic Cycle uses theatre to foster dialogue about our global climate crisis, create an empowering vision of the future, and inspire people to take action. Operating on the principle that complex problems must be addressed through collaborative efforts, we work with artists across disciplines and geographic borders, solicit input from earth and social scientists, and actively seek community and educational partners. We manifest this mission through our ongoing initiatives, including Artists & Climate Change. Through the publication of essays, interviews, and editorials, the blog and international network Artists & Climate Change creates community and promotes the inclusion of the arts in the global climate change conversation. Since its launch in 2013, A&CC has become an educational resource for art, environment, and social change classes.  Learn more at www.arcticcycle.org.

 

About the NYFA 

Cortada implemented his “90N” installations at the North Pole in 2008 as an NYFA sponsored-artist.New York Foundation for the Arts (NYFA) is a nonprofit service organization that empowers working artists and emerging arts organizations across all disciplines at critical stages in their creative lives and professional/organizational development. NYFA Fiscal Sponsorship increases the funding opportunities of individual artists and artist-run organizations by allowing them to raise funds using NYFA’s tax-exempt status.  Learn more at www.nyfa.org.

 

 

Artistree Gallery: “Water Paintings,” an exhibition of works created at Hubbard Brook Experimental Forest by Xavier Cortada

 

“Water Paintings”

an exhibition of works
created at Hubbard Brook Experimental Forest
by


Xavier Cortada

at

Artistree Gallery
2095 Pomfret Road
South Pomfret, VT 05067

Closing reception: Saturday, July 14th, 5-7pm with Cuban inspired appetizers and drinks.

Exhibit Dates: June 26th – July 14th

This exhibit is part of Artistree’s Cuban Cultural Festival on July 14th.

 

Xavier Cortada’s “Water Paintings” exhibition at Pinecrest Gardens in 2018.

 

img_3703

Xavier Cortada works with Hydrologist Mark Green to create “Water Paintings” at Hubbard Brook Experimental Forest.

WATER PAINTINGS

Water Paintings allowed me to give water at Hubbard Brook’s nine watersheds a voice.  In the work, I made water the protagonist.  In June 2016, I placed nine pencil drawings and nine pieces of watercolor paper inside nylon mesh.  I then tied the mesh bags to a rope at each of the nine weirs at Hubbard Brook Experimental Forest and left them there for a period of 16 weeks in 2016.  The water flowing through the mesh stained the paper inside.  Water samples and water data were collected by scientists over the same 16-week period from the same nine weirs.  The final work included water samples, data, even the residue in filters.  I wanted audiences to see the water, what the water did, and what it painted as it flowed and transported materials down the stream.”

Xavier Cortada

 

img_3740

Xavier Cortada, “Water Paintings: Hubbard Brook,” paper and residue captured from water flowing from each of the 9 weirs at the Hubbard Brook Experimental Forest LTER in New Hampshire, 2016

Xavier Cortada, “Water Paintings: Hubbard Brook,” paper and residue captured from water flowing from each of the 9 weirs at the Hubbard Brook Experimental Forest LTER in New Hampshire, 2016

 

Hubbard Brook scientists pioneered the small watershed approach, which transformed the study of forests by using whole watersheds as living laboratories. This ground-breaking approach fostered many new discoveries beneficial to both science and society.

Small first-order watersheds can show us how ecosystems respond to environmental change. Chemical concentrations combined with stream flow provides data on stream-water element flux for each watershed.

Water samples and data collected by scientists over a 16-week period from all nine watersheds hang on the walls CLIMA.

Nine sets of “Water Paintings” hang from the ceiling. Cortada created each using the same water scientists study. He placed watercolor paper in mesh and tied it to a rope in each of the nine weirs. The works depict 4 months of streamflow.

