“Antarctic Ice Paintings: Global Coastlines & Underwater HOA” at Hibiscus Gallery

Antarctic Ice: Main | About | 2018 Event | Gallery | Press  
Ice Painting Series: Sea Ice | WAIS | Global Coastlines

 

Xavier Cortada, “Antarctic Ice Paintings | Global Coastlines: Antarctica,” melted Antarctic ice, sediment and mixed media on paper, 9″ x 12″, 2007.

 

“Antarctic Ice Paintings: Global Coastlines and Underwater HOA

a solo exhibition premiering works created in Antarctica in 2007
by

Xavier Cortada

at

Hibiscus Gallery
Pinecrest Gardens
11000 S. Red Road
Pinecrest, FL 33156

Exhibit runs from November 8, 2018 through January 13, 2018

 

Xavier Cortada, recipient of a 2006-2007 National Science Foundation Antarctic Artists and Writers fellowship, traveled to Antarctica to implement a series of projects and installations. While there, the Miami artist created “Antarctic Ice Paintings” using glacier ice, sea ice, and sediment samples provided to him by scientists working in Antarctica.  “Global Coastlines,” a series of comprised of all of the artist’s Antarctic works on paper which had not yet been titled (and had never been shown) will be premiered and named at Pinecrest Gardens.  One is titled “Antarctica,”  another will be titled “Pinecrest.”  The remaining sixty works will be titled for another 60 global communities threatened by sea level rise. The exhibition is part of a broader participatory art project aimed at engaging residents in a conversation about the future of their properties.  

The exhibition will also serve to launch the Underwater HOA participatory public art project the artist is implementing with the Village of Pinecrest to engage their 6,000 households in addressing sea lever rise.  Learn more at www.underwaterHOA.com

 

 

“Underwater HOA” at Hibiscus Gallery

Xavier Cortada

Underwater HOA: Main | About | Markers | Join the HOA | Artist | 2018 Exhibition | Media | Resources  

“Underwater HOA”

a participatory art project by Xavier Cortada will be launched during the opening of the artist’s

 “Antarctic Ice Paintings: Global Coastlines & Underwater HOA

solo exhibition premiering works he created in Antarctica in 2006-2007 at

Hibiscus Gallery
Pinecrest Gardens
11000 S. Red Road
Pinecrest, FL 33156

Exhibit runs from November 8, 2018 through January 13, 2018

 

Antarctic Ice: Main | About | 2018 Event | Gallery | Press  
Ice Painting Series: Sea Ice | WAIS | Global Coastlines

Xavier Cortada, “Antarctic Ice Paintings | Global Coastlines: A-30,” melted Antarctic ice, sediment and mixed media on paper, 9″ x 12″, 2007.

 

Xavier Cortada, recipient of a 2006-2007 National Science Foundation Antarctic Artists and Writers fellowship, traveled to Antarctica to implement a series of projects and installations. While there, the Miami artist created “Antarctic Ice Paintings” using glacier ice, sea ice, and sediment samples provided to him by scientists working in Antarctica.  “Global Coastlines,” a series of comprised of all of the artist’s Antarctic works on paper which had not yet been titled (and had never been shown) will be premiered and named at Pinecrest Gardens.  One is titled “Antarctica,”  another will be titled “Pinecrest.”  The remaining sixty works will be titled for another 60 global communities threatened by sea level rise. The exhibition is part of a broader participatory art project aimed at engaging residents in a conversation about the future of their properties.

 

 

 
 

EU Climate Diplomacy Day | Naming of Antarctic Ice Paintings: Global Coastlines

Xavier Cortada will participate in EU Climate Diplomacy Day.

On September 27, 2018, at the Storer Auditorium in the Miami Business School, the artist will engage the audience in his DO NOT OPEN performance, asking them to write letters to the future.  The artist will also invite five General Consuls to randomly select one of the 60 paintings the artist made by melting Antarctic ice  and name it after one of their own country’s coastal cities made vulnerable by the melting of that same Antarctic ice.  The five European consuls will be the first to randomly name the Global Coastlines series of the Antarctic Ice Paintings.  The remaining 55 works will be named at a ceremony in Pinecrest Gardens Hibiscus Gallery on November 29, 2018, see http://hibiscusgallery.com/about-2018-icepaintings.

