Group exhibit at the Weisman Art Museum

VANISHING ICE: ALPINE AND POLAR LANDSCAPES IN ART 1775-2012

Weisman Art Museum at the University of Minnesota
January 27th, 2018 – May 13th, 2018

astridXavier Cortada, “astrid,” (2007). Permanent collection of the Whatcom Museum.

Xavier Cortada’s “Astrid” painting will be on exhibit at the Weisman Art Museum in Minneapolis, MN from January 27th through May 13th, 2018 as part of the “Vanishing Ice” exhibit curated by Barbara Matilsky — see http://www.vanishing-ice.org.  You can learn more about Cortada’s piece by reading the American Art essay by Alan Braddock and Renée Ater, Art in the Anthropocene — see http://cortada.com/press/2014/AmericanArt.

Cortada, recipient of a 2006-2007 National Science Foundation Antarctic Artists and Writers fellowship, traveled to Antarctica to implement a series of projects and installations. While there, the Miami artist created “ice paintings” using sea ice and sediment samples provided to him by scientists working in Antarctica.  The artist titled the works on paper by randomly selecting the names of geographic features from a map of the continent that inspired their creation.  To learn more about the series visit http://cortada.com/2007/ice-paintings.

astrid-s

Artist: Xavier Cortada
Title: “astrid”
Series: Ice Paintings: Antarctic Sea Ice series
Medium: Sea ice from the Antarctica’s Ross Sea, sediment from Antarctica’s Dry Valleys and mixed media on paper
Size: 12 inches x 9 inches
Year: 2007
Created onsite at McMurdo Station, Ross Island, Antarctica
Permanent collection of the Whatcom Museum.

Curatorial Narrative
Barbara Matilsky, Curator of Art

VANISHING ICE will introduce the rich artistic legacy of the planet’s frozen frontiers now threatened by climate change, a phenomena understood by the public primarily through news of devastating climactic events The exhibition offers another perspective by providing visitors an opportunity to experience the majesty of sublime landscapes that have inspired artists, writers, and naturalists for more than two hundred years. Interweaving science, history and art, and highlighting their historical interrelationships, the exhibition encourages audiences to value the preservation of alpine and polar environments for the well-being of both nature and culture. Through this exhibition, visitors will begin to appreciate how strongly embedded these regions are in our collective consciousness

Comprised of 70 works of art, Vanishing Ice will unfold thematically and chronologically, tracing the visual impact of glaciers, icebergs, and fields of ice – unique and often fantastic formations – on artists’ imaginations. International in scope, the exhibition features artists from Australia, Canada, Finland, France, Germany, Great Britain, New Zealand, Norway, Peru, Russia, Switzerland, and the United States. It will examine the connections among generations of artists as they sought to understand and interpret the color, light, and structure of ice. Through their magical landscapes, visitors will vicariously experience the blue-green hues and extraordinary shapes of another world.

The confluence of art, science and public education is one of the major themes of the exhibition. In their quest to discover new pictorial motifs, the artist-as-explorer contributed to a greater understanding of the Earth. In the wake of the large number of voyages launched during the nineteenth century, images of alpine and polar landscapes helped popularize revolutionary scientific discoveries and theories in natural history, including the concept of an Ice Age concomitant with a vision of the planet’s ancient origins. Works of art by artists such as Jean-Antoine Linck (Swiss, 1766-1843) and Louis Lebreton (French, 1818–1866) appeared in scientific publications, expeditionary atlases, travelogues, popular magazines, and exhibitions. Today, these early landscapes continue to play a major role in science by helping climatologists measure the retreat of glaciers over the centuries.

A growing number of artists are once again journeying to alpine mountain ranges and the Poles, the most salient indicators of climate change, to document the effects of global warming. The fate of retreating glaciers have been presented by many photographers, including Gary Braasch, David Breashears, and Eirik Johnson who compare their views of the Rocky Mountains, Himalayas, and Andes with historical photographs, which will also be highlighted in the exhibition. Parallel to the nineteenth-century artists’ close relationship to natural history, their images appear in a wide range of venues, including books and exhibitions, helping to visualize the dramatic effects forecast by climate scientists.