 

About the Hubbard Brook Experimental Forest and LTER

The Hubbard Brook Experimental Forest (HBEF) is a 3,160 hectare reserve located in the White Mountain National Forest operated by the USDA Forest Service, near Woodstock, New Hampshire. The on-site research program is dedicated to the long-term study of forest and associated aquatic ecosystems. It has produced some of the most extensive and longest continuous data bases on the hydrology, biology, geology and chemistry of a forest and its associated aquatic ecosystems.

Hubbard Brook scientists pioneered the small watershed approach, which transformed the study of forests by using whole watersheds as living laboratories. This ground-breaking approach fostered many new discoveries beneficial to both science and society.

Hubbard Brook scientists discovered acid rain in North America by taking meticulous, long-term measurements of rain and snow. Scientists continue to document acid rain’s damaging effects and track recovery linked to pollution reduction efforts.

Learn more at http://www.hubbardbrook.org

Hubbard Brook Experimental Forest

Hubbard Brook Experimental Forest

 

https://lternet.edu/sites/hbr

Overview: The Hubbard Brook Experimental Forest (HBEF) is a 3,160 hectare reserve located in the White Mountain National Forest operated by the USDA Forest Service, near Woodstock, New Hampshire. The on-site research program is dedicated to the long-term study of forest and associated aquatic ecosystems.
History: The HBEF was established by the USDA Forest Service, Northeastern Research Station in 1955 as a major center for hydrologic research in New England. In the early 1960’s, Dr. F. Herbert Bormann and others proposed the use of small watersheds to study element cycling. In 1963, the Hubbard Brook Ecosystem Study (HBES) was initiated by Bormann and Drs. Gene E. Likens and Noye M. Johnson, then on the faculty of Dartmouth College, and Dr. Robert S. Pierce of the USDA Forest Service. They proposed to use the small watershed approach at Hubbard Brook to study linkages between hydrologic and nutrient flux and cycling in response to natural and human disturbances, such as air pollution, forest cutting, land-use changes, increases in insect populations and climatic factors.Research Topics: Vegetation structure and production; dynamics of detritus in terrestrial and aquatic ecosystems; atmosphere-terrestrial-aquatic ecosystem linkages; heterotroph population dynamics; effects of human activities on ecosystems.

Special thanks to the entire Hubbard Brook team, the USDA Forest Service, Dr. Lindsey Rustad, Hydrologist Mark Green, Sr. Researcher Tammy Wooster, Amey Bailey, and Mary Martin.

 

 

 

About the artist:

 

Xavier Cortada:

Xavier Cortada serves as Artist-in-Residence at FIU School of Environment, Arts and Society and the College of Communication, Architecture + The Arts.

Cortada often engages scientists in his art-making: At CERN, Cortada and a particle physicist created a permanent digital-art piece to celebrate the Higgs boson discovery. Cortada has worked with scientists at Hubbard Brook LTER on a water cycle visualization project driven by real-time data collected at a watershed in New Hampshire’s White Mountains.

He has collaborated with a population geneticist to explore our ancestral journeys out of Africa 60,000-years ago, with a molecular biologist to synthesize a DNA strand from a sequence 400 museum visitors randomly generated, and with botanists to develop multi-year participatory eco-art eff orts to reforest mangrovesnative trees and wildflowers across Florida.

The Miami artist has created environmental installations (North Pole and South Pole) and eco-art (TaiwanHawaii and Hollandprojects, and painted community murals addressing peace (Cyprus and Northern Ireland), child welfare  (Bolivia and Panama), AIDS (Switzerland and South Africa) and juvenile justice (Miami and Philadelphia) concerns.

 

{in water} exhibition at Pinecrest Gardens

 

Xavier Cortada’s “Diatom Court,” the site-specific ceramic installation Pinecrest Gardens

 

Xavier Cortada, “{in water}: (P),” 12″ x 16″, archival ink on paper, signed, numbered, limited edition print / edition of 5, 2018..

