Creative Pinellas and Arctic Cycle present “90N,” a solo exhibition of works created by Xavier Cortada at the North Pole in June 2008

90N:     Main | Event | Gallery | Press
 
Galleries:     Antarctic Ice Paintings | Native Flags | Endangered World | Longitudinal Installation | North Pole Dinner Party

 

90N:
North Pole Installations

by

Xavier Cortada

at

Gallery at Creative Pinellas
12211 Walsingham Road
Largo, FL 33778

Exhibit runs  June 29, 2018 through September 2, 2018

 

ARCTIC ICE PAINTINGS

In the summer of 2008, Cortada used Arctic ice to create a series of Ice-paintings aboard a Russian Icebreaker as it made its way back from the North Pole.

 

 

NATIVE FLAGS:

At a time when melting polar sea ice had many focus on which political power control the Arctic (using the Northwest Passage shipping lanes and the petroleum resources beneath the sea ice), Cortada planted a green flag and reclaimed it for nature. To do so, he developed Native Flags, a participatory eco-art project that engages others in planting a green flag and native tree in their homes to prevent the polar regions from melting. Reforestation sequesters carbon from the atmosphere, helping reduce green house gases that warm the planet.  Learn more a twww.nativeflags.org

Xavier Cortada, “Native Flags | North Pole,” 2008. (http://nativeflags.org/native-flags-north-pole/)

 

 

ENDANGERED WORLD:

Cortada highlighted the need to protect our endangered species by placing the names of 360 endangered animals  in a circle around the North Pole, each aligned with longitudinal degree in which the struggle to survive in the world below. Learn more at www.endangeredworld.org

Xavier Cortada, “Endangered World | North Pole,” 2008 (http://endangeredworld.org/north-pole-about/)

 

 

LONGITUDINAL INSTALLATION:

As he did in the South Pole, Mr. Cortada placed 24 shoes in a circle around the North Pole, each shoe representing a person living in a different part of the world affected by climate change. Afterwards, he approached each shoe and recited a statement from each person about the impact of global climate change in their lives.  Learn more at www.longitudinalinstallation.org 

Xavier Cortada, “Longitudinal Installation | North Pole,” 2008. (http://longitudinalinstallation.org/north-pole-installation/)

 

Xavier Cortada, Ice Plate, North Pole Dinner Party (Miami): 90N6 , Sea Ice from the Geographic North Pole, pigment and glaze on ceramic plate, 2008

 

NORTH POLE DINNER PARTY

On June 29th, 2008, Xavier Cortada arrived at the North Pole to create ritualistic installations addressing global climate change and the melting polar caps.  One of Cortada’s performances included a ritual where he fed his fellow travelers pieces of ice collected at the North Pole, thereby integrating the North Pole into their very being.

“I figured that if they ingested a piece of the North Pole, it would become part of them.” said Cortada. “The North Pole water molecules would be swirling through their bodies.  The North Pole atoms would be incorporated into their very cells.  My sense was that after having North Pole communion, they would protect the North Pole.  If nothing else, they would do so for self-preservation.”

 

North Pole Dinner Party/Miami 2008: The Green Project | Claire Oliver Gallery

 

Xavier Cortada, Ice Plate, North Pole Dinner Party (Miami): 90N_ , Sea Ice from the Geographic North Pole, pigment and glaze on ceramic plate, 2008

Artistree Gallery: “Water Paintings,” an exhibition of works created at Hubbard Brook Experimental Forest by Xavier Cortada

 

“Water Paintings”

an exhibition of works
created at Hubbard Brook Experimental Forest
by


Xavier Cortada

at

Artistree Gallery
2095 Pomfret Road
South Pomfret, VT 05067

Closing reception: Saturday, July 14th, 5-7pm with Cuban inspired appetizers and drinks.

Exhibit Dates: June 26th – July 14th

This exhibit is part of Artistree’s Cuban Cultural Festival on July 14th.

 

Xavier Cortada’s “Water Paintings” exhibition at Pinecrest Gardens in 2018.

 

img_3703

Xavier Cortada works with Hydrologist Mark Green to create “Water Paintings” at Hubbard Brook Experimental Forest.

WATER PAINTINGS

Water Paintings allowed me to give water at Hubbard Brook’s nine watersheds a voice.  In the work, I made water the protagonist.  In June 2016, I placed nine pencil drawings and nine pieces of watercolor paper inside nylon mesh.  I then tied the mesh bags to a rope at each of the nine weirs at Hubbard Brook Experimental Forest and left them there for a period of 16 weeks in 2016.  The water flowing through the mesh stained the paper inside.  Water samples and water data were collected by scientists over the same 16-week period from the same nine weirs.  The final work included water samples, data, even the residue in filters.  I wanted audiences to see the water, what the water did, and what it painted as it flowed and transported materials down the stream.”