Like their nineteenth and early-twentieth century counterparts, many artists are joining government-sponsored expeditions. The US National Science Foundation provides opportunities for artists as diverse as Eliot Porter and Camille Seaman to spend time in Antarctica as a way to increase awareness of polar research. Many artists, in the spirit of Frederic Edwin Church and William Bradford, have organized their own expeditions. Since 2007, artist David Buckland has been coordinating Arctic explorations composed of artists, scientists, musicians, and writers through the Cape Farewell Project, underscoring the expanded role of the artist-activist in publicizing climate change. Seventy artists have participated to date, including Paul D. Miller/DJ Spooky, whose work will also be featured in the exhibition along with video documentation of Cape Farewell’s inaugural expedition.

Vanishing Ice also examines the stylistic evolution of alpine and polar imagery over two centuries. Within this context, the exhibition will feature the wide array of materials, media, and techniques that artists have employed to vividly capture the frozen landscape. Initially limited to drawings, prints, paintings and later photography, artists now utilize video, sound, and site-specific sculpture to interpret these environments. Among the fifty internationally recognized historical and contemporary artists included are: Ansel Adams, Otto Olaf Becker, John Grade, Lauren Harris, Frank Hurley, Issac Julien, Rockwell Kent, Alexis Rockman, and Spencer Tunick.

Vanishing Ice will reveal the transformative power of art in shaping the public’s perception of these starkly beautiful environments. Beginning in the eighteenth century, writers and painters, such as Francois-August Biard (French, 1799–1882), and Frederic Edwin Church (American, 1826–1900) contributed to a new appreciation of alpine and polar landscapes, which were once regarded with fear and now experienced on a heightened, emotional level. This quality, described as the Sublime, intersected with spirituality and was one of the defining aspects of a culture in the throes of rapid industrialization. Polar ice and glaciated mountains became metaphors for both the control of nature and correspondingly lack of control, freedom, nationalism, and more recently climate change.

While showcasing the art, Vanishing Ice will present layers of information through illustrated text panels, graphs, maps and a multi-disciplinary time line featuring milestones in art, literature, science, exploration, and mountaineering, which will help visitors grasp the history of alpine and polar regions and their significance for Western culture. An introductory video, produced by the City of Bellingham’s TV10, will be aired in the gallery and broadcast on the cable channel. Quotes by artists, scientists, writers, and explorers will be strategically placed throughout the galleries to augment the key ideas and messages of the exhibition. The exhibition will feature interpretive graphics for understanding why the Arctic, Antarctica, and glaciers are so critical for maintaining a balanced, planetary ecosystem and suggest what individuals and communities can do to help mitigate global warming.

Additional components of the exhibition include: a 162-page catalogue, published by the University of Washington Press and a web site.

See http://www.whatcommuseum.org/galleries/upcoming/379-vanishing-ice

Sweetwater Elementary to perform “Longitudinal Installation”

Sweetwater Elementary to perform “Longitudinal Installation”

 

Xavier Cortada, The Longitudinal Installation (at the South Pole), 2007

Longitudinal Installation,” created by Cortada a decade ago as part of his NSF Antarctic Artists and Writers Program residency in Antarctica, will be performed by Sweetwater Elementary School students on May 24th at 7 pm.  The performance and activity is co-presented by the Reclamation Projects with the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners.

Participate by following these steps:

1. Find a group of 24 people to perform the Longitudinal Installation ritual with and engage in the performance.
Click here to download instructions.

2. Document the performance with photos and video.

3. Upload photo on www.facebook.com/longitudinalinstallation

4.  Add the “25th quote.”

Xavier Cortada, The Longitudinal Installation (at the South Pole), 2007 (Listen: http://c.ymcdn.com/sites/www.xaviercortada.com/resource/resmgr/longitudinal_installation_no.mp3)

24 Global Voices

longitude11x17_graphicThese quotes taken from newspapers across 24 time zones that talking about the impact of climate change on that individual’s life. After Xavier Cortada completed the Longitudinal Installation at the South Pole, he walked to the 0 degree longitude, the prime meridian, and walked clockwise around the pole. He stopped at each shoe to recite each of the following quotes:

 

0°, Spain:
“There may be a move of wineries into the Pyrenees in the future.”
— Xavier Sort, technical director of Miguel Torres Wineries.