“{in water}”

a solo exhibition of works
by

Xavier Cortada

at

Hibiscus Gallery
Pinecrest Gardens
11000 S. Red Road
Pinecrest, FL 33156

Exhibit runs from May 3 through August 3rd, 2018

 

Summer Hours:
In the gallery (main entrance): Weekends only
Please call 305-669-6990 to see when the gallery is open to the public

In the studio (cottage): 
Weekdays 11 am to 2 pm and, as of 6/23, Sundays 9 am to 2 pm.
Please call Amanda Delaplaine at 305-858-1323 or email her at info@hibiscusgallery.com to schedule an appointment

Opening reception
May 4th, 2018
7 to 10 pm

 

{in water} 

Diatoms are water-bound, single-celled symmetrical organisms encapsulated in silica.  They harness the power of the sun to convert carbon dioxide into oxygen and are responsible for generating for one-third of the air we breathe.

Its shell, all that remains from the diatom that lived in the past, is used by scientists today to see what was as they research crucial environmental issues in the century to come.  Scientists—and artists—can determine the past salinity of water by examining the glass shells of diatoms preserved in sedimentary core samples.

Each diatom species has a different salinity preference, so changes in the mixture of fresh and sea water (driven by sea level and changes in water management) can be inferred from past diatom remains.

Xavier Cortada collaborated with Florida Coastal Everglades Long Term Ecological Research (FCE LTER) scientists to better understand the impact of global climate change on our ecosystems. The works in the {in water} exhibition are inspired by their scientific research.

Diatom,” (2014), is his first work ever depicting a diatom: Using a microscope, Cortada captured the image of a diatom from samples used by Florida International University FCE LTER scientiststo study the ecology of the Everglades and sea level rise.  In the art, Cortada’s diatoms hover over a layer of images (Cortada captured using Google maps) showing the artificial canals and lakes created to develop parcels of developable land where the River of Grass once flowed.

His latest diatom-themed work, “Diatom Court” (2018), is outside the Hibiscus Gallery in the gardens. On Earth Day 2018, it was unveiled as a permanent, site-specific, ceramic installation on the grounds of Pinecrest Gardens.

 

Xavier Cortada, “Diatom,” archival ink on aluminum, 36in x 18in, 2014 (edition 1 of 5).

About the artist:

Xavier Cortada serves as Artist-in-Residence at FIU School of Environment, Arts and Society and the College of Communication, Architecture + The Arts.

Cortada often engages scientists in his art-making: At CERN, Cortada and a particle physicist created a permanent digital-art piece to celebrate the Higgs boson discovery. Cortada has worked with scientists at Hubbard Brook LTER on a water cycle visualization project driven by real-time data collected at a watershed in New Hampshire’s White Mountains.

He has collaborated with a population geneticist to explore our ancestral journeys out of Africa 60,000-years ago, with a molecular biologist to synthesize a DNA strand from a sequence 400 museum visitors randomly generated, and with botanists to develop multi-year participatory eco-art eff orts to reforest mangrovesnative trees and wildflowers across Florida.

The Miami artist has created environmental installations (North Pole and South Pole) and eco-art (TaiwanHawaii and Hollandprojects, and painted community murals addressing peace (Cyprus and Northern Ireland), child welfare  (Bolivia and Panama), AIDS (Switzerland and South Africa) and juvenile justice (Miami and Philadelphia) concerns.

His studio is located at Pinecrest Gardens.

 

 

Native Flags: 9th Annual Earth Day Celebration in every Miami-Dade County public school

On April 7th, 2010, students from Filer Middle School in Hialeah planted a sea grape (Coccoloba uvifera) and Native Flag on campus and adopted their own buttonwood and firebush trees/flags to plant at their homes. See www.nativeflags.org. 

