Sweetwater Elementary to perform “Longitudinal Installation” during Power of Arts Museum at Sweetwater

Sweetwater Elementary to perform “Longitudinal Installation”

 

 

Xavier Cortada, The Longitudinal Installation (at the South Pole), 2007

Longitudinal Installation,” created by Cortada a decade ago as part of his NSF Antarctic Artists and Writers Program residency in Antarctica, will be performed by Sweetwater Elementary School students on May 24th at 7 pm.  The performance and activity is co-presented by the Reclamation Projects with the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners.

Participate by following these steps:

1. Find a group of 24 people to perform the Longitudinal Installation ritual with and engage in the performance.
Click here to download instructions.

2. Document the performance with photos and video.

3. Upload photo on www.facebook.com/longitudinalinstallation

4.  Add the “25th quote.”

Xavier Cortada, The Longitudinal Installation (at the South Pole), 2007 (Listen: http://c.ymcdn.com/sites/www.xaviercortada.com/resource/resmgr/longitudinal_installation_no.mp3)

24 Global Voices

longitude11x17_graphicThese quotes taken from newspapers across 24 time zones that talking about the impact of climate change on that individual’s life. After Xavier Cortada completed the Longitudinal Installation at the South Pole, he walked to the 0 degree longitude, the prime meridian, and walked clockwise around the pole. He stopped at each shoe to recite each of the following quotes:

 

0°, Spain:
“There may be a move of wineries into the Pyrenees in the future.”
— Xavier Sort, technical director of Miguel Torres Wineries.

15° E, Switzerland:
“Losses to insurers from environmental events have risen exponentially over the past 30 years, and are expected to rise even more rapidly still.”
— Pamela Heck, Insurance Industry Expert.

30° E, Zimbabwe:
“We used to be able to grow everything we want but that has all changed.”
— Matsapi Nyathi, Grandmother.

45° E, Turkey:
“We are helpless. We’re trying to rescue trapped people while also trying to evacuate flood waters that have inundated hundreds of houses.”
— Muharrem Ergul, Mayor, Beykoz district of Istanbul.

60° E, Iran:
“More than 90 percent of our wetlands have completely dried up.”
— Alamdar Alamdari, environmental researcher, Fars Province.

75° E, Maldives:
“In the worst case scenario, we’ll have to move.”
— Foreign Ministry spokesman Ahmed Shaheed.

90° E, Tibet, China:
“The Sherpas of Khumbu may not know everything, but they are suffering the consequences of the people’s greed. We mountain people should be careful and take precautions. If we don’t save Khumbu today our fresh water will dry up and the problem will be impossible to solve in the future.”
— Ngawang Tenzing Jangpo, the Abbot of Tengboche monastery.

105° E, Borneo, Indonesia:
“There’s been no rain, it’s horrible. The governor’s office has instructed schools and offices to close until further notice.”
— Hidayat, government official.

120° E, Philippines:
“The disaster covered almost every corner of this province – rampaging floods, falling trees, damaged houses. It happened very rapidly and many people did not expect this because they haven’t experienced mud flows in those areas before.”
— Fernando Gonzalez, governor of Albay province.

135° E, Japan:
“It’s no exaggeration to say that Japan faces a critical situation when describing the rapid decline of marine supply in its domestic waters that is linked to seaweed loss. Tengusa (seaweed) provides food for marine species.”
— Tomohiro Takase, head of the fisheries department at the Hachijojima municipality.

150° E, Great Barrier Reef, Australia:
“In 20 years’ time, bleaching is highly likely to be annual and that will cause shallow-water corals to be in decline. We need to start working out how we can help people who rely on it for their income. It’s really quite a stunning fact.”
— Ove Hoegh-Guldberg, director of the Centre for Marine Studies at the University of Queensland.

165° E, Micronesia:
“We have nowhere to go.”
— Ben Namakin, Environmental Educator.

180°, Tuvalu: “Tuvalu is the first victim of global warming.”
— Koloa Talake, former prime minister.

165° W , Niue: “Yesterday morning we woke up to a scene of so much devastation, it was just unbelievable. Cyclone Heta was just so fast, furious and ruthless.”
— Cecelia Talagi, Government Secretary.

150° W, Alaska, USA:
“We are at a crossroads. . . Is it practical to stand and fight our Mother Ocean? Or do we surrender and move?”
— Shishmaref Mayor Edith Vorderstrasse.

135° W, Yukon, Canada:
“The weather is really unpredictable and the ice freezes much later and breaks up earlier. There are more incidents of hunters falling through the ice.”
— Kik Shappa, Hunter, Griese Fiord, Canada.

