“Water Paintings,” a solo exhibition of works created at Hubbard Brook Experimental Forest

 

“Water Paintings”

a solo exhibition of works
created at Hubbard Brook Experimental Forest
by


Xavier Cortada

at

Hibiscus Gallery
Pinecrest Gardens
11000 S. Red Road
Pinecrest, FL 33156

Exhibit runs from March 26th through April 29th, 2018

WATER PAINTINGS

img_3703

Xavier Cortada works with Hydrologist Mark Green to create “Water Paintings” at Hubbard Brook Experimental Forest.

 

Water Paintings allowed me to give water at Hubbard Brook’s nine watersheds a voice.  In the work, I made water the protagonist.  In June 2016, I placed nine pencil drawings and nine pieces of watercolor paper inside nylon mesh.  I then tied the mesh bags to a rope at each of the nine weirs at Hubbard Brook Experimental Forest and left them there for a period of 16 weeks in 2016.  The water flowing through the mesh stained the paper inside.  Water samples and water data were collected by scientists over the same 16-week period from the same nine weirs.  The final work included water samples, data, even the residue in filters.  I wanted audiences to see the water, what the water did, and what it painted as it flowed and transported materials down the stream.”

Xavier Cortada

 

img_3740

Xavier Cortada, “Water Paintings: Hubbard Brook,” paper and residue captured from water flowing from each of the 9 weirs at the Hubbard Brook Experimental Forest LTER in New Hampshire, 2016

Xavier Cortada, “Water Paintings: Hubbard Brook,” paper and residue captured from water flowing from each of the 9 weirs at the Hubbard Brook Experimental Forest LTER in New Hampshire, 2016

 

Hubbard Brook scientists pioneered the small watershed approach, which transformed the study of forests by using whole watersheds as living laboratories. This ground-breaking approach fostered many new discoveries beneficial to both science and society.

Small first-order watersheds can show us how ecosystems respond to environmental change. Chemical concentrations combined with stream flow provides data on stream-water element flux for each watershed.

Water samples and data collected by scientists over a 16-week period from all nine watersheds hang on the walls CLIMA.

Nine sets of “Water Paintings” hang from the ceiling. Cortada created each using the same water scientists study. He placed watercolor paper in mesh and tied it to a rope in each of the nine weirs. The works depict 4 months of streamflow.

 

About the Hubbard Brook Experimental Forest and LTER

The Hubbard Brook Experimental Forest (HBEF) is a 3,160 hectare reserve located in the White Mountain National Forest operated by the USDA Forest Service, near Woodstock, New Hampshire. The on-site research program is dedicated to the long-term study of forest and associated aquatic ecosystems. It has produced some of the most extensive and longest continuous data bases on the hydrology, biology, geology and chemistry of a forest and its associated aquatic ecosystems.

Hubbard Brook scientists pioneered the small watershed approach, which transformed the study of forests by using whole watersheds as living laboratories. This ground-breaking approach fostered many new discoveries beneficial to both science and society.

Hubbard Brook scientists discovered acid rain in North America by taking meticulous, long-term measurements of rain and snow. Scientists continue to document acid rain’s damaging effects and track recovery linked to pollution reduction efforts.

Learn more at http://www.hubbardbrook.org

Hubbard Brook Experimental Forest

Hubbard Brook Experimental Forest

 

https://lternet.edu/sites/hbr

Overview: The Hubbard Brook Experimental Forest (HBEF) is a 3,160 hectare reserve located in the White Mountain National Forest operated by the USDA Forest Service, near Woodstock, New Hampshire. The on-site research program is dedicated to the long-term study of forest and associated aquatic ecosystems.
History: The HBEF was established by the USDA Forest Service, Northeastern Research Station in 1955 as a major center for hydrologic research in New England. In the early 1960’s, Dr. F. Herbert Bormann and others proposed the use of small watersheds to study element cycling. In 1963, the Hubbard Brook Ecosystem Study (HBES) was initiated by Bormann and Drs. Gene E. Likens and Noye M. Johnson, then on the faculty of Dartmouth College, and Dr. Robert S. Pierce of the USDA Forest Service. They proposed to use the small watershed approach at Hubbard Brook to study linkages between hydrologic and nutrient flux and cycling in response to natural and human disturbances, such as air pollution, forest cutting, land-use changes, increases in insect populations and climatic factors.Research Topics: Vegetation structure and production; dynamics of detritus in terrestrial and aquatic ecosystems; atmosphere-terrestrial-aquatic ecosystem linkages; heterotroph population dynamics; effects of human activities on ecosystems.