Miami-Dade County Public Schools Celebrates Earth Day 2018

At its meeting of February 21, 2018 the School Board approved Board Item H-4 proffered by School Board Member Perla Tabares Hantman, endorsing April 22, 2018 as Earth Day in Miami-Dade County Public Schools

For the ninth year in a row, we are proud to again partner with local artist Xavier Cortada and local organizations on an Earth Day project through which all schools will be able to plant a native tree on campus, together with the symbolic posting of a land reclamation flag. Other partners in this native tree canopy enhancement project include Florida International University College of Arts, Sciences & Education (CASE)│School of Environment, Arts and Society (SEAS), FIU College of Communication, Architecture + The Arts (CARTA), FIU Libraries│Digital Library of the Caribbean (dLOC), Pinecrest Gardens, Frost Science, and the Deering Estate. In addition, students will be afforded the opportunity to interpret Earth Day by designing their own flag.

Celebrations are scheduled as follows on Thursday, April 19, 2018 at two featured public schools:

  • Gulfstream Elementary
    20900 SW 97th Avenue
    Cutler Bay, Florida  33189
    Phone: (305) 235- 6811
    Time: 9:00 am
  • Citrus Grove Elementary
    2121 NW 5th Street
    Miami, Florida 33125
    Phone: (305) 642-4141
    Time: 1:30 pm

Starting on April 19th photos of the tree planting and flag posting activities can be uploaded by the schools at: http://nativeflags.org/participant-upload/

For more information on this year’s Earth Day celebration or the land reclamation project go to www.NativeFlags.org or call 305-995-4646.

 

Xavier Cortada, “Native Flags: North Pole,” 2008.

 

 

 

 

 

“Water Paintings,” an exhibition of works created at Hubbard Brook Experimental Forest by Xavier Cortada

 

“Water Paintings”

an exhibition of works
created at Hubbard Brook Experimental Forest
by


Xavier Cortada

at

Hibiscus Gallery
Pinecrest Gardens
11000 S. Red Road
Pinecrest, FL 33156

Exhibit runs from March 30th through April 29th, 2018

 Opening reception: April 8th from noon to 2pm

 

Xavier Cortada’s “Water Paintings” exhibition at Pinecrest Gardens.

 

img_3703

Xavier Cortada works with Hydrologist Mark Green to create “Water Paintings” at Hubbard Brook Experimental Forest.

WATER PAINTINGS

Water Paintings allowed me to give water at Hubbard Brook’s nine watersheds a voice.  In the work, I made water the protagonist.  In June 2016, I placed nine pencil drawings and nine pieces of watercolor paper inside nylon mesh.  I then tied the mesh bags to a rope at each of the nine weirs at Hubbard Brook Experimental Forest and left them there for a period of 16 weeks in 2016.  The water flowing through the mesh stained the paper inside.  Water samples and water data were collected by scientists over the same 16-week period from the same nine weirs.  The final work included water samples, data, even the residue in filters.  I wanted audiences to see the water, what the water did, and what it painted as it flowed and transported materials down the stream.”

Xavier Cortada

 

img_3740

Xavier Cortada, “Water Paintings: Hubbard Brook,” paper and residue captured from water flowing from each of the 9 weirs at the Hubbard Brook Experimental Forest LTER in New Hampshire, 2016

Xavier Cortada, “Water Paintings: Hubbard Brook,” paper and residue captured from water flowing from each of the 9 weirs at the Hubbard Brook Experimental Forest LTER in New Hampshire, 2016

 

Hubbard Brook scientists pioneered the small watershed approach, which transformed the study of forests by using whole watersheds as living laboratories. This ground-breaking approach fostered many new discoveries beneficial to both science and society.

Small first-order watersheds can show us how ecosystems respond to environmental change. Chemical concentrations combined with stream flow provides data on stream-water element flux for each watershed.

Water samples and data collected by scientists over a 16-week period from all nine watersheds hang on the walls CLIMA.

Nine sets of “Water Paintings” hang from the ceiling. Cortada created each using the same water scientists study. He placed watercolor paper in mesh and tied it to a rope in each of the nine weirs. The works depict 4 months of streamflow.