120° W Nunavut, Canada:
“Our cultural heritage is at stake here. We are an adaptable people. We have over the millennium been able to adapt to incredible circumstances. But I think adaptability has its limits. If the ice is not forming, how else does one adapt to seasons that are not as they used to be when the whole environment is changing underneath our feet, literally?”
— Sheila Watt-Cloutier, president of the circumpolar conference.

105° W, Colorado, USA:
“In Colorado, climate change means less snow, less water, more wildfires, less biodiversity and less economic opportunity, as there is less water available for development.”
— Stephen Saunders, president, Rocky Mountain Climate Organization.

90° W, Nicaragua:
“I closed my eyes and prayed to God.”
— Mariana González, Hurricane Mitch survivor.

75° W, Peru:
“I tell my wife the day that mountain loses its snow, we will have to move out of the valley.”
— Jose Ignacio Lambarri, farmer, Urubamba Valley.

60° W, Argentina:
“The flooding has forced us to redesign routes. We thought it would be for a short period of time, but it has been almost six years.”
— Carlos Avellaneda, manager of a trucking company.

45° W, Brazil:
“I am very frightened. One thing goes wrong, and the entire system follows.”
— Jair Souto, Mayor of Manaquiri.

30° W, Greenland:
“They tell us that we must not eat mattak [whale blubber], but this is all we know. Eating Inughuit food makes us who we are, and anyway we have nothing else to eat!”
— Tekummeq, Town of Qaanaaq.

15° W, Maurtitania:
“We are only eating one meal a day. When there is not enough food, it is the young and the old that get fed first.”
— Fatimitu Mint Eletou, Bouchamo.


Regis House presents: Seahorses exhibit closing event

SeahorsesGallery | Opening InvitationPress release | Closing Invitation

Xavier Cortada, “Seahorse Society: South” 48″ x 36″, acrylic on canvas, 2014

Join us on

Thursday, May 11th, 2017
from 6 pm to 8 pm

for the official closing of

Seahorses

an exhibit by

Xavier Cortada

at

Pinecrest Gardens
Historic Entrance

11000 S Red Rd, Pinecrest, FL 33156

Exhibit runs April 6 – May 11th, 2017th

 

Proceeds from sales will benefit Regis House.
As a law student, Cortada served as Executive Director of the adolescent drug and alcohol abuse center.

Founded in 1984, Regis House is a non-profit, 501(c)(3), charitable, community-based organization with the mission to improve lives for a healthy community through mental health, family support and substance abuse services.  Regis House, Inc. has served more than 70,000 families throughout Miami-Dade County since its inception.  Programs and services such as co-occurring psychiatric/mental health, substance abuse services, individual, group, and family counseling/therapy, school-based prevention programs, and public assistance programs are many of the programs, and services the agency has to offer.

Seahorse Society at Sweetwater Elementary School

 

Sweetwater Elementary students to join the Seahorse Society 

Xavier Cortada, “Hippocampus,” 48″ x 24″, acrylic on canvas, 2014

 

Project Seahorse is partnering with Miami-based eco-artist Xavier Cortada to present an educational event at Sweetwater Elementary school on May 2nd, 2017. We will be teaching students about Seahorses, the magical creatures that call Biscayne National Park and the waters of south Florida their home!  Project Seahorse scientist Emilie Stump will discuss the importance of seahorses in South Florida and discuss the educational and research efforts conducted by her international group (see www.projectseahorse.org).  Students will also participate in a collaborative art project culminating in an installation that captures their pledge to protect them.  At the end of the event, students will be inducted into the Seahorse Society.  The performance and activity is co-presented by Project Seahorse and by the Participatory Art Projects, Inc. with the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners.

 

#magicalcreaturesinourbackyard
#seahorses
#miamiseahorses
#biscaynenationalpark

A Sea Change (Mary Ann Wolfe Theatre)

 

Multidisciplinary program to raise awareness on climate change


By Ivan Lopez

The U.S. Army Corps of Engineers predicts sea levels in South Florida will rise from three to seven inches by the year 2030 and from nine to 24 inches by the year 2060. A rise of that magnitude would put close to 30 percent of South Florida underwater, completely transforming our city in ways we cannot fully comprehend.

FIU’s College of Communication, Architecture + The Arts (CARTA) is bringing together dozens of faculty members and students from many different disciplines – theatre, dance, music, journalism, architecture, environmental science – to produce A Sea Change: a Multi-Disciplinary Collaboration in Response to a Global Threat. The 90 minute program will feature a lot of important research and facts presented in creative and impactful ways.