Special thanks to the entire Hubbard Brook team, the USDA Forest Service, Dr. Lindsey Rustad, Hydrologist Mark Green, Sr. Researcher Tammy Wooster, Amey Bailey, and Mary Martin.

 

 

 

About the artist:

 

Xavier Cortada:

Xavier Cortada serves as Artist-in-Residence at FIU School of Environment, Arts and Society and the College of Communication, Architecture + The Arts.

Cortada often engages scientists in his art-making: At CERN, Cortada and a particle physicist created a permanent digital-art piece to celebrate the Higgs boson discovery. Cortada has worked with scientists at Hubbard Brook LTER on a water cycle visualization project driven by real-time data collected at a watershed in New Hampshire’s White Mountains.

He has collaborated with a population geneticist to explore our ancestral journeys out of Africa 60,000-years ago, with a molecular biologist to synthesize a DNA strand from a sequence 400 museum visitors randomly generated, and with botanists to develop multi-year participatory eco-art eff orts to reforest mangrovesnative trees and wildflowers across Florida.

The Miami artist has created environmental installations (North Pole and South Pole) and eco-art (TaiwanHawaii and Hollandprojects, and painted community murals addressing peace (Cyprus and Northern Ireland), child welfare  (Bolivia and Panama), AIDS (Switzerland and South Africa) and juvenile justice (Miami and Philadelphia) concerns.

 

“Mangroves,” a group exhibition at Pinecrest Gardens

 

“Mangroves”

a group exhibition of works by


Xavier Cortada

and

Josh Liberman

at

Hibiscus Gallery
Pinecrest Gardens
11000 S. Red Road
Pinecrest, FL 33156

 

Join Xavier Cortada in the Garden at noon on January 21st, 2018 to dedicate the Diatom sculpture.

Meet Cortada and Liberman along with the artists of the Miami River Show in the Hibuscus Gallery  at 12:30 pm on January 21st, 2018 for the opening of exhibition opening.

Exhibit runs January 18th through February 19th, 2018

 

About the artists:

 

Xavier Cortada:

Xavier Cortada’s engaged science-art practice is based at FIU School of Environment, Arts and Society and the College of Communication, Architecture + The Arts.

Cortada often engages scientists in his art-making: At CERN, Cortada and a particle physicist created a permanent digital-art piece to celebrate the Higgs boson discovery. Cortada has worked with scientists at Hubbard Brook LTER on a water cycle visualization project driven by real-time data collected at a watershed in New Hampshire’s White Mountains.

He has collaborated with a population geneticist to explore our ancestral journeys out of Africa 60,000-years ago, with a molecular biologist to synthesize a DNA strand from a sequence 400 museum visitors randomly generated, and with botanists to develop multi-year participatory eco-art eff orts to reforest mangroves, native trees and wildflowers across Florida.

The Miami artist has created environmental installations (North Pole and South Pole) and eco-art (Taiwan, Hawaii and Holland) projects, and painted community murals addressing peace (Cyprus and Northern Ireland), child welfare  (Bolivia and Panama), AIDS (Switzerland and South Africa) and juvenile justice (Miami and Philadelphia) concerns.  His studio is located at Pinecrest Gardens.

Learn more about his work at www.cortada.com.

 

Josh Liberman:

Josh Liberman is a photographer whose roots lie in the outdoors.  He was raised in Melbourne, FL, where he developed an early fascination and love for the sea and the natural world. He studied Biology at the University of Miami and has since been building an impressive portfolio of natural elements around the world.
Liberman works with a variety of conservation-minded brands and organizations.  His work has been featured by Discovery Channel, The Smithsonian, Thrillist, and many more.  He currently serves as staff photographer for the University of Miami Shark Research and Conservation lab.  Learn more about his work at www.joshliberman.com

 

“Florida is Nature” Artist Talks with Guest Scientists at Pinecrest Gardens


Xavier Cortada will be presenting monthly  Florida is Nature Artist Talks with Guest Scientists and interactive experiences at The Hibiscus Gallery in Pinecrest Gardens, where his studio is located.  In his capacity as artist-in-residence, Cortada implements his Florida is Nature participatory art program onsite.  Each month, Cortada will invite a different Florida International University School of Environment, Arts and Society research scientist as a special guest to join him in a public art science conversation and to discuss environmental issues and his/her work. The artist talks and interactive experiences are free with paid admission to the garden on the select dates below.  After the talk, visitors are invited to walk the garden and engage in the Florida is Nature participatory art project.