15° E, Switzerland:
“Losses to insurers from environmental events have risen exponentially over the past 30 years, and are expected to rise even more rapidly still.”
— Pamela Heck, Insurance Industry Expert.

30° E, Zimbabwe:
“We used to be able to grow everything we want but that has all changed.”
— Matsapi Nyathi, Grandmother.

45° E, Turkey:
“We are helpless. We’re trying to rescue trapped people while also trying to evacuate flood waters that have inundated hundreds of houses.”
— Muharrem Ergul, Mayor, Beykoz district of Istanbul.

60° E, Iran:
“More than 90 percent of our wetlands have completely dried up.”
— Alamdar Alamdari, environmental researcher, Fars Province.

75° E, Maldives:
“In the worst case scenario, we’ll have to move.”
— Foreign Ministry spokesman Ahmed Shaheed.

90° E, Tibet, China:
“The Sherpas of Khumbu may not know everything, but they are suffering the consequences of the people’s greed. We mountain people should be careful and take precautions. If we don’t save Khumbu today our fresh water will dry up and the problem will be impossible to solve in the future.”
— Ngawang Tenzing Jangpo, the Abbot of Tengboche monastery.

105° E, Borneo, Indonesia:
“There’s been no rain, it’s horrible. The governor’s office has instructed schools and offices to close until further notice.”
— Hidayat, government official.

120° E, Philippines:
“The disaster covered almost every corner of this province – rampaging floods, falling trees, damaged houses. It happened very rapidly and many people did not expect this because they haven’t experienced mud flows in those areas before.”
— Fernando Gonzalez, governor of Albay province.

135° E, Japan:
“It’s no exaggeration to say that Japan faces a critical situation when describing the rapid decline of marine supply in its domestic waters that is linked to seaweed loss. Tengusa (seaweed) provides food for marine species.”
— Tomohiro Takase, head of the fisheries department at the Hachijojima municipality.

150° E, Great Barrier Reef, Australia:
“In 20 years’ time, bleaching is highly likely to be annual and that will cause shallow-water corals to be in decline. We need to start working out how we can help people who rely on it for their income. It’s really quite a stunning fact.”
— Ove Hoegh-Guldberg, director of the Centre for Marine Studies at the University of Queensland.

165° E, Micronesia:
“We have nowhere to go.”
— Ben Namakin, Environmental Educator.

180°, Tuvalu: “Tuvalu is the first victim of global warming.”
— Koloa Talake, former prime minister.

165° W , Niue: “Yesterday morning we woke up to a scene of so much devastation, it was just unbelievable. Cyclone Heta was just so fast, furious and ruthless.”
— Cecelia Talagi, Government Secretary.

150° W, Alaska, USA:
“We are at a crossroads. . . Is it practical to stand and fight our Mother Ocean? Or do we surrender and move?”
— Shishmaref Mayor Edith Vorderstrasse.

135° W, Yukon, Canada:
“The weather is really unpredictable and the ice freezes much later and breaks up earlier. There are more incidents of hunters falling through the ice.”
— Kik Shappa, Hunter, Griese Fiord, Canada.

120° W Nunavut, Canada:
“Our cultural heritage is at stake here. We are an adaptable people. We have over the millennium been able to adapt to incredible circumstances. But I think adaptability has its limits. If the ice is not forming, how else does one adapt to seasons that are not as they used to be when the whole environment is changing underneath our feet, literally?”
— Sheila Watt-Cloutier, president of the circumpolar conference.

105° W, Colorado, USA:
“In Colorado, climate change means less snow, less water, more wildfires, less biodiversity and less economic opportunity, as there is less water available for development.”
— Stephen Saunders, president, Rocky Mountain Climate Organization.

90° W, Nicaragua:
“I closed my eyes and prayed to God.”
— Mariana González, Hurricane Mitch survivor.

75° W, Peru:
“I tell my wife the day that mountain loses its snow, we will have to move out of the valley.”
— Jose Ignacio Lambarri, farmer, Urubamba Valley.

60° W, Argentina:
“The flooding has forced us to redesign routes. We thought it would be for a short period of time, but it has been almost six years.”
— Carlos Avellaneda, manager of a trucking company.

45° W, Brazil:
“I am very frightened. One thing goes wrong, and the entire system follows.”
— Jair Souto, Mayor of Manaquiri.

