State of Florida Division of Cultural Affairs presents “Florida is…” solo exhibition by Xavier Cortada at top of State’s Capitol

 

 

Xavier Cortada, “Florida is… Wildflowers,” 2015. (Public art commission at West Palm Beach Turnpike Plaza)

You are cordially invited to

Florida is…

a solo exhibition
by

Xavier Cortada

at

22nd Floor Gallery
State Capitol
Tallahassee, FL

Exhibit runs December 1st,  2018 through March 31st, 2019

 

 

“Water Paintings” science art works created at Hubbard Brook Experimental Forest on exhibit at MNMF

 

 

 

 


New Media Festival, Editions XIII
presents

“Water Paintings”
an exhibition of works created at Hubbard Brook Experimental Forest by
Xavier Cortada

at

Concrete Space
3400 NW 78th Avenue
Doral, FL 33122
(305) 219-0811

opening on

 Saturday, November 10, 2018
4pm

Water Paintings will be presented as part of the WaterViz installation by Dr. Lindsey Rustad and the Hubbard Brook team at the 13th edition of the Miami New Media Festival: www.waterviz.org

 

Xavier Cortada’s “Water Paintings” exhibition at Pinecrest Gardens in 2018.

 

img_3703

Xavier Cortada works with Hydrologist Mark Green to create “Water Paintings” at Hubbard Brook Experimental Forest.

WATER PAINTINGS

Water Paintings allowed me to give water at Hubbard Brook’s nine watersheds a voice.  In the work, I made water the protagonist.  In June 2016, I placed nine pencil drawings and nine pieces of watercolor paper inside nylon mesh.  I then tied the mesh bags to a rope at each of the nine weirs at Hubbard Brook Experimental Forest and left them there for a period of 16 weeks in 2016.  The water flowing through the mesh stained the paper inside.  Water samples and water data were collected by scientists over the same 16-week period from the same nine weirs.  The final work included water samples, data, even the residue in filters.  I wanted audiences to see the water, what the water did, and what it painted as it flowed and transported materials down the stream.”

Xavier Cortada

 

img_3740

Xavier Cortada, “Water Paintings: Hubbard Brook,” paper and residue captured from water flowing from each of the 9 weirs at the Hubbard Brook Experimental Forest LTER in New Hampshire, 2016

Xavier Cortada, “Water Paintings: Hubbard Brook,” paper and residue captured from water flowing from each of the 9 weirs at the Hubbard Brook Experimental Forest LTER in New Hampshire, 2016

 

Hubbard Brook scientists pioneered the small watershed approach, which transformed the study of forests by using whole watersheds as living laboratories. This ground-breaking approach fostered many new discoveries beneficial to both science and society.

Small first-order watersheds can show us how ecosystems respond to environmental change. Chemical concentrations combined with stream flow provides data on stream-water element flux for each watershed.

Water samples and data collected by scientists over a 16-week period from all nine watersheds hang on the walls CLIMA.

Nine sets of “Water Paintings” hang from the ceiling. Cortada created each using the same water scientists study. He placed watercolor paper in mesh and tied it to a rope in each of the nine weirs. The works depict 4 months of streamflow.

 

About the Hubbard Brook Experimental Forest and LTER

The Hubbard Brook Experimental Forest (HBEF) is a 3,160 hectare reserve located in the White Mountain National Forest operated by the USDA Forest Service, near Woodstock, New Hampshire. The on-site research program is dedicated to the long-term study of forest and associated aquatic ecosystems. It has produced some of the most extensive and longest continuous data bases on the hydrology, biology, geology and chemistry of a forest and its associated aquatic ecosystems.

Hubbard Brook scientists pioneered the small watershed approach, which transformed the study of forests by using whole watersheds as living laboratories. This ground-breaking approach fostered many new discoveries beneficial to both science and society.

Hubbard Brook scientists discovered acid rain in North America by taking meticulous, long-term measurements of rain and snow. Scientists continue to document acid rain’s damaging effects and track recovery linked to pollution reduction efforts.

Learn more at http://www.hubbardbrook.org

Hubbard Brook Experimental Forest

Hubbard Brook Experimental Forest

 

https://lternet.edu/sites/hbr

Overview: The Hubbard Brook Experimental Forest (HBEF) is a 3,160 hectare reserve located in the White Mountain National Forest operated by the USDA Forest Service, near Woodstock, New Hampshire. The on-site research program is dedicated to the long-term study of forest and associated aquatic ecosystems.
 
History: The HBEF was established by the USDA Forest Service, Northeastern Research Station in 1955 as a major center for hydrologic research in New England. In the early 1960’s, Dr. F. Herbert Bormann and others proposed the use of small watersheds to study element cycling. In 1963, the Hubbard Brook Ecosystem Study (HBES) was initiated by Bormann and Drs. Gene E. Likens and Noye M. Johnson, then on the faculty of Dartmouth College, and Dr. Robert S. Pierce of the USDA Forest Service. They proposed to use the small watershed approach at Hubbard Brook to study linkages between hydrologic and nutrient flux and cycling in response to natural and human disturbances, such as air pollution, forest cutting, land-use changes, increases in insect populations and climatic factors.
 