 

 

Pinecrest Gardens
FIU School of Environment, Arts & Society
FIU College of Communications, Architecture + The Arts

FIU Libraries
and
FIU Digital Library of the Caribbean

cordially invite you to join us for our monthly

Florida is Nature Artist Talk

by

Xavier Cortada

at

Hibiscus Gallery
Pinecrest Gardens

11000 S.W. 57th Avenue
Pinecrest, FL 33156

305-669-6990

Talk is free with $5 admission to the Gardens.
After the talk, walk the garden and participate in “Florida is Nature.”  

The dates of the Florida is Nature art – science talks are:

Artist Talks 2017

Monday, September 11th, 2017 at 10:30a:
[ Cancelled due to Hurricane Irma ]

Monday, October 16th, 2017 at 10:30a:
FLORIDA IS… Nature

Tuesday, November 29th, 2017 at 10:30a
FLORIDA IS… Mangroves

Thursday, December 7th, 2017 at 10:30a
FLORIDA IS… Endangered Species

Artist Talks 2018

Wednesday, February 14th, 2017 at 10:30a
FLORIDA IS… Seagrasses

Wednesday, March 14th, 2017 at 10:30a
FLORIDA IS…

Wednesday, April 11th, 2017 at 10:30a
FLORIDA IS…

Wednesday, May 9th,2017 at 10:30a
FLORIDA IS…

The art-science talks and interactive experiences are free with paid admission to the garden on the select dates below.  After the talk, visitors are invited to walk the garden and engage in the Florida is Nature participatory art project.  The gallery is located at the entrance of Pinecrest Gardens – 11000 Red Rd, Pinecrest, FL 33156.  We also welcome community groups and high school students to attend the artist’s talks. If you are interested in scheduling a group for one of the dates below, please contact Lacey Bray, educational programs coordinator, at lbray@pinecrest-fl.gov or 305-669-6990 for more information.

 

Monthtly Florida is Nature artist talks and community programs are presented by: 

 Image above:
Xavier Cortada, “Puzzled Landscape: Florida is… Wildflowers” digital art, 2015

About Florida Is Nature

Conceptualized during Xavier Cortada‘s residency at the Robert Rauschenberg Foundation Artist Residency in Captiva, Florida, “Florida is…” is an evolving body of work that depicts the natural beauty of Florida. It asks Floridians to define their state by its natural environment, not by the edifices and man-made encroachments that displace nature.  Some “Florida is…” works hang as public art in public venues, admonishing viewers to find better ways to coexist with nature.

The project invites participants to capture and share their images and perspectives on the project’s online platform.

Xavier Cortada, “Luster (Diatoms series- high noon), archival ink on aluminum, 2015

 

“Florida Is…” by Xavier Cortada

Through Florida is Nature,”  Pinecrest Gardens artist-in-residence Xavier Cortada portrays Florida’s environment to connect viewers with our state’s natural beauty.  Come see the works on permanent display at the Hibiscus Gallery in Pinecrest Gardens.

You too can participate in “Florida is…”  Help others understand and appreciate Florida’s natural beauty.  Upload an image of your favorite animal, plant or place to www.floridaisnature.com and tell us why we should all care for it and strive to protect it.  We will share it on our website and social media.  We will also ask you to help us spread the word and get others to see that “Florida is… Nature.”

 

You can learn more about the artist by visiting www.cortada.com

 

The Art of Diatoms

 

The Art of Diatoms

by Xavier Cortada, Artist-in-Residence
FIU School of Environment, Arts and Society

 

Fig. 1. Cortada’s one-hundred diatom works on tile (each 6″ x 6″), 2017.

I marvel at looking into a microscope.

I focus in and see time. I see the past, really far into the past. I see beautiful small aquatic plants encased in glass that lived on our planet for many millions of years. Sitting inside Dr. Evelyn Gaiser’s Algae Research lab at Florida International University in Miami, I look at a slide and see diatoms.

Diatoms transport me to a place so distant in time that it wouldn’t look like the Earth I know. They help connect me to an Earth I am trying to better understand. An Earth fluid. An Earth as process. An Earth completely interconnected. An Earth generating life forms across space and time.