 

 

For more information contact:

Axel Zeissig, Vice Consul, Generalkonsulat der Bundesrepublik Deutschland
Consulate General of the Federal Republic of Germany
100 N Biscayne Blvd., Suite 2200, Miami, FL 33132
Phone (305) 358-0290 ext. 585
Fax (305) 358-0307

Welcoming the Seasons: Longitudinal Installation performance

Welcoming the 2018 Seasons…

Xavier Cortada. “Longitudinal Installation,” South Pole (2007) and North Pole (2008).

 

Please join us for the performance of the Longitudinal Installation as we greet each new season

Fall Equinox

LONGITUDINAL INSTALLATION
Xavier Cortada

Sunday, September  23, 2018 at 10:30am

at

Pinecrest Gardens
11000 SW 57th Avenue
Pinecrest, FL 33156

The participatory art piece captures voices from 24 individual across the globe who have been impacted by Climate Change.

The event is free and open to the public.
For more info call 305-669-6990 or visit

Learn more at www.longitudinalinstallation.org

 

 

Longitudinal Installation

The Longitudinal Installation at In the Garden Pinecrest Gardens: Cortada created the Longitudinal Installation in the South Pole in 2007 and in the North Pole in 2008. During both visits, Cortada placed 24 shoes in a circle, each aligned across 24 longitudes. He stopped in front of each of his longitudinal shoe markers and read a quote aloud that revealed a person’s experience with climate change from that part of the world. His artistic ritual illustrated how everyone in the world has been profoundly impacted by climate change.

In the Garden:
The South Pole’s Longitudinal Installation has been replicated as a ceramic sculpture on permanent exhibit at Pinecrest Gardens. This participatory art installation invites visitors to recite the 24 quotes, as Cortada did at both ends of the world.

To perform the ritual, stand behind the show marked with zero degrees and face the red and white pole as you read the first quote. (You can find the quotes online at www.longitudinalinstallation.org.) Then, move clockwise, stopping at each marked shoe to read its respective quote. Upon completion, stand just to the right of the 75 degree West shoe (if you live in Florida) and recite a 25th quote: Your own quote!

25th quote: How has climate change impacted your environment?
If you perform the ritual, we invite you to document the performance with photos and video, and upload it to www.longitudinalinstallation.org

 

Greeting each new season

Please join us In the Garden at Pinecrest Gardens for the performance of the Longitudinal Installation as we greet each new season:

Aside from his ongoing Florida is Nature project and the Longitudinal Installation, Pinecrest Gardens artist-in-residence Xavier Cortada is creating other permanent participatory art projects and ritualistic installations onsite at Pinecrest Gardens, South Florida’s Cultural Arts Park.  

To schedule an environmental art-based field trip for your classroom or co-op, please contact Lacey Bray, educational programs coordinator, at lbray@pinecrest-fl.gov.  Pinecrest Gardens is located at 11000 SW 57th Avenue, Pinecrest, FL.

Group exhibit at the Weisman Art Museum

VANISHING ICE: ALPINE AND POLAR LANDSCAPES IN ART 1775-2012

Weisman Art Museum at the University of Minnesota
January 27th, 2018 – May 13th, 2018

astridXavier Cortada, “astrid,” (2007). Permanent collection of the Whatcom Museum.

Xavier Cortada’s “Astrid” painting will be on exhibit at the Weisman Art Museum in Minneapolis, MN from January 27th through May 13th, 2018 as part of the “Vanishing Ice” exhibit curated by Barbara Matilsky — see http://www.vanishing-ice.org.  You can learn more about Cortada’s piece by reading the American Art essay by Alan Braddock and Renée Ater, Art in the Anthropocene — see http://cortada.com/press/2014/AmericanArt.

Cortada, recipient of a 2006-2007 National Science Foundation Antarctic Artists and Writers fellowship, traveled to Antarctica to implement a series of projects and installations. While there, the Miami artist created “ice paintings” using sea ice and sediment samples provided to him by scientists working in Antarctica.  The artist titled the works on paper by randomly selecting the names of geographic features from a map of the continent that inspired their creation.  To learn more about the series visit http://cortada.com/2007/ice-paintings.

astrid-s

Artist: Xavier Cortada
Title: “astrid”
Series: Ice Paintings: Antarctic Sea Ice series
Medium: Sea ice from the Antarctica’s Ross Sea, sediment from Antarctica’s Dry Valleys and mixed media on paper
Size: 12 inches x 9 inches
Year: 2007
Created onsite at McMurdo Station, Ross Island, Antarctica
Permanent collection of the Whatcom Museum.