Research Topics: Vegetation structure and production; dynamics of detritus in terrestrial and aquatic ecosystems; atmosphere-terrestrial-aquatic ecosystem linkages; heterotroph population dynamics; effects of human activities on ecosystems.
 

Special thanks to the entire Hubbard Brook team, the USDA Forest Service, Dr. Lindsey Rustad, Hydrologist Mark Green, Sr. Researcher Tammy Wooster, Amey Bailey, and Mary Martin.

 

 

 

MNMF Organizations Sponsors and Partners

With the support of the Miami-Dade County Department of Cultural Affairs, the Cultural Affairs Council, the Mayor, and the Miami-Dade County Board of County Commissioners.

 

“Antarctic Ice Paintings: Global Coastlines & Underwater HOA” at Hibiscus Gallery

Antarctic Ice Paintings: Main | About | 2018 Event | Global Coastlines Gallery | Press  
Ice Painting Series: Sea Ice | WAIS | Global Coastlines

 

Xavier Cortada, “Antarctic Ice Paintings | Global Coastlines: A-1: Antarctica,” melted Antarctic ice, sediment and mixed media on paper, 9″ x 12″, 2007.

 

“Antarctic Ice Paintings: Global Coastlines and Underwater HOA

a solo exhibition premiering works created in Antarctica in 2007
by

Xavier Cortada

at

Hibiscus Gallery
Pinecrest Gardens
11000 S. Red Road
Pinecrest, FL 33156

Exhibit runs from November 8, 2018 through January 13, 2018

 

Artist Meet and Greet
Join us: “Antarctic Ice Paintings: Global Coastlines and Underwater HOA” a solo exhibition by Xavier Cortada, premiering works created in Antartica in 2007.

  • Opening:  
    Thursday, November 8, 2018 (7 – 10 pm)
  • Celebrate Art Miami Week:  
    Thursday, November 29, 2018 (6:30 – 10 pm)
  • Pinecrest Day: Distribution of Underwater Markers: 
    Sunday, December 2,2018 (noon – 5 pm)
  • Underwater HOA Meeting (and artist signing of Underwater Markers): 
    Thursday, January 9, 2019, (7 – 10 pm).

Presented by the Village of Pinecrest with Antarctica’s McMurdo Dry Valleys LTER, University of Miami Abess Center for Ecosystem Science and Policy, FIU Sea Level Solutions Center, Eyes on the Rise and the Miami New Media Festival.

 

About the Exhibition

Xavier Cortada, recipient of a 2006-2007 National Science Foundation Antarctic Artists and Writers fellowship, traveled to Antarctica to implement a series of projects and installations. While there, the Miami artist created “Antarctic Ice Paintings” using glacier ice, sea ice, and sediment samples provided to him by McMurdo LTER scientists working in Antarctica.  

Global Coastlines,” a series comprised of all of the artist’s Antarctic works on paper which had not yet been titled (and had never been shown) will be premiered and named at Pinecrest Gardens.  One is titled “Antarctica,”  another “Pinecrest, Florida.”  The remaining sixty works will be titled for another 60 global communities threatened by sea level rise. The exhibition is part of a broader participatory art project aimed at engaging residents in a conversation about the future of their properties.  

The exhibition will also serve to launch the Underwater HOA participatory public art project the artist is implementing with the Village of Pinecrest to engage their 6,000 households in addressing sea lever rise.  Learn more at www.underwaterHOA.com

Xavier Cortada, “Underwater HOA,” 2018 (www.underwaterHOA.com)

 

About #UnderwaterHOA

I travelled to Antarctica in 2006 as a National Science Foundation (NSF) Antarctic Artist and Writers Program fellow. There, I created a series of works on paper by melting ice samples scientists gave me from their research on how human impacts on global climate are melting the Antarctic glaciers.

Underwater HOA depicts South Florida’s vulnerability to those melting glaciers: the Village of Pinecrest will encourage its residents to install an “Underwater HOA” marker on their front lawn during the first week of December 2018. The marker will display how many feet of melting glacial water must rise before their property is underwater. I numbered each yard sign from 0 to 17 feet, the land elevation range for the 6,000 houses in the Village. The signs’ backdrop show the watercolor paintings I made in Antarctica by melting ice from the very glaciers that threaten to melt and drown Miami.

By mapping the crisis to come, I make the invisible visible. Block by block, house by house, neighbor by neighbor, I want to make the future impact of sea level rise something no longer possible to ignore.