Fig. 2. Xavier Cortada, Drawings of Diatoms from the Everglades, 6″ x 6″, ceramic tile, 2017.

In diatoms, I also see moments captured in time. Scientists can determine the past salinity of water by examining the glass shells of diatoms preserved in sedimentary core samples. Each diatom species has a different salinity preference, so changes in the mixture of fresh and sea water (driven by sea level rise and water management) can be inferred from past diatom remains.

Their presence in the layered sediment connects us to the ecosystem in which they thrived while they were alive. Indeed, they are a portal to what once was so that we can better learn how to protect what now is.

A diatom glass shell is a talisman.

The tiniest of talismans– as tiny as a cell: a single-celled organism that lives in the water and harnesses the power of the sun to convert CO2 into organic substances to sustain its life and releasing oxygen in the process. Indeed, the oxygen in one of every third breath we take was returned to the atmosphere by and through diatoms!

Elegant, gem-like, the bilaterally symmetrical shapes of many diatoms move me to depict them in my art. I do so to celebrate the science that shows us their relevance in our world. These are some of the works:

Fig. 4. Xavier Cortada, “Diatom” archival ink on aluminum, 36″ x 18″, 2014 (edition 1 of 5) (©2014 Xavier Cortada).

Diatom Fountain (Fig. 3)

I am currently putting finishing touches on Diatom Fountain. Comprised of 1,616 handmade, hand-painted ceramic tiles, we just need to add water as soon as we get the lights and water pump installed on this sixteen-foot tall public fountain. It is my latest public work, one of several featuring diatoms.

This one is at Miami-Dade Housing Authority’s Smathers Plaza, an elderly living community in Little Havana. Here, four vertical water channels disrupt the natural flow of diatoms across the sculpture, much like dredging and canals have disrupted the flow of the River of Grass across South Florida. I like depicting diatoms in public places as a way of engaging audiences – an entry point for them to learn about how scientists use diatoms to monitor water flow and quality in the Florida Everglades and throughout Florida’s ecosystems.


Fig. 3. Xavier Cortada, “Diatom Fountain” 16’ x 8’ x 8’, ceramic tile, 2017.

Florida Coastal Everglades LTER (Fig. 4)

Using a microscope, I captured the image of a diatom from samples used by scientists working in the FIU-led Florida Coastal Everglades LTER (Long Term Ecological Research) program to study the ecology of the Everglades and sea level rise. In the digital art piece, my first work about diatoms, I had this diatom image hover over a layer of maps (that I captured using Google maps) showing the artificial canals and lakes created to develop parcels of developable land where the River of Grass once flowed.

Fig. 5. Xavier Cortada, “Just Below the Surface: 1915 (The Founding of Miami Beach)” 60” x 36”, archival ink on aluminum, 2015 (©2015 Xavier Cortada).

Miami Beach City Hall (Fig. 5)

To create the Centennial art piece for the City of Miami Beach, I used a diatom as the central image for the digital work. The diatom depicted in the art piece was living on Biscayne Bay in 1915. It was creating the very air Miami Beach founders breathed 100 years ago as they brought the city to life. Its glass shell, all that remains from the diatom, is used by scientists today to see what was as they research environmental issues crucial to the city in the century to come.

Fig. 6. Xavier Cortada, “Florida is… Sunshine (Sunset)” digital art, 2015.

Florida Turnpike (Figs. 6, 7)

I was commissioned to create permanent public art installations in three Florida Turnpike plazas, making them cultural destinations in and of themselves. Wanting to connect tourists and locals to Florida’s true beauty–nature, I portrayed Florida’s life-giving sun, its endangered animals, and native wildflowers. At the Florida Turnpike Turkey Lake Plaza near Orlando, I depicted the Florida’s sun-using and water-bound diatoms that harness its power thus creating oxygen. Conceptually, I wanted to track a day in the life across the Sunshine State:
• Sunrise: Huge diatom-clad sunrays rise above the Northbound entrance (on the east side of the Turkey Lake plaza),
• High Noon: life-giving diatoms appear as circles on the ceiling at the center of the building
at high noon, and
• Sunset: the rays set above the Southbound entrance on the west.”

Fig. 7. Xavier Cortada, “[Florida is… Sunshine (High noon):] Luster” archival ink on aluminum, 20″ diameter, 2015 (©2015 Xavier Cortada).