30° W, Greenland:
“They tell us that we must not eat mattak [whale blubber], but this is all we know. Eating Inughuit food makes us who we are, and anyway we have nothing else to eat!”
— Tekummeq, Town of Qaanaaq.

15° W, Maurtitania:
“We are only eating one meal a day. When there is not enough food, it is the young and the old that get fed first.”
— Fatimitu Mint Eletou, Bouchamo.


Platform 450: Curator and Artist Tour

 

PLATFORM 450

The Deering Spring Contemporary exhibition PLATFORM 450 showcases site-specific works produced through a range of multidisciplinary art practices in virtual reality, 3-D modeling, and new media. Through data collection and investigation, this year’s presenting artists responded to the 450 acres of the Deering Estate.

PLATFORM 450 OPENING

Historic homes and grounds

3:30 pm – 10:00 pm

CURATOR & ARTIST TOUR

A walking tour of the indoor and outdoor exhibits with presenting artists and Curator Kim Yantis

6:00 pm – 7:30 pm

Presenting Artists: Priscilla Aleman, Archival Feedback: Thom Wheeler Castillo and Emile Milgrim, Dan Alvarez, Willie Avendano, John William Bailly, Frida Baranek, O’Neal Bardin III, Xavier Cortada, Mark Diamond, Eddie Dominguez, Maxwell Hartley, Home Eleven: Nelly Bonilla and Oscar Luna, Ian Honoré, Peter Hosfeld, Carol Jazzar, Charles Lindsay, Richard Medlock, Luciano Rabuske, Gretchen Scharnagl, Skip Snow, Kyle Towbridge, Freda Tschumy, Keith Waddington.

For full listing of Symposium and Playwright participants see www.DeeringEstate.org.

With the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners, the National Endowment for the Humanities, and The Deering Estate Foundation, Inc.

To request materials in accessible format, sign language interpreters, and/or any accommodation to participate in any Miami-Dade Parks sponsored program or meeting, contact Mary Palacios, 305-755-7848 or Mary.Palacios@miamidade.gov at least 7 days in advance to initiate your request. TTY users may also call 711 (Florida Relay Service).

DEERING SPRING CONTEMPORARY “PLATFORM 450” exhibit

 

FIU SEAS and CARTA artist-in-residence Xavier Cortada
will be exhibiting his Native Flags project (www.nativeflags.org)
and his 2015 work, 5 Actions to Stop Rising Seas.
at

DEERING SPRING CONTEMPORARY “PLATFORM 450”

An international symposium and curated exhibit focused on the intersection of science and art.
Exhibit & Special Event on Saturday, April 22, 2017
3:30 pm -10:00 pm; Free and open to the public
Exhibit on display from April 9 – June 26, 2017

 

HIT IT: Xavier Cortada, “Five Actions to Stop Rising Seas: Hit it!,” video screen shot, 2015.
In acknowledgement of the support from the Rauschenberg Residency/Robert Rauschenberg Foundation

 

5 Actions to Stop Rising Seas: Hit it! | Burn it! | Eat it! | Freeze itBury it! video documentation of performance, 2015
Xavier Cortada

5 Actions to Stop Rising Seas was created by Xavier Cortada during April-May 2015 during an artist residency at the Rising Seas Confab 2015, Rauschenberg Studio, Captiva, Florida. In this performance, Cortada comments with irony on the weak to non-existent actions being taken to address both the causes and the imminent realities of climate disruption in a State clearly at the epicenter of potential disaster—one which has been caused by inadequate action globally on soaring levels of greenhouse gases related to human activity.

Cortada has long been involved in art that intervenes in, and/or comments upon environmental problems. He has created environmental installations (North Pole and South Poleand direct-impact ecological art projects, in Florida, around the US, and internationally, (Taiwan, Hawaii and Holland).

Xavier Cortada is Florida-educated and has lived in Miami since he was three. He is currently Artist-in-Residence at FIU School of Environment, Arts and Society | College of Arts, Science & Education and the College of Communication, Architecture + the Arts. (http://www.cortada.com)

 

ABOUT DEERING ESTATE:

The Deering Estate offers complimentary exhibit evenings, highlighting a variety of contemporary, historic, and visiting exhibitions inside the historic homes. Exhibit Evenings are free of charge and offer the public a chance to interact with artists and curators and to experience a variety of exhibit tours and talks. Exhibit Evenings are held from 7:00 pm to 9:00 pm, unless otherwise noted. Exhibit on view daily, 10:00 am – 4:00 pm; Free with Estate Admission.