Curatorial Narrative
Barbara Matilsky, Curator of Art

VANISHING ICE will introduce the rich artistic legacy of the planet’s frozen frontiers now threatened by climate change, a phenomena understood by the public primarily through news of devastating climactic events The exhibition offers another perspective by providing visitors an opportunity to experience the majesty of sublime landscapes that have inspired artists, writers, and naturalists for more than two hundred years. Interweaving science, history and art, and highlighting their historical interrelationships, the exhibition encourages audiences to value the preservation of alpine and polar environments for the well-being of both nature and culture. Through this exhibition, visitors will begin to appreciate how strongly embedded these regions are in our collective consciousness

Comprised of 70 works of art, Vanishing Ice will unfold thematically and chronologically, tracing the visual impact of glaciers, icebergs, and fields of ice – unique and often fantastic formations – on artists’ imaginations. International in scope, the exhibition features artists from Australia, Canada, Finland, France, Germany, Great Britain, New Zealand, Norway, Peru, Russia, Switzerland, and the United States. It will examine the connections among generations of artists as they sought to understand and interpret the color, light, and structure of ice. Through their magical landscapes, visitors will vicariously experience the blue-green hues and extraordinary shapes of another world.

The confluence of art, science and public education is one of the major themes of the exhibition. In their quest to discover new pictorial motifs, the artist-as-explorer contributed to a greater understanding of the Earth. In the wake of the large number of voyages launched during the nineteenth century, images of alpine and polar landscapes helped popularize revolutionary scientific discoveries and theories in natural history, including the concept of an Ice Age concomitant with a vision of the planet’s ancient origins. Works of art by artists such as Jean-Antoine Linck (Swiss, 1766-1843) and Louis Lebreton (French, 1818–1866) appeared in scientific publications, expeditionary atlases, travelogues, popular magazines, and exhibitions. Today, these early landscapes continue to play a major role in science by helping climatologists measure the retreat of glaciers over the centuries.

A growing number of artists are once again journeying to alpine mountain ranges and the Poles, the most salient indicators of climate change, to document the effects of global warming. The fate of retreating glaciers have been presented by many photographers, including Gary Braasch, David Breashears, and Eirik Johnson who compare their views of the Rocky Mountains, Himalayas, and Andes with historical photographs, which will also be highlighted in the exhibition. Parallel to the nineteenth-century artists’ close relationship to natural history, their images appear in a wide range of venues, including books and exhibitions, helping to visualize the dramatic effects forecast by climate scientists.

Like their nineteenth and early-twentieth century counterparts, many artists are joining government-sponsored expeditions. The US National Science Foundation provides opportunities for artists as diverse as Eliot Porter and Camille Seaman to spend time in Antarctica as a way to increase awareness of polar research. Many artists, in the spirit of Frederic Edwin Church and William Bradford, have organized their own expeditions. Since 2007, artist David Buckland has been coordinating Arctic explorations composed of artists, scientists, musicians, and writers through the Cape Farewell Project, underscoring the expanded role of the artist-activist in publicizing climate change. Seventy artists have participated to date, including Paul D. Miller/DJ Spooky, whose work will also be featured in the exhibition along with video documentation of Cape Farewell’s inaugural expedition.

Vanishing Ice also examines the stylistic evolution of alpine and polar imagery over two centuries. Within this context, the exhibition will feature the wide array of materials, media, and techniques that artists have employed to vividly capture the frozen landscape. Initially limited to drawings, prints, paintings and later photography, artists now utilize video, sound, and site-specific sculpture to interpret these environments. Among the fifty internationally recognized historical and contemporary artists included are: Ansel Adams, Otto Olaf Becker, John Grade, Lauren Harris, Frank Hurley, Issac Julien, Rockwell Kent, Alexis Rockman, and Spencer Tunick.

Vanishing Ice will reveal the transformative power of art in shaping the public’s perception of these starkly beautiful environments. Beginning in the eighteenth century, writers and painters, such as Francois-August Biard (French, 1799–1882), and Frederic Edwin Church (American, 1826–1900) contributed to a new appreciation of alpine and polar landscapes, which were once regarded with fear and now experienced on a heightened, emotional level. This quality, described as the Sublime, intersected with spirituality and was one of the defining aspects of a culture in the throes of rapid industrialization. Polar ice and glaciated mountains became metaphors for both the control of nature and correspondingly lack of control, freedom, nationalism, and more recently climate change.