Cortada first published this article for the FIU Florida Coastal Everglades LTER’s Wading through Research | “Diatom of the Month” Blog in February 2017: http://floridacoastaleverglades.blogspot.com/2017/02/diatom-of-month-february-2017.html

Sweetwater Elementary to perform “Longitudinal Installation” during Power of Arts Museum at Sweetwater

Sweetwater Elementary to perform “Longitudinal Installation”

 

 

Xavier Cortada, The Longitudinal Installation (at the South Pole), 2007

Longitudinal Installation,” created by Cortada a decade ago as part of his NSF Antarctic Artists and Writers Program residency in Antarctica, will be performed by Sweetwater Elementary School students on May 24th at 7 pm.  The performance and activity is co-presented by the Reclamation Projects with the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners.

Participate by following these steps:

1. Find a group of 24 people to perform the Longitudinal Installation ritual with and engage in the performance.
Click here to download instructions.

2. Document the performance with photos and video.

3. Upload photo on www.facebook.com/longitudinalinstallation

4.  Add the “25th quote.”

Xavier Cortada, The Longitudinal Installation (at the South Pole), 2007 (Listen: http://c.ymcdn.com/sites/www.xaviercortada.com/resource/resmgr/longitudinal_installation_no.mp3)

24 Global Voices

longitude11x17_graphicThese quotes taken from newspapers across 24 time zones that talking about the impact of climate change on that individual’s life. After Xavier Cortada completed the Longitudinal Installation at the South Pole, he walked to the 0 degree longitude, the prime meridian, and walked clockwise around the pole. He stopped at each shoe to recite each of the following quotes:

 

0°, Spain:
“There may be a move of wineries into the Pyrenees in the future.”
— Xavier Sort, technical director of Miguel Torres Wineries.

15° E, Switzerland:
“Losses to insurers from environmental events have risen exponentially over the past 30 years, and are expected to rise even more rapidly still.”
— Pamela Heck, Insurance Industry Expert.

30° E, Zimbabwe:
“We used to be able to grow everything we want but that has all changed.”
— Matsapi Nyathi, Grandmother.

45° E, Turkey:
“We are helpless. We’re trying to rescue trapped people while also trying to evacuate flood waters that have inundated hundreds of houses.”
— Muharrem Ergul, Mayor, Beykoz district of Istanbul.

60° E, Iran:
“More than 90 percent of our wetlands have completely dried up.”
— Alamdar Alamdari, environmental researcher, Fars Province.

75° E, Maldives:
“In the worst case scenario, we’ll have to move.”
— Foreign Ministry spokesman Ahmed Shaheed.

90° E, Tibet, China:
“The Sherpas of Khumbu may not know everything, but they are suffering the consequences of the people’s greed. We mountain people should be careful and take precautions. If we don’t save Khumbu today our fresh water will dry up and the problem will be impossible to solve in the future.”
— Ngawang Tenzing Jangpo, the Abbot of Tengboche monastery.

105° E, Borneo, Indonesia:
“There’s been no rain, it’s horrible. The governor’s office has instructed schools and offices to close until further notice.”
— Hidayat, government official.

120° E, Philippines:
“The disaster covered almost every corner of this province – rampaging floods, falling trees, damaged houses. It happened very rapidly and many people did not expect this because they haven’t experienced mud flows in those areas before.”
— Fernando Gonzalez, governor of Albay province.

135° E, Japan:
“It’s no exaggeration to say that Japan faces a critical situation when describing the rapid decline of marine supply in its domestic waters that is linked to seaweed loss. Tengusa (seaweed) provides food for marine species.”
— Tomohiro Takase, head of the fisheries department at the Hachijojima municipality.

150° E, Great Barrier Reef, Australia:
“In 20 years’ time, bleaching is highly likely to be annual and that will cause shallow-water corals to be in decline. We need to start working out how we can help people who rely on it for their income. It’s really quite a stunning fact.”
— Ove Hoegh-Guldberg, director of the Centre for Marine Studies at the University of Queensland.

165° E, Micronesia:
“We have nowhere to go.”
— Ben Namakin, Environmental Educator.

180°, Tuvalu: “Tuvalu is the first victim of global warming.”
— Koloa Talake, former prime minister.