 

About the Hubbard Brook Experimental Forest and LTER

The Hubbard Brook Experimental Forest (HBEF) is a 3,160 hectare reserve located in the White Mountain National Forest operated by the USDA Forest Service, near Woodstock, New Hampshire. The on-site research program is dedicated to the long-term study of forest and associated aquatic ecosystems. It has produced some of the most extensive and longest continuous data bases on the hydrology, biology, geology and chemistry of a forest and its associated aquatic ecosystems.

Hubbard Brook scientists pioneered the small watershed approach, which transformed the study of forests by using whole watersheds as living laboratories. This ground-breaking approach fostered many new discoveries beneficial to both science and society.

Hubbard Brook scientists discovered acid rain in North America by taking meticulous, long-term measurements of rain and snow. Scientists continue to document acid rain’s damaging effects and track recovery linked to pollution reduction efforts.

Learn more at http://www.hubbardbrook.org

Hubbard Brook Experimental Forest

Hubbard Brook Experimental Forest

 

https://lternet.edu/sites/hbr

Overview: The Hubbard Brook Experimental Forest (HBEF) is a 3,160 hectare reserve located in the White Mountain National Forest operated by the USDA Forest Service, near Woodstock, New Hampshire. The on-site research program is dedicated to the long-term study of forest and associated aquatic ecosystems.
History: The HBEF was established by the USDA Forest Service, Northeastern Research Station in 1955 as a major center for hydrologic research in New England. In the early 1960’s, Dr. F. Herbert Bormann and others proposed the use of small watersheds to study element cycling. In 1963, the Hubbard Brook Ecosystem Study (HBES) was initiated by Bormann and Drs. Gene E. Likens and Noye M. Johnson, then on the faculty of Dartmouth College, and Dr. Robert S. Pierce of the USDA Forest Service. They proposed to use the small watershed approach at Hubbard Brook to study linkages between hydrologic and nutrient flux and cycling in response to natural and human disturbances, such as air pollution, forest cutting, land-use changes, increases in insect populations and climatic factors.Research Topics: Vegetation structure and production; dynamics of detritus in terrestrial and aquatic ecosystems; atmosphere-terrestrial-aquatic ecosystem linkages; heterotroph population dynamics; effects of human activities on ecosystems.

Special thanks to the entire Hubbard Brook team, the USDA Forest Service, Dr. Lindsey Rustad, Hydrologist Mark Green, Sr. Researcher Tammy Wooster, Amey Bailey, and Mary Martin.

 

 

 

About the artist:

 

Xavier Cortada:

Xavier Cortada serves as Artist-in-Residence at FIU School of Environment, Arts and Society and the College of Communication, Architecture + The Arts.

Cortada often engages scientists in his art-making: At CERN, Cortada and a particle physicist created a permanent digital-art piece to celebrate the Higgs boson discovery. Cortada has worked with scientists at Hubbard Brook LTER on a water cycle visualization project driven by real-time data collected at a watershed in New Hampshire’s White Mountains.

He has collaborated with a population geneticist to explore our ancestral journeys out of Africa 60,000-years ago, with a molecular biologist to synthesize a DNA strand from a sequence 400 museum visitors randomly generated, and with botanists to develop multi-year participatory eco-art eff orts to reforest mangrovesnative trees and wildflowers across Florida.

The Miami artist has created environmental installations (North Pole and South Pole) and eco-art (TaiwanHawaii and Hollandprojects, and painted community murals addressing peace (Cyprus and Northern Ireland), child welfare  (Bolivia and Panama), AIDS (Switzerland and South Africa) and juvenile justice (Miami and Philadelphia) concerns.

 

FLORIDA IS… solo show at “The Frank”

Through May 19th at The Frank: Xavier Cortada, “Diatoms,” 2017.