While showcasing the art, Vanishing Ice will present layers of information through illustrated text panels, graphs, maps and a multi-disciplinary time line featuring milestones in art, literature, science, exploration, and mountaineering, which will help visitors grasp the history of alpine and polar regions and their significance for Western culture. An introductory video, produced by the City of Bellingham’s TV10, will be aired in the gallery and broadcast on the cable channel. Quotes by artists, scientists, writers, and explorers will be strategically placed throughout the galleries to augment the key ideas and messages of the exhibition. The exhibition will feature interpretive graphics for understanding why the Arctic, Antarctica, and glaciers are so critical for maintaining a balanced, planetary ecosystem and suggest what individuals and communities can do to help mitigate global warming.

Additional components of the exhibition include: a 162-page catalogue, published by the University of Washington Press and a web site.

See http://www.whatcommuseum.org/galleries/upcoming/379-vanishing-ice

Film Screening: Battleground Everglades | Dangerous Seas

 

 

Please join us for the special screening of “Dangerous Seas” on Wednesday, January 24th at 7PM at the Deering Estate in Miami.  The episode of DANGEROUS SEAS showcases Florida artist Xavier Cortada using his own creativity to inspire environmental restoration.

This event is open to the public and is RSVP only.  Click here: https://www.eventbrite.com/e/premiere-battleground-everglades-at-the-deering-estate-tickets-41877591002?aff=efbeventtix  (EVENT CLOSED/Sold out)

 

DESCRIPTION

As part of the Speaking Sustainably Film Series, South Florida PBS (WPBT2 – WXEL) and the Deering Estate invite you to a complimentary reception and screening of the Battleground Everglades, Dangerous Seas, on January 24th at 7pm at the Deering Estate Visitor Center Theatre. Reception begins at 7pm with light snacks and beverages. The screening will begin at 7:30pm. Following the screening guests can participate in a Q&A with featured experts and the production crew. Event is free and open to the public.

BATTLEGROUND EVERGLADES explores the struggle to save one of the world’s most revered wetlands: Florida’s Everglades. Devastated by a century of drainage and development, the entire Everglades watershed is suffering from man-made pollution, habitat destruction and species decline.

Hosted by Charles Kropke, author and well-known Everglades expert, the 6-part series showcases dramatic challenges and innovative solutions to restore this World Heritage Site. As more and more countries battle sea level rise, invasive species, algae outbreaks and other environmental issues, the Everglades is poised to become a beacon of learning and hope.

“DANGEROUS SEAS” EPISODE:

South Florida is at the epicenter of a world-wide threat from sea level rise. DANGEROUS SEAS examines how Florida’s porous Biscayne aquifer, the source of South Florida’s drinking water, is endangered by rising oceans and other contaminates.

The program also journeys to a remote Florida Bay mud flat, to discover how sea level rise contributes to dwindling bird nesting populations. In Everglades National Park, audiences can watch scientists studying how sea level rise is affecting critical peat soil, a building block for Florida’s storm-vulnerable coasts. DANGEROUS SEAS also showcases a well-known Florida artist using his own creativity to inspire environmental restoration.

The series will begin airing on both South Florida PBS stations in February 2018, See below airdate schedule! 

WPBT :

101 – Algea  Explosion – Wednesday, February 7th,  7:30 PM

102 – War on Invasive Species – Wednesday, February 14, 7:30 PM

103 – The Battle Over Big Water – Wednesday, February 21, 7:30 PM

104 – Dangerous Seas – Wednesday, February 28, 7:30 PM

105 – Survival at Stake – Wednesday, March 7, 7:30 PM

106 – Glades Warriors – Wednesday, March 14, 7:30 PM

 

WXEL :

101 – Algea  Explosion – Thursday, February 8th, 8 PM

102 – War on Invasive Species – Thursday, February 25,  8 PM

103 – The Battle Over Big Water – Thursday, February 22, 8 PM

104 – Dangerous Seas – Thursday, March 1, 8 PM

105 – Survival at Stake – Thursday, March 8, 8 PM

106 – Glades Warriors – Thursday, March 15, 8 PM

San José : DO NOT OPEN until 2117

San José : DO NOT OPEN until 2117

MACLA Instagram screen capture: Xavier Cortada, “DO NOT OPEN/San Jose,” 2017

 

In “DO NOT OPEN,” I ask residents of San José to write letters to the future. I do so because, today, many of their neighbors aren’t willing to listen. Today, too many are in denial about the human impact on global climate change. For many, denial comes easier than visualizing the future impact of rising seas on their community. Our words fall on deaf ears.