A Sea Change (Mary Ann Wolfe Theatre)

 

Multidisciplinary program to raise awareness on climate change


By Ivan Lopez

The U.S. Army Corps of Engineers predicts sea levels in South Florida will rise from three to seven inches by the year 2030 and from nine to 24 inches by the year 2060. A rise of that magnitude would put close to 30 percent of South Florida underwater, completely transforming our city in ways we cannot fully comprehend.

FIU’s College of Communication, Architecture + The Arts (CARTA) is bringing together dozens of faculty members and students from many different disciplines – theatre, dance, music, journalism, architecture, environmental science – to produce A Sea Change: a Multi-Disciplinary Collaboration in Response to a Global Threat. The 90 minute program will feature a lot of important research and facts presented in creative and impactful ways.

Phillip M. Church, associate professor of theatre, conceived and directed the evening. Church has spent much of his professional career creating art and theatre that speaks to important social issues.

“There is no greater threat to our survival right now than climate change,” he said.  “FIU has been researching and raising awareness about climate change and sea level rise for well over a decade. We are at a point, however, where all of that research needs to transform into tangible action. That requires all of us, not just the scientists and policy makers. A ‘sea change’ is needed in our collective thinking about this issue.”

Robert E. Gutsche Jr., assistant professor of journalism and media, produced the evening.

“My hope is that this project takes people beyond awareness, even beyond expertise of specific areas of climate change. We need to find ways to engage knowledge with action. It’s not enough for people to know about an issue. We have to decide to do something about our problems.”

Renowned environmental artist Xavier Cortada will present an immersive interactive piece; FIU Professor of Music Orlando Garcia composed music especially for the event; and Adjunct Lecturer of Dance Crystal Patient choreographed some dance numbers.

Joel Murray, chair and professor of theatre, wrote a short play titled Good that addresses the impact art can have on social change.

“If it is strong enough, art can change the way people think. The real question though is does that change transform into action. Will it make the audience participate, roll up their sleeves and demand change.”

Other FIU Theatre artists participating in the event include Associate Professor Wayne E. Robinson, Jr., alumni Evelyn Perez, Zack Myers, Caitlyn Lincoln, Pia Vicioso-Vila and current student Sigrid Corvo.

A Sea Change is part of CARTA’s larger Climate Change Initiative, which aspires through teaching, research, engagement and creative work to position the college as a global thought leader in climate change information, adaptation, mitigation and resilience.

“Preparing for climate resilience is among the critical imperatives of our times, and our college is particularly well-positioned to address it,” said Marilys Nepomechie, associate dean and professor of architecture. “Climate change is a complex, multi-faceted challenge. One that can only be addressed successfully by involving many areas of expertise. This collaboration between multiple college departments is, in fact, absolutely perfect.”

A Sea Change will be shown on both campuses. On April 4, it will be performed at the Wertheim Performing Arts Center at Modesto A. Maidique Campus and on April 7 at the Mary Anne Wolfe Theatre at Biscayne Bay Campus. Both performances begin at 7:30 p.m. and are free and open to the public.

Space is limited.  To make a reservation, call 305-348-0496. You can find more information about the event at eyesontherise.org/aseachange.

A Sea Change (Wertheim Performing Arts Center)

 

Multidisciplinary program to raise awareness on climate change


By Ivan Lopez

The U.S. Army Corps of Engineers predicts sea levels in South Florida will rise from three to seven inches by the year 2030 and from nine to 24 inches by the year 2060. A rise of that magnitude would put close to 30 percent of South Florida underwater, completely transforming our city in ways we cannot fully comprehend.

FIU’s College of Communication, Architecture + The Arts (CARTA) is bringing together dozens of faculty members and students from many different disciplines – theatre, dance, music, journalism, architecture, environmental science – to produce A Sea Change: a Multi-Disciplinary Collaboration in Response to a Global Threat. The 90 minute program will feature a lot of important research and facts presented in creative and impactful ways.

Phillip M. Church, associate professor of theatre, conceived and directed the evening. Church has spent much of his professional career creating art and theatre that speaks to important social issues.