My socially-engaged environmental art practice aims to help address the problem at hand: As part of the effort, I will charter a homeowner’s association where members are organized by property elevation–the most important metric any coastal community need consider. By asking participants to join Underwater HOA, I engage my neighbors as problem-solvers who will learn together and work together now to plan and better prepare (themselves and their heirs) for the chaos to come.

– Xavier Cortada

 

Underwater HOA is a participatory public art project Xavier Cortada is implementing in tandem with his “Antarctic Ice Paintings: Global Coastlines and Underwater HOA” exhibition in Pinecrest Gardens Hibiscus Gallery from November 8, 2018 through January 13, 2018.

“Underwater HOA” at Hibiscus Gallery

Xavier Cortada

Underwater HOA: Main | About | Markers | Participate | Join our HOA | Press | Exhibition | Social Media | Resources  

“Underwater HOA”

a participatory art project by Xavier Cortada will be launched during the opening of the artist’s

 “Antarctic Ice Paintings: Global Coastlines & Underwater HOA

solo exhibition premiering works he created in Antarctica in 2006-2007 at

Hibiscus Gallery
Pinecrest Gardens
11000 S. Red Road
Pinecrest, FL 33156

Exhibit runs from November 8, 2018 through January 13, 2018

 

“Antarctic Ice Paintings: Global Coastlines and Underwater HOA” a solo exhibition by Xavier Cortada, premiering works created in Antartica in 2007.

  • Artist meet and greet, Thursday, November 8, 2018 (7-10pm)
  • Artist meet and greet with Consular Corps for naming of “Antarctic Ice Paintings: Global Coastlines” series, Thursday, November 29, 2018 6:30 -10:00 p.m.
  • Pinecrest Day: Distribution of Underwater Markers and Artist Meet and Greet, Sunday, Dec 2, noon – 5:00 p.m.
  • Underwater HOA Meeting, Artist Signing of Underwater Markers, and Artist meet and greet, Thursday, January 9, 2019, 7- 10:00 p.m.

 

Antarctic Ice Paintings: Main | About | 2018 Event | Global Coastlines Gallery | Press  
Ice Painting Series: Sea Ice | WAIS | Global Coastlines

Xavier Cortada, “Antarctic Ice Paintings | Global Coastlines: A-30,” melted Antarctic ice, sediment and mixed media on paper, 9″ x 12″, 2007.

 

Xavier Cortada, recipient of a 2006-2007 National Science Foundation Antarctic Artists and Writers fellowship, traveled to Antarctica to implement a series of projects and installations. While there, the Miami artist created “Antarctic Ice Paintings” using glacier ice, sea ice, and sediment samples provided to him by scientists working in Antarctica.  “Global Coastlines,” a series of comprised of all of the artist’s Antarctic works on paper which had not yet been titled (and had never been shown) will be premiered and named at Pinecrest Gardens.  One is titled “Antarctica,”  another will be titled “Pinecrest.”  The remaining sixty works will be titled for another 60 global communities threatened by sea level rise. The exhibition is part of a broader participatory art project aimed at engaging residents in a conversation about the future of their properties.

 

 

 
 

What happens when a Physicist and an Artist Collide? Pete Markowitz and Xavier Cortada and the”In Search of the Higgs boson” exhibition

Physicist and artist to informally discuss the banners depict the five experiments that led to the Nobel prize-winning discovery of the Higgs boson particle

 

JOIN US: Meet and greet artist Xavier Cortada and special guest physicist Pete Markowitz on September 16, 2018 from 10:00 AM to noon.

Both will be speaking about their collaboration at 11:00 AM.

Replicas of the banners will be on display at

Pinecrest Gardens 
Historic Entrance Gallery
11000 Red Road
Pinecrest, FL 33156
305-858-1323

Exhibition runs thru October 3, 2018
See http://hibiscusgallery.com/studio-2018-cortada_higgsboson-about/

5 Higgs HomePage
Xavier Cortada (with the participation of physicist Pete Markowitz), “In search of the Higgs boson,” digital art, 2013
 
+++++++++++++++++++++++++++++++++++++
PRESS RELEASE:
+++++++++++++++++++++++++++++++++++++
 
Media Contact: Michelle Hammontree
Communications Manager
mhammontree@pinecrest-fl.gov
786-606-3042
 
FOR IMMEDIATE RELEASE
What happens when a physicist and artist collide?
Art inspired by the Nobel prize-winning discovery of “the God particle” at the CERN unites the worlds of art and science.
 
Pinecrest, FL – Art and science “collide” when artist Xavier Cortada and FIU Physicist Pete Markowitz come together for an intimate talk about their work. The event takes place three days after the Museum at Prairefire in Kansas City launches the “In Search of the Higgs boson” exhibition featuring large reprints of the famed banners by Mr. Cortada, which depict the five search strategies scientists used to make the Nobel prize-winning discovery of the Higgs boson particle.
 
Join us Sunday, September 16th from 10:00 a.m. to 12:00 noon at the Pinecrest Gardens Historical Entrance Building, 11000 Red Road for this intimate gathering where visitors can talk to the physicist and artist about their work.
 