You are cordially invited to

Florida is…

a solo show by

Xavier Cortada

at

The Frank
Frank C. Otis Art Gallery and Exhibit Hall
Pembroke Pines City Center
601 City Center Way
Pembroke Pines, FL 33156

 

Opening: March 29, 2018
Artist workshop: March 31, 2018
Artist talk & exhibition walk-through: April 26, 2018
Exhibit runs through: May 19th, 2018

Xavier Cortada, “(Florida is…) Wood storks,” archival ink on aluminum, 60″ x 40”, 2016 (www.floridaisnature.com)

About Florida Is Nature

Conceptualized during Xavier Cortada‘s residency at the Robert Rauschenberg Foundation Artist Residency in Captiva, Florida, “Florida is…” is an evolving body of work that depicts the natural beauty of Florida.  It asks Floridians to define their state by its actual nature, not by things we do and build to displace it.  Some “Florida is…” works hang as public art in public venues, admonishing viewers to find better ways to coexist with nature. The project invites participants to capture and share their images and perspectives on the project’s online platform.

PARTICIPATE: Help others understand and appreciate Florida’s natural beauty.  Upload an image of your favorite animal, plant or place to www.floridaisnature.com and tell us why we should all care for it and strive to protect it.  We will share it on our website and social media.  We will also ask you to help us spread the word and get others to see that “Florida is… Nature.”

 

About Endangered World

Endangered World is a participatory eco-art project by Xavier Cortada that has addressed global biodiversity loss through art installations at the South Pole (2007), North Pole (2008), Holland (2009) and Biscayne National Park (2010) and through online participatory art projects. Learn more at www.endangeredworld.org,

 

Group exhibit at the Weisman Art Museum

VANISHING ICE: ALPINE AND POLAR LANDSCAPES IN ART 1775-2012

Weisman Art Museum at the University of Minnesota
January 27th, 2018 – May 13th, 2018

astridXavier Cortada, “astrid,” (2007). Permanent collection of the Whatcom Museum.

Xavier Cortada’s “Astrid” painting will be on exhibit at the Weisman Art Museum in Minneapolis, MN from January 27th through May 13th, 2018 as part of the “Vanishing Ice” exhibit curated by Barbara Matilsky — see http://www.vanishing-ice.org.  You can learn more about Cortada’s piece by reading the American Art essay by Alan Braddock and Renée Ater, Art in the Anthropocene — see https://cortada.com/press/2014/AmericanArt.

Cortada, recipient of a 2006-2007 National Science Foundation Antarctic Artists and Writers fellowship, traveled to Antarctica to implement a series of projects and installations. While there, the Miami artist created “ice paintings” using sea ice and sediment samples provided to him by scientists working in Antarctica.  The artist titled the works on paper by randomly selecting the names of geographic features from a map of the continent that inspired their creation.  To learn more about the series visit https://cortada.com/2007/ice-paintings.

astrid-s

Artist: Xavier Cortada
Title: “astrid”
Series: Ice Paintings: Antarctic Sea Ice series
Medium: Sea ice from the Antarctica’s Ross Sea, sediment from Antarctica’s Dry Valleys and mixed media on paper
Size: 12 inches x 9 inches
Year: 2007
Created onsite at McMurdo Station, Ross Island, Antarctica
Permanent collection of the Whatcom Museum.

Curatorial Narrative
Barbara Matilsky, Curator of Art

VANISHING ICE will introduce the rich artistic legacy of the planet’s frozen frontiers now threatened by climate change, a phenomena understood by the public primarily through news of devastating climactic events The exhibition offers another perspective by providing visitors an opportunity to experience the majesty of sublime landscapes that have inspired artists, writers, and naturalists for more than two hundred years. Interweaving science, history and art, and highlighting their historical interrelationships, the exhibition encourages audiences to value the preservation of alpine and polar environments for the well-being of both nature and culture. Through this exhibition, visitors will begin to appreciate how strongly embedded these regions are in our collective consciousness

Comprised of 70 works of art, Vanishing Ice will unfold thematically and chronologically, tracing the visual impact of glaciers, icebergs, and fields of ice – unique and often fantastic formations – on artists’ imaginations. International in scope, the exhibition features artists from Australia, Canada, Finland, France, Germany, Great Britain, New Zealand, Norway, Peru, Russia, Switzerland, and the United States. It will examine the connections among generations of artists as they sought to understand and interpret the color, light, and structure of ice. Through their magical landscapes, visitors will vicariously experience the blue-green hues and extraordinary shapes of another world.