So, instead, we must write it all down, keep it in a safe place, and share it later, when others are willing to listen.

Although the letters are intended for people not yet born, the true audience is those breathing in the present.

Sure, the future will be curious.
The future will read our letters and want to know why we couldn’t show restraint when facing insurmountable evidence of our role in creating this global crisis.

The future will be incredulous.
In 2117, our great-grandchildren will read the words we wrote them and want to understand why we didn’t do more when so much—everything– was at stake.

The future will be furious.
A century from now, San José will read what we penned and want to know how, on our watch, ecosystems collapsed, biodiversity plummeted and so much of humanity suffered.

The future will benefit from insights, but “DO NOT OPEN” isn’t for them. It’s not about them. It’s about us.

I’m less interested in them being able to hear us. And more interested in us being able to see them. By writing to them, we name them. By writing to them, we can’t deny their existence. By writing to them, we create a connection to them.

Being able to connect with our progeny raises the stakes for us now in 2017. It lengthens the “care horizon” beyond our lifetime. It provides a path to hope, purpose. It encourages us to do all we can now to protect our planet, its future generations and the animals we coevolved with.

— Xavier Cortada

 

http://cortada.com/event/2017/macla

MACLA Instagram screen capture: Xavier Cortada, “DO NOT OPEN/San Jose,” 2017.

 

During the opening Temperature Check exhibition, MACLA invites attendees to participate in Cortada’s “DO NOT OPEN” performance.

Participant Instructions:

Walk up to the “DO NOT OPEN” wall in the MACLA Temperature Check
Close your eyes: Imagine San José 100 years in the future. Imagine the people living here then. Imagine how rising seas will impact the city and those who will live here then.
Think about what you would like them to know. Think about what someone living in San José in 2117 would want to hear from someone living here in 2017.
Unclip a piece of blank paper and envelope from the “DO NOT OPEN” wall and use a pencil to write it all down:

Tell them who you are.
Tell them why you are writing to them.
Tell them what you thought, what you saw.
Tell them what you felt, what you feared.
Tell them what you did, what you hoped for.
Tell them what you want them to do.

Fold your handwritten letter in two, kiss it, place it inside the envelope and seal it. Sign and date the back of your envelope and write the words:
“DO NOT OPEN until 2117”
Clip the sealed envelope to the “DO NOT OPEN” wall with the handwritten words facing out.
Stare at your envelope for 100 seconds. Visualize the changes rising seas will bring over each of the next 100 years. Think of how your words will be received in San José in 2117.
Walk away.

See: http://cortada.com/event/2017/macla

Sweetwater Elementary to perform “Longitudinal Installation” during Power of Arts Museum at Sweetwater

Sweetwater Elementary to perform “Longitudinal Installation”

 

 

Xavier Cortada, The Longitudinal Installation (at the South Pole), 2007

Longitudinal Installation,” created by Cortada a decade ago as part of his NSF Antarctic Artists and Writers Program residency in Antarctica, will be performed by Sweetwater Elementary School students on May 24th at 7 pm.  The performance and activity is co-presented by the Reclamation Projects with the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners.

Participate by following these steps:

1. Find a group of 24 people to perform the Longitudinal Installation ritual with and engage in the performance.
Click here to download instructions.

2. Document the performance with photos and video.

3. Upload photo on www.facebook.com/longitudinalinstallation

4.  Add the “25th quote.”

Xavier Cortada, The Longitudinal Installation (at the South Pole), 2007 (Listen: http://c.ymcdn.com/sites/www.xaviercortada.com/resource/resmgr/longitudinal_installation_no.mp3)

24 Global Voices

longitude11x17_graphicThese quotes taken from newspapers across 24 time zones that talking about the impact of climate change on that individual’s life. After Xavier Cortada completed the Longitudinal Installation at the South Pole, he walked to the 0 degree longitude, the prime meridian, and walked clockwise around the pole. He stopped at each shoe to recite each of the following quotes:

 

0°, Spain:
“There may be a move of wineries into the Pyrenees in the future.”
— Xavier Sort, technical director of Miguel Torres Wineries.