Smaller replicas of the banners will be on display so that visitors can see them and understand what happens when an artist and physicist “collide.” The original banners are on permanent on display at CERN, the world’s largest particle physics research center, in Geneva, Switzerland, where the Large Hadron Collider (LHC) resides.
 
“Science is my muse,” Cortada said. “The detection of the Higgs boson was intricate and multilayered, and so are the artworks I created. Stained glass references the LHC as a modern-day cathedral that helps us understand the universe and shape our new worldview. The oil painting technique honors those who came before us, the repetition of motifs across the five works celebrates internationalism and rendering the work as ‘banners’ marks this as a monumental event.
 
Nicknamed “the God particle,” the Higgs boson imbues all other particles with mass. Its discovery in mid-2012, half a century after it was first hypothesized, culminated the work of 182 universities and institutes in 42 countries. Identifying the Higgs required the most complex machine ever built, the Large Hadron Collider.
 
Interview with the artist, photos and video available upon request.
 
 
Xavier Cortada
Xavier Cortada’s science art practice is oriented toward social engagement and the environment. At CERN, Cortada worked with physicist Pete Markowitz to develop a site-specific art installation capturing the five search strategies used to discover the Higgs boson particle. The five giant banners hang at the location (more than 300 feet below ground) where the particle was discovered.
 
Cortada often collaborates with scientists in his art-making, and has worked with groups globally to produce numerous joint art projects, including environmental installations at the North Pole and South Pole, peace murals in Cyprus and Northern Ireland, child welfare murals in Bolivia and Panama, AIDS murals in Switzerland and South Africa and eco-art projects in Taiwan and Holland.
 
###

Kansas City’s Museum at Prariefire presents Xavier Cortada’s “In Search of the Higgs boson” exhibition

 

SCIENCE ARTIST XAVIER CORTADA’S FAMED BANNERS open for exhibition SEPTEMBER 13 AT MUSEUM AT PRAIRIEFIRE

Banners depict the five experiments that led to the Nobel prize-winning discovery of the Higgs boson particle

 

 
5 Higgs HomePage
Xavier Cortada (with the participation of physicist Pete Markowitz), “In search of the Higgs boson,” digital art, 2013

 

On September 13, world-renowned artist Xavier Cortada will open an exhibition of his famed banners, which depict the five experiments used to make the Nobel prize-winning discovery of the Higgs boson particle. Cortada’s exhibition will open at the Museum at Prairiefire’s Sprint Gallery at 10 a.m. September 13 and remain on display through the end of year.

Nicknamed “the God particle,” the Higgs boson imbues all other particles with mass. Its discovery in mid-2012, half a century after it was first hypothesized, culminated the work of 182 universities and institutes in 42 countries and helped confirm the Standard Model of Physics. Identifying the Higgs required the most complex machine ever built, the Large Hadron Collider (LHC).

Cortada’s five original banners, created digitally, are permanently installed at CERN, the world’s largest particle physics research center, in Geneva, Switzerland. They hang below ground, directly above the LHC where the Higgs boson particle was found. The prints that will be on display at the Museum at Prairiefire help connect visitors to the place and time of the particle’s discovery.

Working with Cortada, the Museum at Prairiefire is adding scientific content to the banner exhibition and developing an exhibit that will travel to public venues in other cities. The exhibition represents the Museum’s recent foray into creating its own content. Development of other traveling exhibitions are in the works, as well.

“Science is my muse,” Cortada said. “The detection of the Higgs boson was intricate and multilayered, and so are the artworks I created. Stained glass references the LHC as a modern-day cathedral that helps us understand the universe and shape our new worldview. The oil painting technique honors those who came before us, the repetition of motifs across the five works celebrates internationalism and rendering the work as ‘banners’ marks this as a monumental event.

“Most importantly, the background for the banners honors the scientific collaboration. It is composed of words from the pages of 383 joint publications and the names of more than 4,000 scientists, engineers and technicians. With this piece, I wanted to create art from the very words, charts, graphs and ideas of this coalition of thinkers. It is my hope these banners will inspire future generations of physicists to continue to move humanity forward.”

 

XAVIER CORTADA
Xavier Cortada’s science art practice is oriented toward social engagement and the environment. At CERN, Cortada worked with a physicist to develop a site-specific art installation capturing the five search strategies used to discover the Higgs boson particle. The five giant banners hang at the location (more than 300 feet below ground) where the particle was discovered.

Cortada often collaborates with scientists in his art-making, and has worked with groups globally to produce numerous joint art projects, including environmental installations at the North Pole and South Pole, peace murals in Cyprus and Northern Ireland, child welfare murals in Bolivia and Panama, AIDS murals in Switzerland and South Africa and eco-art projects in Taiwan and Holland.