Xavier Cortada

 

img_3740

Xavier Cortada, “Water Paintings: Hubbard Brook,” paper and residue captured from water flowing from each of the 9 weirs at the Hubbard Brook Experimental Forest LTER in New Hampshire, 2016

Xavier Cortada, “Water Paintings: Hubbard Brook,” paper and residue captured from water flowing from each of the 9 weirs at the Hubbard Brook Experimental Forest LTER in New Hampshire, 2016

 

Hubbard Brook scientists pioneered the small watershed approach, which transformed the study of forests by using whole watersheds as living laboratories. This ground-breaking approach fostered many new discoveries beneficial to both science and society.

Small first-order watersheds can show us how ecosystems respond to environmental change. Chemical concentrations combined with stream flow provides data on stream-water element flux for each watershed.

Water samples and data collected by scientists over a 16-week period from all nine watersheds hang on the walls CLIMA.

Nine sets of “Water Paintings” hang from the ceiling. Cortada created each using the same water scientists study. He placed watercolor paper in mesh and tied it to a rope in each of the nine weirs. The works depict 4 months of streamflow.

 

About the Hubbard Brook Experimental Forest and LTER

The Hubbard Brook Experimental Forest (HBEF) is a 3,160 hectare reserve located in the White Mountain National Forest operated by the USDA Forest Service, near Woodstock, New Hampshire. The on-site research program is dedicated to the long-term study of forest and associated aquatic ecosystems. It has produced some of the most extensive and longest continuous data bases on the hydrology, biology, geology and chemistry of a forest and its associated aquatic ecosystems.

Hubbard Brook scientists pioneered the small watershed approach, which transformed the study of forests by using whole watersheds as living laboratories. This ground-breaking approach fostered many new discoveries beneficial to both science and society.

Hubbard Brook scientists discovered acid rain in North America by taking meticulous, long-term measurements of rain and snow. Scientists continue to document acid rain’s damaging effects and track recovery linked to pollution reduction efforts.

Learn more at http://www.hubbardbrook.org

Hubbard Brook Experimental Forest

Hubbard Brook Experimental Forest

 

https://lternet.edu/sites/hbr

Overview: The Hubbard Brook Experimental Forest (HBEF) is a 3,160 hectare reserve located in the White Mountain National Forest operated by the USDA Forest Service, near Woodstock, New Hampshire. The on-site research program is dedicated to the long-term study of forest and associated aquatic ecosystems.
History: The HBEF was established by the USDA Forest Service, Northeastern Research Station in 1955 as a major center for hydrologic research in New England. In the early 1960’s, Dr. F. Herbert Bormann and others proposed the use of small watersheds to study element cycling. In 1963, the Hubbard Brook Ecosystem Study (HBES) was initiated by Bormann and Drs. Gene E. Likens and Noye M. Johnson, then on the faculty of Dartmouth College, and Dr. Robert S. Pierce of the USDA Forest Service. They proposed to use the small watershed approach at Hubbard Brook to study linkages between hydrologic and nutrient flux and cycling in response to natural and human disturbances, such as air pollution, forest cutting, land-use changes, increases in insect populations and climatic factors.Research Topics: Vegetation structure and production; dynamics of detritus in terrestrial and aquatic ecosystems; atmosphere-terrestrial-aquatic ecosystem linkages; heterotroph population dynamics; effects of human activities on ecosystems.

Special thanks to the entire Hubbard Brook team, the USDA Forest Service, Dr. Lindsey Rustad, Hydrologist Mark Green, Sr. Researcher Tammy Wooster, Amey Bailey, and Mary Martin.

 

 

 

About the artist:

 

Xavier Cortada:

Xavier Cortada serves as Artist-in-Residence at FIU School of Environment, Arts and Society and the College of Communication, Architecture + The Arts.

Cortada often engages scientists in his art-making: At CERN, Cortada and a particle physicist created a permanent digital-art piece to celebrate the Higgs boson discovery. Cortada has worked with scientists at Hubbard Brook LTER on a water cycle visualization project driven by real-time data collected at a watershed in New Hampshire’s White Mountains.