165° W , Niue: “Yesterday morning we woke up to a scene of so much devastation, it was just unbelievable. Cyclone Heta was just so fast, furious and ruthless.”
— Cecelia Talagi, Government Secretary.

150° W, Alaska, USA:
“We are at a crossroads. . . Is it practical to stand and fight our Mother Ocean? Or do we surrender and move?”
— Shishmaref Mayor Edith Vorderstrasse.

135° W, Yukon, Canada:
“The weather is really unpredictable and the ice freezes much later and breaks up earlier. There are more incidents of hunters falling through the ice.”
— Kik Shappa, Hunter, Griese Fiord, Canada.

120° W Nunavut, Canada:
“Our cultural heritage is at stake here. We are an adaptable people. We have over the millennium been able to adapt to incredible circumstances. But I think adaptability has its limits. If the ice is not forming, how else does one adapt to seasons that are not as they used to be when the whole environment is changing underneath our feet, literally?”
— Sheila Watt-Cloutier, president of the circumpolar conference.

105° W, Colorado, USA:
“In Colorado, climate change means less snow, less water, more wildfires, less biodiversity and less economic opportunity, as there is less water available for development.”
— Stephen Saunders, president, Rocky Mountain Climate Organization.

90° W, Nicaragua:
“I closed my eyes and prayed to God.”
— Mariana González, Hurricane Mitch survivor.

75° W, Peru:
“I tell my wife the day that mountain loses its snow, we will have to move out of the valley.”
— Jose Ignacio Lambarri, farmer, Urubamba Valley.

60° W, Argentina:
“The flooding has forced us to redesign routes. We thought it would be for a short period of time, but it has been almost six years.”
— Carlos Avellaneda, manager of a trucking company.

45° W, Brazil:
“I am very frightened. One thing goes wrong, and the entire system follows.”
— Jair Souto, Mayor of Manaquiri.

30° W, Greenland:
“They tell us that we must not eat mattak [whale blubber], but this is all we know. Eating Inughuit food makes us who we are, and anyway we have nothing else to eat!”
— Tekummeq, Town of Qaanaaq.

15° W, Maurtitania:
“We are only eating one meal a day. When there is not enough food, it is the young and the old that get fed first.”
— Fatimitu Mint Eletou, Bouchamo.


Regis House presents: Seahorses exhibit closing event

SeahorsesGallery | Opening InvitationPress release | Closing Invitation

Xavier Cortada, “Seahorse Society: South” 48″ x 36″, acrylic on canvas, 2014

Join us on

Thursday, May 11th, 2017
from 6 pm to 8 pm

for the official closing of

Seahorses

an exhibit by

Xavier Cortada

at

Pinecrest Gardens
Historic Entrance

11000 S Red Rd, Pinecrest, FL 33156

Exhibit runs April 6 – May 11th, 2017th

 

Proceeds from sales will benefit Regis House.
As a law student, Cortada served as Executive Director of the adolescent drug and alcohol abuse center.

Founded in 1984, Regis House is a non-profit, 501(c)(3), charitable, community-based organization with the mission to improve lives for a healthy community through mental health, family support and substance abuse services.  Regis House, Inc. has served more than 70,000 families throughout Miami-Dade County since its inception.  Programs and services such as co-occurring psychiatric/mental health, substance abuse services, individual, group, and family counseling/therapy, school-based prevention programs, and public assistance programs are many of the programs, and services the agency has to offer.

Seahorse Society at Sweetwater Elementary School

 

Sweetwater Elementary students to join the Seahorse Society 

Xavier Cortada, “Hippocampus,” 48″ x 24″, acrylic on canvas, 2014

 

Project Seahorse is partnering with Miami-based eco-artist Xavier Cortada to present an educational event at Sweetwater Elementary school on May 2nd, 2017. We will be teaching students about Seahorses, the magical creatures that call Biscayne National Park and the waters of south Florida their home!  Project Seahorse scientist Emilie Stump will discuss the importance of seahorses in South Florida and discuss the educational and research efforts conducted by her international group (see www.projectseahorse.org).  Students will also participate in a collaborative art project culminating in an installation that captures their pledge to protect them.  At the end of the event, students will be inducted into the Seahorse Society.  The performance and activity is co-presented by Project Seahorse and by the Participatory Art Projects, Inc. with the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners.