“There is no greater threat to our survival right now than climate change,” he said.  “FIU has been researching and raising awareness about climate change and sea level rise for well over a decade. We are at a point, however, where all of that research needs to transform into tangible action. That requires all of us, not just the scientists and policy makers. A ‘sea change’ is needed in our collective thinking about this issue.”

Robert E. Gutsche Jr., assistant professor of journalism and media, produced the evening.

“My hope is that this project takes people beyond awareness, even beyond expertise of specific areas of climate change. We need to find ways to engage knowledge with action. It’s not enough for people to know about an issue. We have to decide to do something about our problems.”

Renowned environmental artist Xavier Cortada will present an immersive interactive piece; FIU Professor of Music Orlando Garcia composed music especially for the event; and Adjunct Lecturer of Dance Crystal Patient choreographed some dance numbers.

Joel Murray, chair and professor of theatre, wrote a short play titled Good that addresses the impact art can have on social change.

“If it is strong enough, art can change the way people think. The real question though is does that change transform into action. Will it make the audience participate, roll up their sleeves and demand change.”

Other FIU Theatre artists participating in the event include Associate Professor Wayne E. Robinson, Jr., alumni Evelyn Perez, Zack Myers, Caitlyn Lincoln, Pia Vicioso-Vila and current student Sigrid Corvo.

A Sea Change is part of CARTA’s larger Climate Change Initiative, which aspires through teaching, research, engagement and creative work to position the college as a global thought leader in climate change information, adaptation, mitigation and resilience.

“Preparing for climate resilience is among the critical imperatives of our times, and our college is particularly well-positioned to address it,” said Marilys Nepomechie, associate dean and professor of architecture. “Climate change is a complex, multi-faceted challenge. One that can only be addressed successfully by involving many areas of expertise. This collaboration between multiple college departments is, in fact, absolutely perfect.”

A Sea Change will be shown on both campuses. On April 4, it will be performed at the Wertheim Performing Arts Center at Modesto A. Maidique Campus and on April 7 at the Mary Anne Wolfe Theatre at Biscayne Bay Campus. Both performances begin at 7:30 p.m. and are free and open to the public.

Space is limited.  To make a reservation, call 305-348-0496. You can find more information about the event at eyesontherise.org/aseachange.

Alaska Residency: University of Alaska Fairbanks (cancelled)


 

arctic-ak

 

FIU SEAS and CARTA artist-in-residence Xavier Cortada will travel to Alaska to engage in research for his EVER/PERMA project addressing sea-level rise and global climate change concerns.  This is part of his science art practice conducted in partnership with FIU SEAS and FCE LTER faculty (and now with faculty in the  University of Alaska in Fairbanks).

Here’s a blurb about the Ever/Perma research effort:

Ever/Perma is a new body of work being developed by Xavier Cortada.  In it, he uses art to engage community members in addressing environmental degradation, global climate change, and sea level rise concerns. He does so chiefly through the development and implementation of participatory ecological art projects, site-specific artistic interventions in Alaska and Florida, and a programmed exhibit at the project’s conclusion. During the project, Cortada will also convene community meetings, work groups, discussion panels and lectures to activate ideas.
Specifically, “Ever/Perma” will address how global climate change is disrupting the ecosystems at both ends of our country:  sea level rise threatens the Everglades; warmer temperatures are thawing the Arctic permafrost.  Scientists tell us that as both of these ecosystems are degraded by human impacts they release methane (20x more potent than carbon dioxide) into the atmosphere and further disrupt our global climate.

Now more than ever, scientists and artists play a critical role: Scientists must continue to record how the climate responds to changing policies. Artists need to use art to effectuate change; to capture this moment.

ArtTuesdays talk: Sea Level Rise

ARTtuesday/Miami Networking & Lecture
ARTISTS RESPOND TO GROWING SEA LEVEL RISE CRISIS

 

The crisis of Global Warming and its rapidly threatening effects on Sea Level Rise is a reality that will affect everyone in South Florida (and beyond). Miami-Dade County, Florida has more people living less than 4 feet above sea level than any U.S. state.  Artists address their concerns in innovative projects that will visually engage the audience and hopefully provoke a new awareness about our water and how Sea Level Rise can considerably influence human populations in coastal and island regions and natural environments.  This month’s conversation features three artists engaged in Sea Level Rise projects:

Anita Glesta, an internationally recognized artist, will present her project, WATERSHED, to the United States Conference of Mayors on Miami Beach in June to highlight the issue of climate change through site-responsive installations.