He has collaborated with a population geneticist to explore our ancestral journeys out of Africa 60,000-years ago, with a molecular biologist to synthesize a DNA strand from a sequence 400 museum visitors randomly generated, and with botanists to develop multi-year participatory eco-art eff orts to reforest mangrovesnative trees and wildflowers across Florida.

The Miami artist has created environmental installations (North Pole and South Pole) and eco-art (TaiwanHawaii and Hollandprojects, and painted community murals addressing peace (Cyprus and Northern Ireland), child welfare  (Bolivia and Panama), AIDS (Switzerland and South Africa) and juvenile justice (Miami and Philadelphia) concerns.

 

{in water} exhibition at Pinecrest Gardens

Xavier Cortada’s “Diatom Court,” the site-specific ceramic installation Pinecrest Gardens

 

Xavier Cortada, “{in water}: (P),” 12″ x 16″, archival ink on paper, signed, numbered, limited edition print / edition of 5, 2018..

“{in water}”

a solo exhibition of works
by

Xavier Cortada

at

Hibiscus Gallery
Pinecrest Gardens
11000 S. Red Road
Pinecrest, FL 33156

Exhibit runs from May 3 through August 3rd, 2018


Summer hours:

In the gallery (main entrance): Weekends only
Please call 305-669-6990 to see when gallery is open to the public

In the studio (cottage):
Weekdays 3p to 6p and, as of 6/23, Sundays 9a to 2p.
Please call Amanda Delaplaine at 305-858-1323 or email her at info@hibiscusgallery.com to schedule appointment

Opening reception
May 4th, 2018
7 to 10 pm

{in water} 

Diatoms are water-bound, single-celled symmetrical organisms encapsulated in silica.  They harness the power of the sun to convert carbon dioxide into oxygen and are responsible for generating for one-third of the air we breathe.

Its shell, all that remains from the diatom that lived in the past, is used by scientists today to see what was as they research crucial environmental issues in the century to come.  Scientists—and artists—can determine the past salinity of water by examining the glass shells of diatoms preserved in sedimentary core samples.

Each diatom species has a different salinity preference, so changes in the mixture of fresh and sea water (driven by sea level and changes in water management) can be inferred from past diatom remains.

Xavier Cortada collaborated with Florida Coastal Everglades Long Term Ecological Research (FCE LTER) scientists to better understand the impact of global climate change on our ecosystems. The works in the {in water} exhibition are inspired by their scientific research.

Diatom,” (2014), is his first work ever depicting a diatom: Using a microscope, Cortada captured the image of a diatom from samples used by Florida International University FCE LTER scientiststo study the ecology of the Everglades and sea level rise.  In the art, Cortada’s diatoms hover over a layer of images (Cortada captured using Google maps) showing the artificial canals and lakes created to develop parcels of developable land where the River of Grass once flowed.

His latest diatom-themed work, “Diatom Court” (2018), is outside the Hibiscus Gallery in the gardens. On Earth Day 2018, it was unveiled as a permanent, site-specific, ceramic installation on the grounds of Pinecrest Gardens.

Xavier Cortada, “Diatom,” archival ink on aluminum, 36in x 18in, 2014 (edition 1 of 5).

About the artist:

Xavier Cortada serves as Artist-in-Residence at FIU School of Environment, Arts and Society and the College of Communication, Architecture + The Arts.

Cortada often engages scientists in his art-making: At CERN, Cortada and a particle physicist created a permanent digital-art piece to celebrate the Higgs boson discovery. Cortada has worked with scientists at Hubbard Brook LTER on a water cycle visualization project driven by real-time data collected at a watershed in New Hampshire’s White Mountains.

He has collaborated with a population geneticist to explore our ancestral journeys out of Africa 60,000-years ago, with a molecular biologist to synthesize a DNA strand from a sequence 400 museum visitors randomly generated, and with botanists to develop multi-year participatory eco-art eff orts to reforest mangrovesnative trees and wildflowers across Florida.

The Miami artist has created environmental installations (North Pole and South Pole) and eco-art (TaiwanHawaii and Hollandprojects, and painted community murals addressing peace (Cyprus and Northern Ireland), child welfare  (Bolivia and Panama), AIDS (Switzerland and South Africa) and juvenile justice (Miami and Philadelphia) concerns.

His studio is located at Pinecrest Gardens.

 

 

“Water Paintings,” an exhibition of works created at Hubbard Brook Experimental Forest by Xavier Cortada

 

“Water Paintings”

an exhibition of works
created at Hubbard Brook Experimental Forest
by


Xavier Cortada

at

Hibiscus Gallery
Pinecrest Gardens
11000 S. Red Road
Pinecrest, FL 33156

Exhibit runs from March 30th through April 29th, 2018

 Opening reception: April 8th from noon to 2pm

 

Xavier Cortada’s “Water Paintings” exhibition at Pinecrest Gardens.