15° E, Switzerland:
“Losses to insurers from environmental events have risen exponentially over the past 30 years, and are expected to rise even more rapidly still.”
— Pamela Heck, Insurance Industry Expert.

30° E, Zimbabwe:
“We used to be able to grow everything we want but that has all changed.”
— Matsapi Nyathi, Grandmother.

45° E, Turkey:
“We are helpless. We’re trying to rescue trapped people while also trying to evacuate flood waters that have inundated hundreds of houses.”
— Muharrem Ergul, Mayor, Beykoz district of Istanbul.

60° E, Iran:
“More than 90 percent of our wetlands have completely dried up.”
— Alamdar Alamdari, environmental researcher, Fars Province.

75° E, Maldives:
“In the worst case scenario, we’ll have to move.”
— Foreign Ministry spokesman Ahmed Shaheed.

90° E, Tibet, China:
“The Sherpas of Khumbu may not know everything, but they are suffering the consequences of the people’s greed. We mountain people should be careful and take precautions. If we don’t save Khumbu today our fresh water will dry up and the problem will be impossible to solve in the future.”
— Ngawang Tenzing Jangpo, the Abbot of Tengboche monastery.

105° E, Borneo, Indonesia:
“There’s been no rain, it’s horrible. The governor’s office has instructed schools and offices to close until further notice.”
— Hidayat, government official.

120° E, Philippines:
“The disaster covered almost every corner of this province – rampaging floods, falling trees, damaged houses. It happened very rapidly and many people did not expect this because they haven’t experienced mud flows in those areas before.”
— Fernando Gonzalez, governor of Albay province.

135° E, Japan:
“It’s no exaggeration to say that Japan faces a critical situation when describing the rapid decline of marine supply in its domestic waters that is linked to seaweed loss. Tengusa (seaweed) provides food for marine species.”
— Tomohiro Takase, head of the fisheries department at the Hachijojima municipality.

150° E, Great Barrier Reef, Australia:
“In 20 years’ time, bleaching is highly likely to be annual and that will cause shallow-water corals to be in decline. We need to start working out how we can help people who rely on it for their income. It’s really quite a stunning fact.”
— Ove Hoegh-Guldberg, director of the Centre for Marine Studies at the University of Queensland.

165° E, Micronesia:
“We have nowhere to go.”
— Ben Namakin, Environmental Educator.

180°, Tuvalu: “Tuvalu is the first victim of global warming.”
— Koloa Talake, former prime minister.

165° W , Niue: “Yesterday morning we woke up to a scene of so much devastation, it was just unbelievable. Cyclone Heta was just so fast, furious and ruthless.”
— Cecelia Talagi, Government Secretary.

150° W, Alaska, USA:
“We are at a crossroads. . . Is it practical to stand and fight our Mother Ocean? Or do we surrender and move?”
— Shishmaref Mayor Edith Vorderstrasse.

135° W, Yukon, Canada:
“The weather is really unpredictable and the ice freezes much later and breaks up earlier. There are more incidents of hunters falling through the ice.”
— Kik Shappa, Hunter, Griese Fiord, Canada.

120° W Nunavut, Canada:
“Our cultural heritage is at stake here. We are an adaptable people. We have over the millennium been able to adapt to incredible circumstances. But I think adaptability has its limits. If the ice is not forming, how else does one adapt to seasons that are not as they used to be when the whole environment is changing underneath our feet, literally?”
— Sheila Watt-Cloutier, president of the circumpolar conference.

105° W, Colorado, USA:
“In Colorado, climate change means less snow, less water, more wildfires, less biodiversity and less economic opportunity, as there is less water available for development.”
— Stephen Saunders, president, Rocky Mountain Climate Organization.

90° W, Nicaragua:
“I closed my eyes and prayed to God.”
— Mariana González, Hurricane Mitch survivor.

75° W, Peru:
“I tell my wife the day that mountain loses its snow, we will have to move out of the valley.”
— Jose Ignacio Lambarri, farmer, Urubamba Valley.

60° W, Argentina:
“The flooding has forced us to redesign routes. We thought it would be for a short period of time, but it has been almost six years.”
— Carlos Avellaneda, manager of a trucking company.

45° W, Brazil:
“I am very frightened. One thing goes wrong, and the entire system follows.”
— Jair Souto, Mayor of Manaquiri.

30° W, Greenland:
“They tell us that we must not eat mattak [whale blubber], but this is all we know. Eating Inughuit food makes us who we are, and anyway we have nothing else to eat!”
— Tekummeq, Town of Qaanaaq.