Tina Spiro is a Jamaica-based artist with close ties to South Florida.  Her Deep See: An Art Installation for the Sea is a collaborative multi-media project that focuses on environmental consciousness.

Miami artist Xavier Cortada is a long-time environmental activist who has been working in the Earth’s poles for the past decade to create site-specific installations that generate awareness about global climate change.

Dr. Carol Damian, Professor of Art History in the Department of Art & Art History at Florida International University, and curator for the Deep See project, will moderate the conversation.

When:
Tuesday, March 14, 2017

Where:
Books & Books
265 Aragon Avenue
Coral Gables, FL 33134 7

6:00 pm to 6:45 pm Happy Hour * & Networking
6:45 pm to 7:00 pm
 Announcements
7:00 pm to 8:00 pm Panel and Q&A

All programs are open to the public and free of charge.

*Happy Hour runs from 4 to 7 pm at Books & Books on Second Tuesdays

 

ABOUT ARTtuesdays/MIAMI:

ARTtuesdays/MIAMI is a monthly series of community discussions focusing on art and culture. Free and open to the public. 6 – 7pm networking; 7 – 8pm Program + Q&A.

ARTtuesdays/MIAMI endeavors to spotlight and explore, exciting, timely and relevant developments and creative initiatives in culture, art, design, and architecture, that impact and transform South Florida and its citizens.

Presented the second Tuesday of each month, these enriching programs are introduced by articulate and savvy moderators who lead groups of knowledgeable and engaged panelists who are experts in their field.

Programs provide opportunities to network with new and good friends, engage in timely discussions while learning about cultural themes that impact our community.

ARTtuesdays/MIAMI is spearheaded by a group of volunteers who donate their time and resources to ensure that meetings are professionally organized and well attended. The program committee is comprised of Carol Damian, Lilia Garcia, Liana Pérez, Elisa Turner and Ilana Vardy.

“Now More Than Ever” Science Art Talk at Lighthouse Art Center in Tequesta, FL

Xavier Cortada, “Now More than Ever” digital art*, 2016.

FIU Artist-in-Residence Xavier Cortada will be the third-Thursday speaker at the Lighthouse Art Center in Tequesta, FL on the February 16th, 2017.  He will give his science art talk during an exhibit featuring the work of Deep-sea explorer and MacArthur Award Winner, Dr. Edie Widder.  “Now more than ever scientists and artists play a critical role: Scientists must continue to record how the climate responds to changing policies. Artists need to use art to effectuate change; to capture this moment,” said Cortada.

ILLUMINATING THE DEEP: The Fine Art of Exploration

Explore.  Learn.  Act.

Deep-sea explorer and MacArthur Award Winner, Dr. Edie Widder, collaborated with artist and inventor, Dr. Steve Bernstein, to create this blockbuster exhibition filled with astonishing digitally enhanced photos of living creatures that sparkle and glow and flash with light from within.  Combined with the original artwork of Else Bostlemann, from Dr. William Beebe’s historic National Geographic bathysphere expeditions of the 1930s, this is a show of epic proportions.  Compare yourself to the life-size giant squid (first photographed by Dr. Widder) or paint with light in virtual reality, you can immerse yourself in the wonders of our planet’s last frontier. Plan your group tour now and be sure to download a copy of our featured article in Oceanography magazine written by Dr. Widder:

http://www.tos.org/oceanography/assets/docs/29-4_widder.pdf

Exhibition Dates:  December 22, 2016 – March 4, 2017

No charge for members, non-members $10

Read article Edie wrote for Oceanography magazine:

Climate Wrongs and Human Rights (University of Miami Law Review‘s 2017 Symposium)

2017 Symposium

The University of Miami Law Review‘s 2017 Symposium, Climate Wrongs and Human Rights, has been announced. Scholarship from this annual event will be featured in the symposium issue to be published in the Volume 72, Winter Edition.