The confluence of art, science and public education is one of the major themes of the exhibition. In their quest to discover new pictorial motifs, the artist-as-explorer contributed to a greater understanding of the Earth. In the wake of the large number of voyages launched during the nineteenth century, images of alpine and polar landscapes helped popularize revolutionary scientific discoveries and theories in natural history, including the concept of an Ice Age concomitant with a vision of the planet’s ancient origins. Works of art by artists such as Jean-Antoine Linck (Swiss, 1766-1843) and Louis Lebreton (French, 1818–1866) appeared in scientific publications, expeditionary atlases, travelogues, popular magazines, and exhibitions. Today, these early landscapes continue to play a major role in science by helping climatologists measure the retreat of glaciers over the centuries.

A growing number of artists are once again journeying to alpine mountain ranges and the Poles, the most salient indicators of climate change, to document the effects of global warming. The fate of retreating glaciers have been presented by many photographers, including Gary Braasch, David Breashears, and Eirik Johnson who compare their views of the Rocky Mountains, Himalayas, and Andes with historical photographs, which will also be highlighted in the exhibition. Parallel to the nineteenth-century artists’ close relationship to natural history, their images appear in a wide range of venues, including books and exhibitions, helping to visualize the dramatic effects forecast by climate scientists.

Like their nineteenth and early-twentieth century counterparts, many artists are joining government-sponsored expeditions. The US National Science Foundation provides opportunities for artists as diverse as Eliot Porter and Camille Seaman to spend time in Antarctica as a way to increase awareness of polar research. Many artists, in the spirit of Frederic Edwin Church and William Bradford, have organized their own expeditions. Since 2007, artist David Buckland has been coordinating Arctic explorations composed of artists, scientists, musicians, and writers through the Cape Farewell Project, underscoring the expanded role of the artist-activist in publicizing climate change. Seventy artists have participated to date, including Paul D. Miller/DJ Spooky, whose work will also be featured in the exhibition along with video documentation of Cape Farewell’s inaugural expedition.

Vanishing Ice also examines the stylistic evolution of alpine and polar imagery over two centuries. Within this context, the exhibition will feature the wide array of materials, media, and techniques that artists have employed to vividly capture the frozen landscape. Initially limited to drawings, prints, paintings and later photography, artists now utilize video, sound, and site-specific sculpture to interpret these environments. Among the fifty internationally recognized historical and contemporary artists included are: Ansel Adams, Otto Olaf Becker, John Grade, Lauren Harris, Frank Hurley, Issac Julien, Rockwell Kent, Alexis Rockman, and Spencer Tunick.

Vanishing Ice will reveal the transformative power of art in shaping the public’s perception of these starkly beautiful environments. Beginning in the eighteenth century, writers and painters, such as Francois-August Biard (French, 1799–1882), and Frederic Edwin Church (American, 1826–1900) contributed to a new appreciation of alpine and polar landscapes, which were once regarded with fear and now experienced on a heightened, emotional level. This quality, described as the Sublime, intersected with spirituality and was one of the defining aspects of a culture in the throes of rapid industrialization. Polar ice and glaciated mountains became metaphors for both the control of nature and correspondingly lack of control, freedom, nationalism, and more recently climate change.