15° W, Maurtitania:
“We are only eating one meal a day. When there is not enough food, it is the young and the old that get fed first.”
— Fatimitu Mint Eletou, Bouchamo.


Platform 450: Curator and Artist Tour

 

PLATFORM 450

The Deering Spring Contemporary exhibition PLATFORM 450 showcases site-specific works produced through a range of multidisciplinary art practices in virtual reality, 3-D modeling, and new media. Through data collection and investigation, this year’s presenting artists responded to the 450 acres of the Deering Estate.

PLATFORM 450 OPENING

Historic homes and grounds

3:30 pm – 10:00 pm

CURATOR & ARTIST TOUR

A walking tour of the indoor and outdoor exhibits with presenting artists and Curator Kim Yantis

6:00 pm – 7:30 pm

Presenting Artists: Priscilla Aleman, Archival Feedback: Thom Wheeler Castillo and Emile Milgrim, Dan Alvarez, Willie Avendano, John William Bailly, Frida Baranek, O’Neal Bardin III, Xavier Cortada, Mark Diamond, Eddie Dominguez, Maxwell Hartley, Home Eleven: Nelly Bonilla and Oscar Luna, Ian Honoré, Peter Hosfeld, Carol Jazzar, Charles Lindsay, Richard Medlock, Luciano Rabuske, Gretchen Scharnagl, Skip Snow, Kyle Towbridge, Freda Tschumy, Keith Waddington.

For full listing of Symposium and Playwright participants see www.DeeringEstate.org.

With the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners, the National Endowment for the Humanities, and The Deering Estate Foundation, Inc.

To request materials in accessible format, sign language interpreters, and/or any accommodation to participate in any Miami-Dade Parks sponsored program or meeting, contact Mary Palacios, 305-755-7848 or Mary.Palacios@miamidade.gov at least 7 days in advance to initiate your request. TTY users may also call 711 (Florida Relay Service).

DEERING SPRING CONTEMPORARY “PLATFORM 450” exhibit

 

FIU SEAS and CARTA artist-in-residence Xavier Cortada
will be exhibiting his Native Flags project (www.nativeflags.org)
and his 2015 work, 5 Actions to Stop Rising Seas.
at

DEERING SPRING CONTEMPORARY “PLATFORM 450”

An international symposium and curated exhibit focused on the intersection of science and art.
Exhibit & Special Event on Saturday, April 22, 2017
3:30 pm -10:00 pm; Free and open to the public
Exhibit on display from April 9 – June 26, 2017

 

HIT IT: Xavier Cortada, “Five Actions to Stop Rising Seas: Hit it!,” video screen shot, 2015.
In acknowledgement of the support from the Rauschenberg Residency/Robert Rauschenberg Foundation

 

5 Actions to Stop Rising Seas: Hit it! | Burn it! | Eat it! | Freeze itBury it! video documentation of performance, 2015
Xavier Cortada

5 Actions to Stop Rising Seas was created by Xavier Cortada during April-May 2015 during an artist residency at the Rising Seas Confab 2015, Rauschenberg Studio, Captiva, Florida. In this performance, Cortada comments with irony on the weak to non-existent actions being taken to address both the causes and the imminent realities of climate disruption in a State clearly at the epicenter of potential disaster—one which has been caused by inadequate action globally on soaring levels of greenhouse gases related to human activity.

Cortada has long been involved in art that intervenes in, and/or comments upon environmental problems. He has created environmental installations (North Pole and South Poleand direct-impact ecological art projects, in Florida, around the US, and internationally, (Taiwan, Hawaii and Holland).

Xavier Cortada is Florida-educated and has lived in Miami since he was three. He is currently Artist-in-Residence at FIU School of Environment, Arts and Society | College of Arts, Science & Education and the College of Communication, Architecture + the Arts. (http://www.cortada.com)

 

ABOUT DEERING ESTATE:

The Deering Estate offers complimentary exhibit evenings, highlighting a variety of contemporary, historic, and visiting exhibitions inside the historic homes. Exhibit Evenings are free of charge and offer the public a chance to interact with artists and curators and to experience a variety of exhibit tours and talks. Exhibit Evenings are held from 7:00 pm to 9:00 pm, unless otherwise noted. Exhibit on view daily, 10:00 am – 4:00 pm; Free with Estate Admission.