Phillip M. Church, associate professor of theatre, conceived and directed the evening. Church has spent much of his professional career creating art and theatre that speaks to important social issues.

“There is no greater threat to our survival right now than climate change,” he said.  “FIU has been researching and raising awareness about climate change and sea level rise for well over a decade. We are at a point, however, where all of that research needs to transform into tangible action. That requires all of us, not just the scientists and policy makers. A ‘sea change’ is needed in our collective thinking about this issue.”

Robert E. Gutsche Jr., assistant professor of journalism and media, produced the evening.

“My hope is that this project takes people beyond awareness, even beyond expertise of specific areas of climate change. We need to find ways to engage knowledge with action. It’s not enough for people to know about an issue. We have to decide to do something about our problems.”

Renowned environmental artist Xavier Cortada will present an immersive interactive piece; FIU Professor of Music Orlando Garcia composed music especially for the event; and Adjunct Lecturer of Dance Crystal Patient choreographed some dance numbers.

Joel Murray, chair and professor of theatre, wrote a short play titled Good that addresses the impact art can have on social change.

“If it is strong enough, art can change the way people think. The real question though is does that change transform into action. Will it make the audience participate, roll up their sleeves and demand change.”

Other FIU Theatre artists participating in the event include Associate Professor Wayne E. Robinson, Jr., alumni Evelyn Perez, Zack Myers, Caitlyn Lincoln, Pia Vicioso-Vila and current student Sigrid Corvo.

A Sea Change is part of CARTA’s larger Climate Change Initiative, which aspires through teaching, research, engagement and creative work to position the college as a global thought leader in climate change information, adaptation, mitigation and resilience.

“Preparing for climate resilience is among the critical imperatives of our times, and our college is particularly well-positioned to address it,” said Marilys Nepomechie, associate dean and professor of architecture. “Climate change is a complex, multi-faceted challenge. One that can only be addressed successfully by involving many areas of expertise. This collaboration between multiple college departments is, in fact, absolutely perfect.”

A Sea Change will be shown on both campuses. On April 4, it will be performed at the Wertheim Performing Arts Center at Modesto A. Maidique Campus and on April 7 at the Mary Anne Wolfe Theatre at Biscayne Bay Campus. Both performances begin at 7:30 p.m. and are free and open to the public.

Space is limited.  To make a reservation, call 305-348-0496. You can find more information about the event at eyesontherise.org/aseachange.

The Ripple Effect

Xavier Cortada, “Splash,” hand-carved, hand-painted ceramic, (detail), 2012.

 

The Ripple Effect:

Throw a stone in water and the ripples have an impact beyond your reach.

Similarly, what you do or fail to do can have a lasting impact on others.

What can you do to have a positive effect in your community and the environment?

Share your thoughts and ideas through this creative process.

Join us!

“Now More Than Ever” Science Art Talk at Lighthouse Art Center in Tequesta, FL

Xavier Cortada, “Now More than Ever” digital art*, 2016.

FIU Artist-in-Residence Xavier Cortada will be the third-Thursday speaker at the Lighthouse Art Center in Tequesta, FL on the February 16th, 2017.  He will give his science art talk during an exhibit featuring the work of Deep-sea explorer and MacArthur Award Winner, Dr. Edie Widder.  “Now more than ever scientists and artists play a critical role: Scientists must continue to record how the climate responds to changing policies. Artists need to use art to effectuate change; to capture this moment,” said Cortada.

ILLUMINATING THE DEEP: The Fine Art of Exploration

Explore.  Learn.  Act.

Deep-sea explorer and MacArthur Award Winner, Dr. Edie Widder, collaborated with artist and inventor, Dr. Steve Bernstein, to create this blockbuster exhibition filled with astonishing digitally enhanced photos of living creatures that sparkle and glow and flash with light from within.  Combined with the original artwork of Else Bostlemann, from Dr. William Beebe’s historic National Geographic bathysphere expeditions of the 1930s, this is a show of epic proportions.  Compare yourself to the life-size giant squid (first photographed by Dr. Widder) or paint with light in virtual reality, you can immerse yourself in the wonders of our planet’s last frontier. Plan your group tour now and be sure to download a copy of our featured article in Oceanography magazine written by Dr. Widder:

http://www.tos.org/oceanography/assets/docs/29-4_widder.pdf

Exhibition Dates:  December 22, 2016 – March 4, 2017

No charge for members, non-members $10

Read article Edie wrote for Oceanography magazine:

Southern Alliance for Clean Energy presents “DO NOT OPEN” performance

 

Contact: Jennifer Rennicks, Southern Alliance for Clean Energy

Alissa@cleanenergy.org, 954-734-3773

 