Student / General Public Registration – here

CLE Registration (8 credits available) – here

Friday, February 10, 2017

Saturday, February 11, 2017

University of Miami Storer Auditorium

5250 University Drive, Coral Gables, Florida 33146


About the Symposium

The University of Miami Law Review’s Symposium is an annual event that leads to the publication of an issue. This year’s Symposium, entitled “Climate Wrongs and Human Rights” will explore the human rights implications of climate change. Panelists will examine this topic through a variety of subjects, including democracy, federalism, immigration, and philosophy. The Symposium will also feature art by Miami Arist and UM Law Alum, Xavier Cortada.

Keynote Speaker 
Traditional Chief, Isle de Jean Charles Band of Biloxi-Chitimacha-Choctaw Tribe
Featured Artist 
Cortada will provide opening remarks on Saturday, February 11 and invite the audience to participate in his performative art project, titled “Do Not Open.” 

Panel I—Ground Zero: Miami

What does climate change mean for the City of Miami? This panel will provide a comparative analysis of adaptation measures amongst different parts of the city and will examine the disparate impact of climate change in Miami. This panel will explore if and how law and policy is mitigating the pressing effects of climate change in South Florida.

Panelists:

Abigail CorbettShareholder, Stearns Weaver Miller Weissler Alhadeff & Sitterson, P.A. 
Benjamin KirtmanProfessor, University of Miami Rosenstiel School for Marine and Atmospheric Science 
Elizabeth WheatonEnvironment and Sustainability Director, City of Miami Beach

Moderator: Catherine KaimanLecturer in Law, University of Miami School of Law 

Panel II—Climate Democracy 

Can democracy adequately address climate change and its human rights implications? This panel will explore how political and legal institutions must adapt to the ongoing crisis of climate change to effectuate meaningful solutions.

Panelists: 

Rebecca BratspiesProfessor of Law, The City University of New York School of Law
Dale JamiesonProfessor, New York University School of Law 
Alice KaswanProfessor, University of San Francisco School of Law 

Moderator: Felix MormannAssociate Professor of Law, University of Miami School of Law

Panel III—Climate Refugees 

Is the displacement of climate refugees a humanitarian concern? This panel will discuss the link between climate change and human migration. It will explore if and how immigration law and policy should evolve to address climate refugees.

Panelists: 

Sumudu AtapattuSenior Lecturer, University of Wisconsin Law School 
Michael GerrardProfessor, Columbia Law School 
Katrina WymanProfessor of Law, New York University School of Law 

Moderator: Roxana BaconVisiting Professor, University of Miami School of Law 

Panel IV—Climate Philosophy 

Is the right to a clean environment a human right? Do we have a duty to the next generation? We invite the audience to consider these questions as the panelists focus on the moral obligations individuals have in addressing climate change and in ameliorating the human rights implications of climate change. This panel will inquire as to the gaps in urgency between policy makers and scientists.

Panelists: 

Stephen GardinerProfessor, University of Washington 
Naomi OreskesProfessor, Harvard University 
Jacqueline PattersonDirector, Environmental and Climate Justice Program, NAACP

Moderator: James Nickel, Professor, University of Miami School of Law

 


A printable version of the tentative schedule is forthcoming. However, the tentative schedule can be found listed below:

Friday, February 10, 2017

1:00 p.m. – 1: 30 p.m.        Registration

1:30 p.m. – 1:35 p.m.         Welcome

1:35 p.m. – 1:50 p.m.         Introduction of Keynote

1:50 p.m. – 2:30 p.m.           Keynote: Chief Albert Naquin, Traditional Chief, Isle de Jean    Charles Band of Biloxi-Chitimacha-Choctaw Tribe

2:30 p.m. – 2:50 p.m.            Break

2:50 p.m. – 4:20 p.m.             Panel I – Ground Zero: Miami

4:20 p.m. – 4:30 p.m.             Break

4:30 p.m. – 6:00 p.m.              Panel II- Climate Democracy

Saturday, February 11, 2017

9:00 a.m. – 9:30 a.m.              Registration

9:30 a.m. – 9:45 a.m.              Welcome

9:45 a.m. – 11:15 a.m.            Panel III—Climate Refugees

11:15 a.m. – 11:30 a.m.          Break

11:30 a.m. – 1:00 p.m.            Panel IV – Climate Philosophy

1:00 p.m. – 2:00 p.m.              Closing