Cortada has created art for the White House, the World Bank, the Museum of Florida History, the Florida Botanical Gardens, Miami City Hall, the Frost Art Museum, Miami-Dade County Hall, the Miami Science Museum, Port Everglades and the Florida Turnpike. A Miamian, he is artist-in-residence at Pinecrest Gardens, south Florida’s cultural arts park. He holds a bachelor’s degree from the University of Miami College of Arts and Sciences, a master’s degree from the Miami Business School and a law degree from the University of Miami School of Law.

 

 

MUSEUM AT PRAIRIEFIRE

The Museum at Prairiefire, located in Overland Park, Kansas, is committed to innovative learning in science, the arts and natural history. Through a founding collaboration with the American Museum of Natural History in New York City, as well as with other U.S. cultural and educational institutions, the Museum at Prairiefire provides access to all to understand and celebrate natural history, the arts and science in our region and around the world. The Museum engages visitors and students of all ages with world-class exhibitions, important programming, and significant educational and STEAM opportunities. The Museum is open from 10 a.m. to 5 p.m. Mondays through Saturdays and from noon to 5 p.m. Sundays. For additional information, the public may call (913) 333-3500 or visit the Museum’s website at visitthemap.org.

Museum at Prairiefire
5801 W. 135th Street
Overland Park KS 66223
913.333.3500 | 913.333.3505

Cortada’s “Endangered World: BNP & 80.15W” exhibition celebrates 50th anniversary of our “Underwater” Park!

 

Endangered World: Biscayne National Park

and

80.15 W

a solo exhibition by

Xavier Cortada

at

Hibiscus Gallery
Pinecrest Gardens
11000 S. Red Road
Pinecrest, FL 33156

 

Join us in welcoming special guest Gary Bremen, Biscayne National Park Ranger during our opening reception on Sunday, August 12, 2018 from noon to 2pm.

Exhibition runs through August 8, 2018 through September 3, 2018

 

 

 

Xavier Cortada (with the participation of 359 collaborators), “Endangered World: Biscayne National Park,” 360 individually painted flags flying along a mile-long, site-specific participatory art installation across the national park, 2010. (http://endangeredworld.org/biscayne-national-park/)

Exhibition celebrates the celebrates the 50th anniversary of Biscayne National Park

Endangered World: Biscayne National Park: Conceptualized by Cortada, the outdoor installation features 360 brightly colored flags lining Convoy Point’s roads and trails for over a mile. Each flag represents one degree of the planet’s longitude, and 360 individuals and organizations from throughout South Florida decorated the flags with an image of an endangered or threatened animal that lives at that longitude. Participants also committed to an “eco-action” that directly or indirectly mitigates the plight of that animal. (Learn more at http://endangeredworld.org/biscayne-national-park)

80.15 W: In contrast to the exuberance of the outdoor installation is 80.15 W inside the Dante Fascell Visitor Center Gallery. Here, Cortada has created 17 somber works on paper that feature the 17 threatened and endangered species that call Biscayne National Park home. The exhibit is titled for the longitude where the Visitor Center sits to tie it in to the larger installation outside. The pieces were created using reused carbon paper, a metaphor for the impact (or “carbon footprint”) that humans have had on that animal. (Learn more at http://cortada.com/2010/80.15W)

Biscayne National Park:

In 1968, plans for southern Biscayne Bay included a major petrochemical plant necessitating digging a 40-foot deep channel across the bay for 7 miles in an area that naturally averages 6-8 feet deep. That channel was to conyinue beyond the northern Keys, through the shallow coral reefs, out to deep water. At the same time, plan were afoot to establish the City of Islandia, consisting of the northernmost islands of the Florida Keys (those north of Key Largo). The city was to include single-family and high rise living, bridges, streets, an amusement park and more. A small, but vocal and incredibly persistent, group of citizens fought these plans, and proposed the creation of a national park unlike any other…one covered mostly by water. Fifty years later, Biscayne National Park celebrates its Golden Anniversary as the largest marine park in the National Park System, protecting mangrove forests, shallow bay waters, the undeveloped Florida Keys, coral reefs and evidence of 10,000 years of human history, all within sight of downtown Miami.

The park preserves Biscayne Bay and its offshore barrier reefs. Ninety-five percent of the park is water, and the shore of the bay is the location of an extensive mangrove forest. The park covers 172,971 acres (69,999 ha) and includes Elliott Key, the park’s largest island and first of the true Florida Keys, formed from fossilized coral reef.  The park is home to an incredible diversity of animals and plants including over 600 native fish, neo-tropical water birds and migratory habitat, and threatened and endangered species including sea turtles, manatees, the Schaus’ swallowtail butterfly and Florida semaphore cactus. Some animals and plants are in the northern limits of their ranges.Biscayne National Park is a very diverse place. Four distinct ecosystems melt into one another creating rich edge communities or “ecotones.” These edges support an incredible array of wildlife, including hundreds of species of colorful fish, plants found nowhere else in the United States, and visitor favorites like pelicans, manatees and sea turtles. Winds, currents, storms and the park’s close proximity to one of the nation’s largest urban areas means that the entire park is in a constant state of flux — ever-changing in the face of new challenges posed by the constant cycle of building and destruction. (Learn more about Biscayne National Park at https://www.nps.gov/bisc/index.htm)