ADVISORY: Miami Community Leaders, Elected Officials, and Artist, Join in Interactive Art Installation

to Highlight Sea Level Rise and Uncertain Future of South Florida

Event emphasizes climate action uncertainty as President-Elect Trump is inaugurated

 

Miami, Fla. – One day before the inauguration of climate change denier President-Elect Trump, Miami-based and globally featured artist Xavier Cortada will host a live performance as a portion of his ongoing research driven art, CLIMA 2016. The interactive exhibit “Do Not Open” invites participants to imagine the future of South Florida, its communities, and the effects of sea level rise, writing letters to future Floridians placed in a time capsule. 

When: January 19th at 7:00 PM

Where: Cortada Art Studio Gallery, 4664 SW 75th Avenue, Miami, FL 33155

Who:

  • Xavier Cortada
  • Elected Officials
  • Community Leaders
  • South Florida Residents

What: The event, through art, will draw attention to the challenge of climate change impacts to South Florida and the need for more action now. This is an especially critical and timely message as the event is being held only one day before the inauguration of a new president who vocally denies climate change and its effects already being felt by communities throughout the world. The Do Not Open art installation is a time capsule to capture written messages/letters that will be added to the exhibit by Xavier Cortada. The performance also coincides with the full gallery opening featuring a series of ceramic and tile works.

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Xavier Cortada, “DO NOT OPEN,” 2016.

DO NOT OPEN:  Participant Instructions | Artist’s Poem

City of Sweetwater submerged beneath a 6 foot sea level rise.

Submerged: City of Sweetwater beneath a 6-foot rise in sea level (using the eyesontherise app).

 

  • Walk up to the “Do Not Open” wall in the exhibit.
  • Close your eyes: Imagine your city in the future. Imagine how rising seas will impact it and those who will live here then.
  • Think about what you would like them to know. Think about what you believe someone living in 2041, 2066, 2116 or 2216 will need to hear from someone living in 2016.
  • Unclip a blank piece of paper and envelope from the wall and use a pencil to write it all down:  Tell them who you are. Tell them why you are writing to them. Sign it. Date it.
  • Fold the letter in two, kiss it, place it in the envelope and seal it.
  • On the outside of the envelope write only one of these four phrases:

“DO NOT OPEN: 25 years”
“DO NOT OPEN: 50 years”
“DO NOT OPEN: 100 years”
or
“DO NOT OPEN: 200 years”

  • Clip the sealed envelope to the “Do Not Open” wall with the words facing out.
  • Stare at your envelope for 25 seconds, 50 seconds, 100 seconds, or 200 seconds.
  • Think of how your words will be received in the future.
  • Walk away

Earlier Workshop with Seniors
Wednesday, December 7th, 2016 at 10 am
Milander Center for Arts & Entertainment

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CLIMA 2016: DO NOT OPEN

clima-web-logoCLIMA Home | Main 2016 | Gallery | Statement | PressEvents | Livestream

Cortada worksDo Not Open | Climate Refugees | Hot for Hialeah | Psychoanalysis of Climate ChangeReclamation Project | Flor 500
LTER : Everglades (Florida) | HJ Andrews (Oregon) | Hubbard Brook (New Hampshire)

CLIMA 2016: DO NOT OPEN
DO NOT OPEN:  Poem | Participant Instructions

Workshop with Seniors
Wednesday, December 7th, 2016 at 10 am
Milander Center for Arts & Entertainment
Hialeah Seniors

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Xavier Cortada, "Testamento," archival ink on aluminum, 2015

Xavier Cortada, “Testamento,” archival ink on aluminum, 2015

CLIMA Panel: fresH2O

 

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Main Statement | Gallery | Press | Events  | Livestream

Wednesday, December 10
10:00 am

 

Panel 11 Dec 10 FresH2o

fresH2O
How is our fresh water supply impacted by salt-water intrusion from rising seas and over consumption due to population growth?

“Littoral Creatures” on display at Bakehouse studio

Xavier Cortada, “Sea Star (on Blue),” 11″ x 8.5″, acrylic on paper, 2014

Xavier Cortada, “Sea Star (on Blue),” 11″ x 8.5″, acrylic on paper, 2014

Cortada will display of works from his 2014 Littoral Creatures exhibit at the Bakehouse Art Complex.

Join Cortada on Friday, August 14th  from 7-11 pm, during BAC’s 2nd Friday celebration, and also see opening of the COLLABO 5 exhibit at the Audrey Love Gallery onsite ($5 suggested donation to Bakehouse Art Complex).