 

#magicalcreaturesinourbackyard
#seahorses
#miamiseahorses
#biscaynenationalpark

DEERING SPRING CONTEMPORARY “PLATFORM 450” exhibit

 

FIU SEAS and CARTA artist-in-residence Xavier Cortada
will be exhibiting his Native Flags project (www.nativeflags.org)
and his 2015 work, 5 Actions to Stop Rising Seas.
at

DEERING SPRING CONTEMPORARY “PLATFORM 450”

An international symposium and curated exhibit focused on the intersection of science and art.
Exhibit & Special Event on Saturday, April 22, 2017
3:30 pm -10:00 pm; Free and open to the public
Exhibit on display from April 9 – June 26, 2017

 

HIT IT: Xavier Cortada, “Five Actions to Stop Rising Seas: Hit it!,” video screen shot, 2015.
In acknowledgement of the support from the Rauschenberg Residency/Robert Rauschenberg Foundation

 

5 Actions to Stop Rising Seas: Hit it! | Burn it! | Eat it! | Freeze itBury it! video documentation of performance, 2015
Xavier Cortada

5 Actions to Stop Rising Seas was created by Xavier Cortada during April-May 2015 during an artist residency at the Rising Seas Confab 2015, Rauschenberg Studio, Captiva, Florida. In this performance, Cortada comments with irony on the weak to non-existent actions being taken to address both the causes and the imminent realities of climate disruption in a State clearly at the epicenter of potential disaster—one which has been caused by inadequate action globally on soaring levels of greenhouse gases related to human activity.

Cortada has long been involved in art that intervenes in, and/or comments upon environmental problems. He has created environmental installations (North Pole and South Poleand direct-impact ecological art projects, in Florida, around the US, and internationally, (Taiwan, Hawaii and Holland).

Xavier Cortada is Florida-educated and has lived in Miami since he was three. He is currently Artist-in-Residence at FIU School of Environment, Arts and Society | College of Arts, Science & Education and the College of Communication, Architecture + the Arts. (http://www.cortada.com)

 

ABOUT DEERING ESTATE:

The Deering Estate offers complimentary exhibit evenings, highlighting a variety of contemporary, historic, and visiting exhibitions inside the historic homes. Exhibit Evenings are free of charge and offer the public a chance to interact with artists and curators and to experience a variety of exhibit tours and talks. Exhibit Evenings are held from 7:00 pm to 9:00 pm, unless otherwise noted. Exhibit on view daily, 10:00 am – 4:00 pm; Free with Estate Admission.

A Sea Change (Mary Ann Wolfe Theatre)

 

Multidisciplinary program to raise awareness on climate change


By Ivan Lopez

The U.S. Army Corps of Engineers predicts sea levels in South Florida will rise from three to seven inches by the year 2030 and from nine to 24 inches by the year 2060. A rise of that magnitude would put close to 30 percent of South Florida underwater, completely transforming our city in ways we cannot fully comprehend.

FIU’s College of Communication, Architecture + The Arts (CARTA) is bringing together dozens of faculty members and students from many different disciplines – theatre, dance, music, journalism, architecture, environmental science – to produce A Sea Change: a Multi-Disciplinary Collaboration in Response to a Global Threat. The 90 minute program will feature a lot of important research and facts presented in creative and impactful ways.

Phillip M. Church, associate professor of theatre, conceived and directed the evening. Church has spent much of his professional career creating art and theatre that speaks to important social issues.

“There is no greater threat to our survival right now than climate change,” he said.  “FIU has been researching and raising awareness about climate change and sea level rise for well over a decade. We are at a point, however, where all of that research needs to transform into tangible action. That requires all of us, not just the scientists and policy makers. A ‘sea change’ is needed in our collective thinking about this issue.”

Robert E. Gutsche Jr., assistant professor of journalism and media, produced the evening.

“My hope is that this project takes people beyond awareness, even beyond expertise of specific areas of climate change. We need to find ways to engage knowledge with action. It’s not enough for people to know about an issue. We have to decide to do something about our problems.”

Renowned environmental artist Xavier Cortada will present an immersive interactive piece; FIU Professor of Music Orlando Garcia composed music especially for the event; and Adjunct Lecturer of Dance Crystal Patient choreographed some dance numbers.

Joel Murray, chair and professor of theatre, wrote a short play titled Good that addresses the impact art can have on social change.

“If it is strong enough, art can change the way people think. The real question though is does that change transform into action. Will it make the audience participate, roll up their sleeves and demand change.”