 

 

Xavier Cortada “(80.15 W:) Hawksbill Sea Turtle” Archival ink on paper (generated from drawings created on 11” x 8.5” carbon paper) Signed, numbered, limited edition (edition of 5), 16” x 12” 2010

 

Titled for Biscayne Bay’s longitude, “80.15 W” features the 17 threatened and endangered species that call Biscayne National Park (in Miami, FL) home. In 2010, Cortada created the drawings on carbon paper, a metaphor for the impact (or “carbon footprint”) that humans have had on that animal, even across the boundaries of protected nature preserve. The carbon paper originals were premiered at the national park’s gallery and are in the permanent collection of NSU Art Museum Fort Lauderdale, Ft. Lauderdale, FL.

Creative Pinellas presents “As the Arctic Melts …,” an artist’s talk by Xavier Cortada

90N:     Main | Event | Gallery | Press
Galleries:     Arctic Ice Paintings | Native Flags | Endangered World | Longitudinal Installation | North Pole Dinner Party

 

 

 

Creative Pinellas 
presents

As the Arctic Melts …

an artist’s talk by
Xavier Cortada

on
Thursday, July 19th, 2018
7:00 – 8:30 pm

at
Pinewood Cultural Center Auditorium
12211 Walsingham Road
Largo, FL 33778

 

 

 

The lecture is presented in conjunction with the presentation of the artist’s 
90N: North Pole Installations exhibition across the way at

Gallery Creative Pinellas
12211 Walsingham Road
Largo, FL 33778

 

Exhibition runs June 29, 2018 through September 2, 2018 

 

 

Ten years ago, Cortada’s ice breaker easily pushed through the then-thinning polar ice, surprising the crew at its early arrival in the North Pole. Arctic warming has since continued melting sea ice at frightening speed:   “Within two decades” stated the artist, “I will be able to repeat the journey on a sailboat, because scientists tell us the Arctic Ocean will be ice-free during summer. Global Climate Change will not just melt the Arctic, it will irrevocably change the world below.”

“I bring this exhibition to the people of Florida to draw the alarming connection between the Arctic and our peninsula,” said Cortada. “Melting ice will have catastrophic effects across our state and weaken the Gulf Stream. Arctic warming will lead to sea level rise, more coastal flooding, prolonged heatwaves, relentless rain, stalled tropical storms, extreme weather and more intense fire seasons.”

 

About the Artist

Xavier Cortada created art installations at the North Pole and South Pole to address environmental concerns at every point in between. He’s been commissioned to create art for CERN, the White House, the World Bank, Miami City Hall, Miami-Dade County Hall, Florida Botanical Gardens, Port Everglades, Florida’s Turnpike, the Museum of Florida History, the Frost Science Museum and Miami-Dade Children’s Courthouse. Locally, his work is in the permanent collection of the Frost Art Museum, PAMM and the NSU Art Museum of Ft. Lauderdale. Cortada has also developed numerous collaborative art projects globally, including peace murals in Cyprus and Northern Ireland, child welfare murals in Bolivia and Panama, AIDS murals in Geneva and South Africa, and eco-art projects in Taiwan and Holland. His studio is located in Pinecrest Gardens. For more information please visit www.cortada.com

 

About Creative Pinellas

At Creative Pinellas our mission is to facilitate a vibrant, integrated, collaborative and sustainable Pinellas County Arts Community and cultural destination. We strive to be the premier Local Arts Agency, recognized locally and globally for our contribution to arts and culture. We are focused on creating vibrant communities; supporting artists, arts organizations and the creative community; supporting economic development; showcasing Pinellas County as a cultural destination, and making arts and creative expression and experience available to all. As the County’s Local Arts Agency, Creative Pinellas and the programs we deliver are funded by the Pinellas County Board of County Commissioners, Visit St Petersburg / Clearwater, the State of Florida, Department of State, Division of Cultural Affairs and by sales of the State of the Arts specialty license plate in Pinellas County.

 

Creative Pinellas and Arctic Cycle present “90N,” a solo exhibition of works created by Xavier Cortada at the North Pole in June 2008

90N:     Main | Event | Gallery | Press
Galleries:     Arctic Ice Paintings | Native Flags | Endangered World | Longitudinal Installation | North Pole Dinner Party

 


Creative Pinellas
and Arctic Cycle present

90N:

North Pole Installations

by

Xavier Cortada

at

Gallery at Creative Pinellas
12211 Walsingham Road
Largo, FL 33778

Exhibit runs  June 29, 2018 through September 2, 2018

 

 

Ten years ago, Cortada’s ice breaker easily pushed through the then-thinning polar ice, surprising the crew at its early arrival in the North Pole. Arctic warming has since continued melting sea ice at frightening speed:   “Within two decades” stated the artist, “I will be able to repeat the journey on a sailboat, because scientists tell us the Arctic Ocean will be ice-free during summer. Global Climate Change will not just melt the Arctic, it will irrevocably change the world below.”