 

img_3703

Xavier Cortada works with Hydrologist Mark Green to create “Water Paintings” at Hubbard Brook Experimental Forest.

WATER PAINTINGS

Water Paintings allowed me to give water at Hubbard Brook’s nine watersheds a voice.  In the work, I made water the protagonist.  In June 2016, I placed nine pencil drawings and nine pieces of watercolor paper inside nylon mesh.  I then tied the mesh bags to a rope at each of the nine weirs at Hubbard Brook Experimental Forest and left them there for a period of 16 weeks in 2016.  The water flowing through the mesh stained the paper inside.  Water samples and water data were collected by scientists over the same 16-week period from the same nine weirs.  The final work included water samples, data, even the residue in filters.  I wanted audiences to see the water, what the water did, and what it painted as it flowed and transported materials down the stream.”

Xavier Cortada

 

img_3740

Xavier Cortada, “Water Paintings: Hubbard Brook,” paper and residue captured from water flowing from each of the 9 weirs at the Hubbard Brook Experimental Forest LTER in New Hampshire, 2016

Xavier Cortada, “Water Paintings: Hubbard Brook,” paper and residue captured from water flowing from each of the 9 weirs at the Hubbard Brook Experimental Forest LTER in New Hampshire, 2016

 

Hubbard Brook scientists pioneered the small watershed approach, which transformed the study of forests by using whole watersheds as living laboratories. This ground-breaking approach fostered many new discoveries beneficial to both science and society.

Small first-order watersheds can show us how ecosystems respond to environmental change. Chemical concentrations combined with stream flow provides data on stream-water element flux for each watershed.

Water samples and data collected by scientists over a 16-week period from all nine watersheds hang on the walls CLIMA.

Nine sets of “Water Paintings” hang from the ceiling. Cortada created each using the same water scientists study. He placed watercolor paper in mesh and tied it to a rope in each of the nine weirs. The works depict 4 months of streamflow.

 

About the Hubbard Brook Experimental Forest and LTER

The Hubbard Brook Experimental Forest (HBEF) is a 3,160 hectare reserve located in the White Mountain National Forest operated by the USDA Forest Service, near Woodstock, New Hampshire. The on-site research program is dedicated to the long-term study of forest and associated aquatic ecosystems. It has produced some of the most extensive and longest continuous data bases on the hydrology, biology, geology and chemistry of a forest and its associated aquatic ecosystems.

Hubbard Brook scientists pioneered the small watershed approach, which transformed the study of forests by using whole watersheds as living laboratories. This ground-breaking approach fostered many new discoveries beneficial to both science and society.

Hubbard Brook scientists discovered acid rain in North America by taking meticulous, long-term measurements of rain and snow. Scientists continue to document acid rain’s damaging effects and track recovery linked to pollution reduction efforts.

Learn more at http://www.hubbardbrook.org

Hubbard Brook Experimental Forest

Hubbard Brook Experimental Forest

 

https://lternet.edu/sites/hbr

Overview: The Hubbard Brook Experimental Forest (HBEF) is a 3,160 hectare reserve located in the White Mountain National Forest operated by the USDA Forest Service, near Woodstock, New Hampshire. The on-site research program is dedicated to the long-term study of forest and associated aquatic ecosystems.
History: The HBEF was established by the USDA Forest Service, Northeastern Research Station in 1955 as a major center for hydrologic research in New England. In the early 1960’s, Dr. F. Herbert Bormann and others proposed the use of small watersheds to study element cycling. In 1963, the Hubbard Brook Ecosystem Study (HBES) was initiated by Bormann and Drs. Gene E. Likens and Noye M. Johnson, then on the faculty of Dartmouth College, and Dr. Robert S. Pierce of the USDA Forest Service. They proposed to use the small watershed approach at Hubbard Brook to study linkages between hydrologic and nutrient flux and cycling in response to natural and human disturbances, such as air pollution, forest cutting, land-use changes, increases in insect populations and climatic factors.Research Topics: Vegetation structure and production; dynamics of detritus in terrestrial and aquatic ecosystems; atmosphere-terrestrial-aquatic ecosystem linkages; heterotroph population dynamics; effects of human activities on ecosystems.

Special thanks to the entire Hubbard Brook team, the USDA Forest Service, Dr. Lindsey Rustad, Hydrologist Mark Green, Sr. Researcher Tammy Wooster, Amey Bailey, and Mary Martin.