Other FIU Theatre artists participating in the event include Associate Professor Wayne E. Robinson, Jr., alumni Evelyn Perez, Zack Myers, Caitlyn Lincoln, Pia Vicioso-Vila and current student Sigrid Corvo.

A Sea Change is part of CARTA’s larger Climate Change Initiative, which aspires through teaching, research, engagement and creative work to position the college as a global thought leader in climate change information, adaptation, mitigation and resilience.

“Preparing for climate resilience is among the critical imperatives of our times, and our college is particularly well-positioned to address it,” said Marilys Nepomechie, associate dean and professor of architecture. “Climate change is a complex, multi-faceted challenge. One that can only be addressed successfully by involving many areas of expertise. This collaboration between multiple college departments is, in fact, absolutely perfect.”

A Sea Change will be shown on both campuses. On April 4, it will be performed at the Wertheim Performing Arts Center at Modesto A. Maidique Campus and on April 7 at the Mary Anne Wolfe Theatre at Biscayne Bay Campus. Both performances begin at 7:30 p.m. and are free and open to the public.

Space is limited.  To make a reservation, call 305-348-0496. You can find more information about the event at eyesontherise.org/aseachange.

A Sea Change (Wertheim Performing Arts Center)

 

Multidisciplinary program to raise awareness on climate change


By Ivan Lopez

The U.S. Army Corps of Engineers predicts sea levels in South Florida will rise from three to seven inches by the year 2030 and from nine to 24 inches by the year 2060. A rise of that magnitude would put close to 30 percent of South Florida underwater, completely transforming our city in ways we cannot fully comprehend.

FIU’s College of Communication, Architecture + The Arts (CARTA) is bringing together dozens of faculty members and students from many different disciplines – theatre, dance, music, journalism, architecture, environmental science – to produce A Sea Change: a Multi-Disciplinary Collaboration in Response to a Global Threat. The 90 minute program will feature a lot of important research and facts presented in creative and impactful ways.

Phillip M. Church, associate professor of theatre, conceived and directed the evening. Church has spent much of his professional career creating art and theatre that speaks to important social issues.

“There is no greater threat to our survival right now than climate change,” he said.  “FIU has been researching and raising awareness about climate change and sea level rise for well over a decade. We are at a point, however, where all of that research needs to transform into tangible action. That requires all of us, not just the scientists and policy makers. A ‘sea change’ is needed in our collective thinking about this issue.”

Robert E. Gutsche Jr., assistant professor of journalism and media, produced the evening.

“My hope is that this project takes people beyond awareness, even beyond expertise of specific areas of climate change. We need to find ways to engage knowledge with action. It’s not enough for people to know about an issue. We have to decide to do something about our problems.”

Renowned environmental artist Xavier Cortada will present an immersive interactive piece; FIU Professor of Music Orlando Garcia composed music especially for the event; and Adjunct Lecturer of Dance Crystal Patient choreographed some dance numbers.

Joel Murray, chair and professor of theatre, wrote a short play titled Good that addresses the impact art can have on social change.

“If it is strong enough, art can change the way people think. The real question though is does that change transform into action. Will it make the audience participate, roll up their sleeves and demand change.”

Other FIU Theatre artists participating in the event include Associate Professor Wayne E. Robinson, Jr., alumni Evelyn Perez, Zack Myers, Caitlyn Lincoln, Pia Vicioso-Vila and current student Sigrid Corvo.

A Sea Change is part of CARTA’s larger Climate Change Initiative, which aspires through teaching, research, engagement and creative work to position the college as a global thought leader in climate change information, adaptation, mitigation and resilience.

“Preparing for climate resilience is among the critical imperatives of our times, and our college is particularly well-positioned to address it,” said Marilys Nepomechie, associate dean and professor of architecture. “Climate change is a complex, multi-faceted challenge. One that can only be addressed successfully by involving many areas of expertise. This collaboration between multiple college departments is, in fact, absolutely perfect.”

A Sea Change will be shown on both campuses. On April 4, it will be performed at the Wertheim Performing Arts Center at Modesto A. Maidique Campus and on April 7 at the Mary Anne Wolfe Theatre at Biscayne Bay Campus. Both performances begin at 7:30 p.m. and are free and open to the public.

Space is limited.  To make a reservation, call 305-348-0496. You can find more information about the event at eyesontherise.org/aseachange.