“I bring this exhibition to the people of Florida to draw the alarming connection between the Arctic and our peninsula,” said Cortada. “Melting ice will have catastrophic effects across our state and weaken the Gulf Stream. Arctic warming will lead to sea level rise, more coastal flooding, prolonged heatwaves, relentless rain, stalled tropical storms, extreme weather and more intense fire seasons.”

 

 

 

 

 


 

About the Artist

Xavier Cortada created art installations at the North Pole and South Pole to address environmental concerns at every point in between. He’s been commissioned to create art for CERN, the White House, the World Bank, Miami City Hall, Miami-Dade County Hall, Florida Botanical Gardens, Port Everglades, Florida’s Turnpike, the Museum of Florida History, the Frost Science Museum and Miami-Dade Children’s Courthouse. Locally, his work is in the permanent collection of the Frost Art Museum, PAMM and the NSU Art Museum of Ft. Lauderdale. Cortada has also developed numerous collaborative art projects globally, including peace murals in Cyprus and Northern Ireland, child welfare murals in Bolivia and Panama, AIDS murals in Geneva and South Africa, and eco-art projects in Taiwan and Holland. His studio is located in Pinecrest Gardens. Learn more at www.cortada.com

 

About Creative Pinellas

At Creative Pinellas our mission is to facilitate a vibrant, integrated, collaborative and sustainable Pinellas County Arts Community and cultural destination. We strive to be the premier Local Arts Agency, recognized locally and globally for our contribution to arts and culture. We are focused on creating vibrant communities; supporting artists, arts organizations and the creative community; supporting economic development; showcasing Pinellas County as a cultural destination, and making arts and creative expression and experience available to all. As the County’s Local Arts Agency, Creative Pinellas and the programs we deliver are funded by the Pinellas County Board of County Commissioners, Visit St Petersburg / Clearwater, the State of Florida, Department of State, Division of Cultural Affairs and by sales of the State of the Arts specialty license plate in Pinellas County.  Learn more at www.CreativePinellas.org.

About The Arctic Cycle

The Arctic Cycle uses theatre to foster dialogue about our global climate crisis, create an empowering vision of the future, and inspire people to take action. Operating on the principle that complex problems must be addressed through collaborative efforts, we work with artists across disciplines and geographic borders, solicit input from earth and social scientists, and actively seek community and educational partners. We manifest this mission through our ongoing initiatives, including Artists & Climate Change. Through the publication of essays, interviews, and editorials, the blog and international network Artists & Climate Change creates community and promotes the inclusion of the arts in the global climate change conversation. Since its launch in 2013, A&CC has become an educational resource for art, environment, and social change classes.  Learn more at www.arcticcycle.org.

 

About the NYFA 

Cortada implemented his “90N” installations at the North Pole in 2008 as an NYFA sponsored-artist.New York Foundation for the Arts (NYFA) is a nonprofit service organization that empowers working artists and emerging arts organizations across all disciplines at critical stages in their creative lives and professional/organizational development. NYFA Fiscal Sponsorship increases the funding opportunities of individual artists and artist-run organizations by allowing them to raise funds using NYFA’s tax-exempt status.  Learn more at www.nyfa.org.

 

 

Artistree Gallery: “Water Paintings,” an exhibition of works created at Hubbard Brook Experimental Forest by Xavier Cortada

 

“Water Paintings”

an exhibition of works
created at Hubbard Brook Experimental Forest
by


Xavier Cortada

at

Artistree Gallery
2095 Pomfret Road
South Pomfret, VT 05067

Closing reception: Saturday, July 14th, 5-7pm with Cuban inspired appetizers and drinks.

Exhibit Dates: June 26th – July 14th

This exhibit is part of Artistree’s Cuban Cultural Festival on July 14th.

 

Xavier Cortada’s “Water Paintings” exhibition at Pinecrest Gardens in 2018.

 

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Xavier Cortada works with Hydrologist Mark Green to create “Water Paintings” at Hubbard Brook Experimental Forest.

WATER PAINTINGS

Water Paintings allowed me to give water at Hubbard Brook’s nine watersheds a voice.  In the work, I made water the protagonist.  In June 2016, I placed nine pencil drawings and nine pieces of watercolor paper inside nylon mesh.  I then tied the mesh bags to a rope at each of the nine weirs at Hubbard Brook Experimental Forest and left them there for a period of 16 weeks in 2016.  The water flowing through the mesh stained the paper inside.  Water samples and water data were collected by scientists over the same 16-week period from the same nine weirs.  The final work included water samples, data, even the residue in filters.  I wanted audiences to see the water, what the water did, and what it painted as it flowed and transported materials down the stream.”