 

 

 

About the artist:

 

Xavier Cortada:

Xavier Cortada serves as Artist-in-Residence at FIU School of Environment, Arts and Society and the College of Communication, Architecture + The Arts.

Cortada often engages scientists in his art-making: At CERN, Cortada and a particle physicist created a permanent digital-art piece to celebrate the Higgs boson discovery. Cortada has worked with scientists at Hubbard Brook LTER on a water cycle visualization project driven by real-time data collected at a watershed in New Hampshire’s White Mountains.

He has collaborated with a population geneticist to explore our ancestral journeys out of Africa 60,000-years ago, with a molecular biologist to synthesize a DNA strand from a sequence 400 museum visitors randomly generated, and with botanists to develop multi-year participatory eco-art eff orts to reforest mangrovesnative trees and wildflowers across Florida.

The Miami artist has created environmental installations (North Pole and South Pole) and eco-art (TaiwanHawaii and Hollandprojects, and painted community murals addressing peace (Cyprus and Northern Ireland), child welfare  (Bolivia and Panama), AIDS (Switzerland and South Africa) and juvenile justice (Miami and Philadelphia) concerns.

 

“Mangroves,” a group exhibition at Pinecrest Gardens

Josh Liberman, “Offering”, archival pigment on paper, 2018.

“Mangroves”

a group exhibition of works by


Xavier Cortada

and

Josh Liberman

at

Hibiscus Gallery
Pinecrest Gardens
11000 S. Red Road
Pinecrest, FL 33156

 

Few organisms rival the mangrove’s ability to fill so many diverse roles. They help combat erosion and storm-surge, remove large amounts of carbon from the atmosphere, and serve as a breeding ground and nursery for countless animals. Mangroves fall victim to development as their habitats are replaced by man-made barriers such as sprawling sea-walls and rising condos.

 

In 2006, Xavier Cortada launched The Reclamation Project, a participatory eco-art project that has engaged thousands of volunteers in the planting of over eight acres of mangroves on Biscayne Bay. Cortada displays mangrove paintings he created a decade ago as he innovated his environmental art practice.

 

Informed by his studies at the University of Miami Department of Biology, Josh Liberman has photographed elements of nature across five continents. In “Mangroves”, he focuses on South Florida’s shrinking wetlands, capturing the remnants of an ecosystem that used to hug the entire coastline.

Meet Cortada and Liberman along with the artists of the Miami River Show in the Hibiscus Gallery  at 12:30 pm on January 21st, 2018 for the opening of the exhibition.

Exhibit runs January 18th through February 19th, 2018

Xavier Cortada, “Mangrove Roots”, acrylic on canvas, 48″ x 36″, 2007.

About the artists:

 

Xavier Cortada:

Xavier Cortada’s engaged science-art practice is based at FIU School of Environment, Arts and Society and the College of Communication, Architecture + The Arts.  Cortada often engages scientists in his art-making: At CERN, Cortada and a particle physicist created a permanent digital-art piece to celebrate the Higgs boson discovery. Cortada has worked with scientists at Hubbard Brook LTER on a water cycle visualization project driven by real-time data collected at a watershed in New Hampshire’s White Mountains. He has collaborated with a population geneticist to explore our ancestral journeys out of Africa 60,000-years ago, with a molecular biologist to synthesize a DNA strand from a sequence 400 museum visitors randomly generated, and with botanists to develop multi-year participatory eco-art eff orts to reforest mangroves, native trees and wildflowers across Florida.

The Miami artist has created environmental installations (North Pole and South Pole) and eco-art (Taiwan, Hawaii and Holland) projects, and painted community murals addressing peace (Cyprus and Northern Ireland), child welfare  (Bolivia and Panama), AIDS (Switzerland and South Africa) and juvenile justice (Miami and Philadelphia) concerns.  His studio is located at Pinecrest Gardens.

Learn more about his work at www.cortada.com.

 

Josh Liberman:

Josh Liberman is a photographer whose roots lie in the outdoors.  He was raised in Melbourne, FL, where he developed an early fascination and love for the sea and the natural world. He studied Biology at the University of Miami and has since been building an impressive portfolio of natural elements around the world.

Liberman works with a variety of conservation-minded brands and organizations.  His work has been featured by Discovery Channel, The Smithsonian, Thrillist, and many more.  He currently serves as staff photographer for the University of Miami Shark Research and Conservation lab.

Learn more about his work at www.joshliberman.com.