While showcasing the art, Vanishing Ice will present layers of information through illustrated text panels, graphs, maps and a multi-disciplinary time line featuring milestones in art, literature, science, exploration, and mountaineering, which will help visitors grasp the history of alpine and polar regions and their significance for Western culture. An introductory video, produced by the City of Bellingham’s TV10, will be aired in the gallery and broadcast on the cable channel. Quotes by artists, scientists, writers, and explorers will be strategically placed throughout the galleries to augment the key ideas and messages of the exhibition. The exhibition will feature interpretive graphics for understanding why the Arctic, Antarctica, and glaciers are so critical for maintaining a balanced, planetary ecosystem and suggest what individuals and communities can do to help mitigate global warming.

Additional components of the exhibition include: a 162-page catalogue, published by the University of Washington Press and a web site.

See http://www.whatcommuseum.org/galleries/upcoming/379-vanishing-ice

“Mangroves,” a group exhibition at Pinecrest Gardens

Josh Liberman, “Offering”, archival pigment on paper, 2018.

“Mangroves”

a group exhibition of works by


Xavier Cortada

and

Josh Liberman

at

Hibiscus Gallery
Pinecrest Gardens
11000 S. Red Road
Pinecrest, FL 33156

 

Few organisms rival the mangrove’s ability to fill so many diverse roles. They help combat erosion and storm-surge, remove large amounts of carbon from the atmosphere, and serve as a breeding ground and nursery for countless animals. Mangroves fall victim to development as their habitats are replaced by man-made barriers such as sprawling sea-walls and rising condos.

 

In 2006, Xavier Cortada launched The Reclamation Project, a participatory eco-art project that has engaged thousands of volunteers in the planting of over eight acres of mangroves on Biscayne Bay. Cortada displays mangrove paintings he created a decade ago as he innovated his environmental art practice.

 

Informed by his studies at the University of Miami Department of Biology, Josh Liberman has photographed elements of nature across five continents. In “Mangroves”, he focuses on South Florida’s shrinking wetlands, capturing the remnants of an ecosystem that used to hug the entire coastline.

Meet Cortada and Liberman along with the artists of the Miami River Show in the Hibiscus Gallery  at 12:30 pm on January 21st, 2018 for the opening of the exhibition.

Exhibit runs January 18th through February 19th, 2018

Xavier Cortada, “Mangrove Roots”, acrylic on canvas, 48″ x 36″, 2007.

About the artists:

 

Xavier Cortada:

Xavier Cortada’s engaged science-art practice is based at FIU School of Environment, Arts and Society and the College of Communication, Architecture + The Arts.  Cortada often engages scientists in his art-making: At CERN, Cortada and a particle physicist created a permanent digital-art piece to celebrate the Higgs boson discovery. Cortada has worked with scientists at Hubbard Brook LTER on a water cycle visualization project driven by real-time data collected at a watershed in New Hampshire’s White Mountains. He has collaborated with a population geneticist to explore our ancestral journeys out of Africa 60,000-years ago, with a molecular biologist to synthesize a DNA strand from a sequence 400 museum visitors randomly generated, and with botanists to develop multi-year participatory eco-art eff orts to reforest mangroves, native trees and wildflowers across Florida.

The Miami artist has created environmental installations (North Pole and South Pole) and eco-art (Taiwan, Hawaii and Holland) projects, and painted community murals addressing peace (Cyprus and Northern Ireland), child welfare  (Bolivia and Panama), AIDS (Switzerland and South Africa) and juvenile justice (Miami and Philadelphia) concerns.  His studio is located at Pinecrest Gardens.

Learn more about his work at www.cortada.com.

 

Josh Liberman:

Josh Liberman is a photographer whose roots lie in the outdoors.  He was raised in Melbourne, FL, where he developed an early fascination and love for the sea and the natural world. He studied Biology at the University of Miami and has since been building an impressive portfolio of natural elements around the world.

Liberman works with a variety of conservation-minded brands and organizations.  His work has been featured by Discovery Channel, The Smithsonian, Thrillist, and many more.  He currently serves as staff photographer for the University of Miami Shark Research and Conservation lab.

Learn more about his work at www.joshliberman.com.