Xavier Cortada

 

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Xavier Cortada, “Water Paintings: Hubbard Brook,” paper and residue captured from water flowing from each of the 9 weirs at the Hubbard Brook Experimental Forest LTER in New Hampshire, 2016

Xavier Cortada, “Water Paintings: Hubbard Brook,” paper and residue captured from water flowing from each of the 9 weirs at the Hubbard Brook Experimental Forest LTER in New Hampshire, 2016

 

Hubbard Brook scientists pioneered the small watershed approach, which transformed the study of forests by using whole watersheds as living laboratories. This ground-breaking approach fostered many new discoveries beneficial to both science and society.

Small first-order watersheds can show us how ecosystems respond to environmental change. Chemical concentrations combined with stream flow provides data on stream-water element flux for each watershed.

Water samples and data collected by scientists over a 16-week period from all nine watersheds hang on the walls CLIMA.

Nine sets of “Water Paintings” hang from the ceiling. Cortada created each using the same water scientists study. He placed watercolor paper in mesh and tied it to a rope in each of the nine weirs. The works depict 4 months of streamflow.

 

About the Hubbard Brook Experimental Forest and LTER

The Hubbard Brook Experimental Forest (HBEF) is a 3,160 hectare reserve located in the White Mountain National Forest operated by the USDA Forest Service, near Woodstock, New Hampshire. The on-site research program is dedicated to the long-term study of forest and associated aquatic ecosystems. It has produced some of the most extensive and longest continuous data bases on the hydrology, biology, geology and chemistry of a forest and its associated aquatic ecosystems.

Hubbard Brook scientists pioneered the small watershed approach, which transformed the study of forests by using whole watersheds as living laboratories. This ground-breaking approach fostered many new discoveries beneficial to both science and society.

Hubbard Brook scientists discovered acid rain in North America by taking meticulous, long-term measurements of rain and snow. Scientists continue to document acid rain’s damaging effects and track recovery linked to pollution reduction efforts.

Learn more at http://www.hubbardbrook.org

Hubbard Brook Experimental Forest

Hubbard Brook Experimental Forest

 

https://lternet.edu/sites/hbr

Overview: The Hubbard Brook Experimental Forest (HBEF) is a 3,160 hectare reserve located in the White Mountain National Forest operated by the USDA Forest Service, near Woodstock, New Hampshire. The on-site research program is dedicated to the long-term study of forest and associated aquatic ecosystems.
History: The HBEF was established by the USDA Forest Service, Northeastern Research Station in 1955 as a major center for hydrologic research in New England. In the early 1960’s, Dr. F. Herbert Bormann and others proposed the use of small watersheds to study element cycling. In 1963, the Hubbard Brook Ecosystem Study (HBES) was initiated by Bormann and Drs. Gene E. Likens and Noye M. Johnson, then on the faculty of Dartmouth College, and Dr. Robert S. Pierce of the USDA Forest Service. They proposed to use the small watershed approach at Hubbard Brook to study linkages between hydrologic and nutrient flux and cycling in response to natural and human disturbances, such as air pollution, forest cutting, land-use changes, increases in insect populations and climatic factors.Research Topics: Vegetation structure and production; dynamics of detritus in terrestrial and aquatic ecosystems; atmosphere-terrestrial-aquatic ecosystem linkages; heterotroph population dynamics; effects of human activities on ecosystems.

Special thanks to the entire Hubbard Brook team, the USDA Forest Service, Dr. Lindsey Rustad, Hydrologist Mark Green, Sr. Researcher Tammy Wooster, Amey Bailey, and Mary Martin.

 

 

 

About the artist:

 

Xavier Cortada:

Xavier Cortada serves as Artist-in-Residence at FIU School of Environment, Arts and Society and the College of Communication, Architecture + The Arts.

Cortada often engages scientists in his art-making: At CERN, Cortada and a particle physicist created a permanent digital-art piece to celebrate the Higgs boson discovery. Cortada has worked with scientists at Hubbard Brook LTER on a water cycle visualization project driven by real-time data collected at a watershed in New Hampshire’s White Mountains.

He has collaborated with a population geneticist to explore our ancestral journeys out of Africa 60,000-years ago, with a molecular biologist to synthesize a DNA strand from a sequence 400 museum visitors randomly generated, and with botanists to develop multi-year participatory eco-art eff orts to reforest mangrovesnative trees and wildflowers across Florida.

The Miami artist has created environmental installations (North Pole and South Pole) and eco-art (TaiwanHawaii and Hollandprojects, and painted community murals addressing peace (Cyprus and Northern Ireland), child welfare  (Bolivia and Panama), AIDS (Switzerland and South Africa) and juvenile justice (Miami and Philadelphia) concerns.